Author: Jodi Campbell
Publisher: Routledge
ISBN: 1317094425
Category : History
Languages : en
Pages : 182
Book Description
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.
Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid
Author: Jodi Campbell
Publisher: Routledge
ISBN: 1317094425
Category : History
Languages : en
Pages : 182
Book Description
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.
Publisher: Routledge
ISBN: 1317094425
Category : History
Languages : en
Pages : 182
Book Description
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.
The Musical Iconography of Power in Seventeenth-Century Spain and Her Territories
Author: Sara Gonzalez
Publisher: Routledge
ISBN: 1317319923
Category : History
Languages : en
Pages : 226
Book Description
As Spain encountered economic and political crises in the seventeenth century, the imagery of musical performance was invoked by the state to represent the power of the monarch and to denote harmony throughout the kingdom. Based on contemporary sources, Gonzalez is able to unravel the complex iconography of Spanish politics.
Publisher: Routledge
ISBN: 1317319923
Category : History
Languages : en
Pages : 226
Book Description
As Spain encountered economic and political crises in the seventeenth century, the imagery of musical performance was invoked by the state to represent the power of the monarch and to denote harmony throughout the kingdom. Based on contemporary sources, Gonzalez is able to unravel the complex iconography of Spanish politics.
Listen to This
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429977612
Category : Music
Languages : en
Pages : 384
Book Description
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
Publisher: Farrar, Straus and Giroux
ISBN: 1429977612
Category : Music
Languages : en
Pages : 384
Book Description
One of The Telegraph's Best Music Books 2011 Alex Ross's award-winning international bestseller, The Rest Is Noise: Listening to the Twentieth Century, has become a contemporary classic, establishing Ross as one of our most popular and acclaimed cultural historians. Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing. Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.
Gendering the Crown in the Spanish Baroque Comedia
Author: María Cristina Quintero
Publisher: Routledge
ISBN: 131712961X
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.
Publisher: Routledge
ISBN: 131712961X
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.
The Discourse of Courtly Love in Seventeenth-century Spanish Theater
Author: Robert Elliott Bayliss
Publisher: Associated University Presse
ISBN: 9780838757147
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
By engaging in dialogue the voices of both male and female writers who participated both in the broader courtly love tradition and in the theatrical production of early modern Spain, this book demonstrates that all representations of desire are gender-inflected.
Publisher: Associated University Presse
ISBN: 9780838757147
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
By engaging in dialogue the voices of both male and female writers who participated both in the broader courtly love tradition and in the theatrical production of early modern Spain, this book demonstrates that all representations of desire are gender-inflected.
The Criminal Baroque
Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
A Concise History of Spain
Author: William D. Phillips, Jr
Publisher: Cambridge University Press
ISBN: 0521607213
Category : History
Languages : en
Pages : 363
Book Description
Engaging history of the rich cultural, social and political life of Spain from prehistoric times to the present.
Publisher: Cambridge University Press
ISBN: 0521607213
Category : History
Languages : en
Pages : 363
Book Description
Engaging history of the rich cultural, social and political life of Spain from prehistoric times to the present.
Treating the Public
Author: Rachael Ball
Publisher: LSU Press
ISBN: 0807165093
Category : History
Languages : en
Pages : 225
Book Description
Treating the Public is a comparative history of commercial theater, charitable organizations of welfare and public health, and public opinion in important cities in the Spanish and Anglo Atlantic Worlds during the sixteenth and seventeenth centuries. It examines theater as a cultural, political, and social phenomenon, especially in Spain and its empire. This unique study highlights public drama’s rapid expansion into urban daily life in the Spanish Atlantic, where men and women provided and sought entertainment while engaging in Catholic piety and poor relief.
Publisher: LSU Press
ISBN: 0807165093
Category : History
Languages : en
Pages : 225
Book Description
Treating the Public is a comparative history of commercial theater, charitable organizations of welfare and public health, and public opinion in important cities in the Spanish and Anglo Atlantic Worlds during the sixteenth and seventeenth centuries. It examines theater as a cultural, political, and social phenomenon, especially in Spain and its empire. This unique study highlights public drama’s rapid expansion into urban daily life in the Spanish Atlantic, where men and women provided and sought entertainment while engaging in Catholic piety and poor relief.
Music and Power in Early Modern Spain
Author: Timothy M. Foster
Publisher: Routledge
ISBN: 1000485196
Category : History
Languages : en
Pages : 200
Book Description
This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. The Harmony of Spheres was not ideologically neutral but rather tied to the earthly power structures of the Church, Crown, and nobility. Music could be "true," taking the listener closer to the divine, or "false," leading the listener astray. As such, music was increasingly seen as a potent weapon to be wielded in service of earthly centers of power, which can be observed in works such as vihuela songbooks, the colonial chronicle of the Inca Garcilaso de la Vega, and in the palace theater of Pedro Calderón de la Barca. While music could be a powerful metaphor mapping onto ideological currents of imperial Spain, this volume shows that it also became a contested site where diverse stakeholders challenged the Harmonic Spheres of Influence. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period.
Publisher: Routledge
ISBN: 1000485196
Category : History
Languages : en
Pages : 200
Book Description
This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. The Harmony of Spheres was not ideologically neutral but rather tied to the earthly power structures of the Church, Crown, and nobility. Music could be "true," taking the listener closer to the divine, or "false," leading the listener astray. As such, music was increasingly seen as a potent weapon to be wielded in service of earthly centers of power, which can be observed in works such as vihuela songbooks, the colonial chronicle of the Inca Garcilaso de la Vega, and in the palace theater of Pedro Calderón de la Barca. While music could be a powerful metaphor mapping onto ideological currents of imperial Spain, this volume shows that it also became a contested site where diverse stakeholders challenged the Harmonic Spheres of Influence. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period.
Subject Stages
Author: María Mercedes Carrión
Publisher: University of Toronto Press
ISBN: 1442641088
Category : Social Science
Languages : en
Pages : 273
Book Description
Subject Stages argues that the discourses and practices of marital legislation, litigation, and theatrics informed each other in early modern Spain in ways that still have a critical bearing on contemporary events in Spain, such as the legalization of divorce in 1978 and of same-sex marriage in 2005.
Publisher: University of Toronto Press
ISBN: 1442641088
Category : Social Science
Languages : en
Pages : 273
Book Description
Subject Stages argues that the discourses and practices of marital legislation, litigation, and theatrics informed each other in early modern Spain in ways that still have a critical bearing on contemporary events in Spain, such as the legalization of divorce in 1978 and of same-sex marriage in 2005.