Monarchs of Minstrelsy, from "Daddy" Rice to Date PDF Download
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Author: Edward Le Roy Rice
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 426
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Book Description
Author: Edward Le Roy Rice
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 426
Get Book Here
Book Description
Author: Edward Le Roy Rice
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 430
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Book Description
Author: Edward Le Roy Rice
Publisher:
ISBN: 9781332446100
Category : Reference
Languages : en
Pages : 416
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Book Description
Excerpt from Monarchs of Minstrelsy, From Daddy Rice to Date About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: EDWARD LE ROY. RICE
Publisher:
ISBN: 9781033146378
Category :
Languages : en
Pages : 0
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Book Description
Author: Edward Le Roy Rice
Publisher: Alpha Edition
ISBN: 9789354015502
Category : History
Languages : en
Pages : 416
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Edward Roy Le Rice
Publisher:
ISBN: 9781375666510
Category : Biography & Autobiography
Languages : en
Pages : 418
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Book Description
Author: Kevin Byrne
Publisher: Routledge
ISBN: 1000172570
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Author: Jane Singer
Publisher: Rowman & Littlefield
ISBN: 1493017381
Category : Biography & Autobiography
Languages : en
Pages : 329
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Book Description
A month after Lincoln’s assassination, William Alvin Lloyd arrived in Washington, DC, to press a claim against the federal government for money due him for serving as the president’s spy in the Confederacy. Lloyd claimed that Lincoln personally had issued papers of transit for him to cross into the South, a salary of $200 a month, and a secret commission as Lincoln’s own top-secret spy. The claim convinced Secretary of War Edwin Stanton and Judge Advocate General Joseph Holt—but was it true? Before the war, Lloyd hawked his Southern Steamboat and Railroad Guide wherever he could, including the South, which would have made him a perfect operative for the Union. By 1861, though, he needed cash, so he crossed enemy lines to collect debts owed by advertising clients in Dixie. Officials arrested and jailed him, after just a few days in Memphis, for bigamy. But Lloyd later claimed it was for being a suspected Yankee spy. After bribing his way out, he crisscrossed the Confederacy, trying to collect enough money to stay alive. Between riding the rails he found time to marry plenty of unsuspecting young women only ditch them a few days later. His behavior drew the attention of Confederate detectives, who nabbed him in Savannah and charged him as a suspected spy. But after nine months, they couldn’t find any incriminating evidence or anyone to testify against him, so they let him go. A free but broken man, Lloyd continued roaming the South, making money however he could. In May 1865, he went to Washington with an extraordinary claim and little else: a few coached witnesses, a pass to cross the lines signed “A. Lincoln” (the most forged signature in American history), and his own testimony. So was he really Lincoln’s secret agent or nothing more than a notorious con man? Find out in this completely irresistible, high-spirited historical caper.
Author: Tamara Stevens
Publisher: Bloomsbury Publishing USA
ISBN: 0313375186
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
Telling a riveting true story of the emergence and development of an American icon, this book traces swing dancing from its origins to its status as a modern-day art form. From its unlikely origins in the African slave trade, one of the saddest chapters of American history, swing dance emerged as a celebration of the soul. Swing is now recognized around the globe as a joyous partnered dance, uniquely Afro-American in origin and an American treasure. This book examines how the original swing style of the 1920s, the Lindy Hop, branched out and evolved with the changing dynamics of popular culture, paralleling the development of the nation. Swing Dancing covers the dance through the years of minstrelsy, the jazz age, the big band era, bebop, and the decline of partnered dancing in the 1960s. Swing experts and instructors Tamara and Erin Stevens have combined a compelling historic examination of swing dance with an assortment of riveting personal interviews and photographic documentation to create a comprehensive reference book on this important art form.
Author: Jon W. Finson
Publisher: Oxford University Press
ISBN: 019535432X
Category : Music
Languages : en
Pages : 367
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Book Description
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
