Mondrian and the Neo-plasticist Utopia PDF Download
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Author: Serge Fauchereau
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 138
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Book Description
Dutch painter Piet Mondrian (1872-1944) was one of the pioneers of abstract art in the twentieth century. His was a plastic art, in which every curve. spatial illusion, every affect of the brush --anything that recalled the techniques of impressionism --was rejected. His painting pursued "relationship," the necessarily two-dimensional meeting of line and line in a ninety degree angle, though he imbued this planar relationship with an asymmetric vitality. Mondrian's work shows a progression from naturalism in his early years, to cubism, which he encountered in Paris in 1911, and finally, this unique style of neoplastic painting containing no association with objective reality. His work influenced many younger artists, including Fernand Léger and Willi Baumeister. This text discusses the progression of Mondrian's career, and his avant-garde artistic beliefs, as seen through his writings and his associations with other artists and intellectuals.--From publisher description.
Author: Serge Fauchereau
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 138
Get Book Here
Book Description
Dutch painter Piet Mondrian (1872-1944) was one of the pioneers of abstract art in the twentieth century. His was a plastic art, in which every curve. spatial illusion, every affect of the brush --anything that recalled the techniques of impressionism --was rejected. His painting pursued "relationship," the necessarily two-dimensional meeting of line and line in a ninety degree angle, though he imbued this planar relationship with an asymmetric vitality. Mondrian's work shows a progression from naturalism in his early years, to cubism, which he encountered in Paris in 1911, and finally, this unique style of neoplastic painting containing no association with objective reality. His work influenced many younger artists, including Fernand Léger and Willi Baumeister. This text discusses the progression of Mondrian's career, and his avant-garde artistic beliefs, as seen through his writings and his associations with other artists and intellectuals.--From publisher description.
Author: Hilton Kramer
Publisher: Now and Then Reader LLC
ISBN: 1937853047
Category : Art
Languages : en
Pages : 35
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Book Description
Author: Piet Mondrian
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: David Raizman
Publisher: Laurence King Publishing
ISBN: 9781856693486
Category : Design
Languages : en
Pages : 406
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Book Description
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
Author: Eiichi Tosaki
Publisher: Springer
ISBN: 9402411984
Category : Philosophy
Languages : en
Pages : 279
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Book Description
This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian’s own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin’s famous criticism of photography (“athlete-in-motion is forever frozen”) can be applied to Muybridge’s zoopraxiscope, the Futurists’ rendition of stroboscopic images, and Duchamp’s “Nude Descending a Staircase.” Through a comparative study between Mondrian’s painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm. “Mondrian’s simultaneous emphasis on the static and the rhythmic is hardly fodder for a publicist. Eiichi Tosaki has taken on the challenge of elucidating Mondrian’s theories of rhythm, and particularly his conception of “static” rhythm. The result is a tour de force that will forever alter the reader’s encounter with the works of Mondrian.” Prof. Kathleen Higgins
Author: Guinevere de la Mare
Publisher: Chronicle Books
ISBN: 1452158592
Category : Art
Languages : en
Pages : 98
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Book Description
A compendium of delightful essays, poems, photos, quotations, and illustrations for book lovers. For anyone who’d rather be reading than doing just about anything else, this ebook is the ultimate must-have. In this visual ode to all things bookish, readers will get lost in page after page of beautiful contemporary art, photography, and illustrations depicting the pleasures of books. Artwork from the likes of Jane Mount, Lisa Congdon, Julia Rothman, and Sophie Blackall is interwoven with text from essayist Maura Kelly, bestselling author Gretchen Rubin, and award-winning author and independent bookstore owner Ann Patchett. Rounded out with poems, quotations, and aphorisms celebrating the joys of reading, this lovingly curated compendium is a love letter to all things literary, and the perfect thing for bookworms everywhere.
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313085102
Category : Art
Languages : en
Pages : 964
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Book Description
Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.
Author: Ann Temkin
Publisher: The Museum of Modern Art
ISBN: 9780870707315
Category : Art
Languages : en
Pages : 256
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Book Description
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Author: Marilyn DeLong
Publisher: A&C Black
ISBN: 1472520157
Category : Design
Languages : en
Pages : 289
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Book Description
From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.
Author: Paul Overy
Publisher: Thames & Hudson
ISBN: 9780500202401
Category : Architecture
Languages : en
Pages : 216
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Book Description
The ideas that later had such a marked influence on the architecture of Walter Gropius and others of the Bauhaus movement, and subsequently on commercial art and graphic design, were first advocated by the Dutch magazine De Stijl.
