Author: Kenneth Clark
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 210
Book Description
Moments of Vision & Other Essays
Author: Kenneth Clark
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 210
Book Description
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 210
Book Description
Downcast Eyes
Author: Martin Jay
Publisher: Univ of California Press
ISBN: 9780520088856
Category : Philosophy
Languages : en
Pages : 652
Book Description
Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.
Publisher: Univ of California Press
ISBN: 9780520088856
Category : Philosophy
Languages : en
Pages : 652
Book Description
Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.
The Moment, and Other Essays
Author: Virginia Woolf
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 258
Book Description
Emerson's Essays
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791081184
Category :
Languages : en
Pages : 309
Book Description
Ralph Waldo Emerson (1803-1882) was the most influential American writer of the nineteenth century. Poets such as Walt Whitman, Emily Dickinson, Robert Frost, and Wallace Stevens descend from Emerson, as do thinkers such as John Dewey and William James. This volume of critical interpretations focuses on Emerson's Essays: First Series (1841) and Essays: Second Series (1844), which encompass some of his most important works-"History," "Self-Reliance," "Circles," "The Poet," and "Experience" among others. These essays exemplify Emerson's distinctively rich prose and his radical affirmation of the strength of the individual. The analyses and appreciations collected here place Emerson's essays in the context of literary and intellectual history, grapple with the implications of his epigrams and tropes, and link his shifts of perspective and tone to the changes in Emerson's life. Together they illuminate the complexity and scope of the seminal works of America's most influential writer and thinker. Book jacket.
Publisher: Infobase Publishing
ISBN: 0791081184
Category :
Languages : en
Pages : 309
Book Description
Ralph Waldo Emerson (1803-1882) was the most influential American writer of the nineteenth century. Poets such as Walt Whitman, Emily Dickinson, Robert Frost, and Wallace Stevens descend from Emerson, as do thinkers such as John Dewey and William James. This volume of critical interpretations focuses on Emerson's Essays: First Series (1841) and Essays: Second Series (1844), which encompass some of his most important works-"History," "Self-Reliance," "Circles," "The Poet," and "Experience" among others. These essays exemplify Emerson's distinctively rich prose and his radical affirmation of the strength of the individual. The analyses and appreciations collected here place Emerson's essays in the context of literary and intellectual history, grapple with the implications of his epigrams and tropes, and link his shifts of perspective and tone to the changes in Emerson's life. Together they illuminate the complexity and scope of the seminal works of America's most influential writer and thinker. Book jacket.
Measuring the Sadness
Author: Birgit Neuhold
Publisher: Peter Lang
ISBN: 9783631596852
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Book Description
Originally presented as the author's thesis (doctoral)--Fernuniversiteat Hagen, 2008.
Publisher: Peter Lang
ISBN: 9783631596852
Category : Language Arts & Disciplines
Languages : en
Pages : 228
Book Description
Originally presented as the author's thesis (doctoral)--Fernuniversiteat Hagen, 2008.
Selected Essays
Author: Graham Hough
Publisher: CUP Archive
ISBN: 9780521219013
Category : Literary Collections
Languages : en
Pages : 260
Book Description
This volume of essays, written at various stages of Professor Hough's career, is a distinguished and wide-ranging collection of literary studies.
Publisher: CUP Archive
ISBN: 9780521219013
Category : Literary Collections
Languages : en
Pages : 260
Book Description
This volume of essays, written at various stages of Professor Hough's career, is a distinguished and wide-ranging collection of literary studies.
Virginia Woolf and Being-in-the-world
Author: Emma Simone
Publisher: Edinburgh University Press
ISBN: 1474421695
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Breaking fresh ground in Woolfian scholarship, this study presents a timely and compelling interpretation of Virginia Woolf's textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf's novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual's connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual's relationship to and with the world.
Publisher: Edinburgh University Press
ISBN: 1474421695
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
Breaking fresh ground in Woolfian scholarship, this study presents a timely and compelling interpretation of Virginia Woolf's textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf's novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual's connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual's relationship to and with the world.
Virginia Woolf and the Aesthetics of Vision
Author: Claudia Olk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393514
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393514
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
Writing Down the Vision
Author: Kei Miller
Publisher:
ISBN: 9781845232283
Category : Caribbean Area
Languages : en
Pages : 0
Book Description
When Kei Miller describes these as essays and prophecies, he shares with the reader a sensibility in which the sacred and the secular, belief and scepticism, and vision and analysis engage in profound and lively debate. Two moments shape the space in which these essays take place. He writes about the occasion when as a youth who was a favoured spiritual leader in his charismatic church he found himself listening to the rhetoric of the sermons for their careful craft of prophecy; but when he writes about losing his religion, he recognises that a way of being and seeing in the world lives on - a sense of wonder, of spiritual empowerment and the conviction that the world cannot be understood, or accepted, without embracing visions that challenge the way it appears to be.
Publisher:
ISBN: 9781845232283
Category : Caribbean Area
Languages : en
Pages : 0
Book Description
When Kei Miller describes these as essays and prophecies, he shares with the reader a sensibility in which the sacred and the secular, belief and scepticism, and vision and analysis engage in profound and lively debate. Two moments shape the space in which these essays take place. He writes about the occasion when as a youth who was a favoured spiritual leader in his charismatic church he found himself listening to the rhetoric of the sermons for their careful craft of prophecy; but when he writes about losing his religion, he recognises that a way of being and seeing in the world lives on - a sense of wonder, of spiritual empowerment and the conviction that the world cannot be understood, or accepted, without embracing visions that challenge the way it appears to be.
The Visionary Moment
Author: Paul Maltby
Publisher: State University of New York Press
ISBN: 0791488462
Category : Literary Criticism
Languages : en
Pages : 191
Book Description
In The Visionary Moment, Paul Maltby draws on postmodern theory to examine the metaphysics and ideology of the visionary moment, or "epiphany," in twentieth-century American fiction. Engaging critically with the works of Don DeLillo, Jack Kerouac, Saul Bellow, Flannery O'Connor, Alice Walker, and William Faulkner, Maltby explains how the literary convention of the visionary moment promotes the myth that there is a superior level of knowledge that can redeem or regenerate the individual. He contends that this common-sense assumption is a paradigm that needs to be confronted and critiqued.
Publisher: State University of New York Press
ISBN: 0791488462
Category : Literary Criticism
Languages : en
Pages : 191
Book Description
In The Visionary Moment, Paul Maltby draws on postmodern theory to examine the metaphysics and ideology of the visionary moment, or "epiphany," in twentieth-century American fiction. Engaging critically with the works of Don DeLillo, Jack Kerouac, Saul Bellow, Flannery O'Connor, Alice Walker, and William Faulkner, Maltby explains how the literary convention of the visionary moment promotes the myth that there is a superior level of knowledge that can redeem or regenerate the individual. He contends that this common-sense assumption is a paradigm that needs to be confronted and critiqued.