Author: Jens Peter Jacobsen
Publisher: Library of Alexandria
ISBN: 1465597751
Category : Fiction
Languages : en
Pages : 116
Book Description
In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art. This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading. There is in his work something of the passion for form and style that one finds in Flaubert and Pater, but where they are often hard, percussive, like a piano, he is soft and strong and intimate like a violin on which he plays his reading of life. Such analogies, however, have little significance, except that they indicate a unique and powerful artistic personality. Jacobsen is more than a mere stylist. The art of writers who are too consciously that is a sort of decorative representation of life, a formal composition, not a plastic composition. One element particularly characteristic of Jacobsen is his accuracy of observation and minuteness of detail welded with a deep and intimate understanding of the human heart. His characters are not studied tissue by tissue as under a scientist's microscope, rather they are built up living cell by living cell out of the author's experience and imagination. He shows how they are conditioned and modified by their physical being, their inheritance and environment, Through each of his senses he lets impressions from without pour into him. He harmonizes them with a passionate desire for beauty into marvelously plastic figures and moods. A style which grows thus organically from within is style out of richness; the other is style out of poverty.Ê
Mogens and Other Stories
Author: Jens Peter Jacobsen
Publisher: Library of Alexandria
ISBN: 1465597751
Category : Fiction
Languages : en
Pages : 116
Book Description
In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art. This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading. There is in his work something of the passion for form and style that one finds in Flaubert and Pater, but where they are often hard, percussive, like a piano, he is soft and strong and intimate like a violin on which he plays his reading of life. Such analogies, however, have little significance, except that they indicate a unique and powerful artistic personality. Jacobsen is more than a mere stylist. The art of writers who are too consciously that is a sort of decorative representation of life, a formal composition, not a plastic composition. One element particularly characteristic of Jacobsen is his accuracy of observation and minuteness of detail welded with a deep and intimate understanding of the human heart. His characters are not studied tissue by tissue as under a scientist's microscope, rather they are built up living cell by living cell out of the author's experience and imagination. He shows how they are conditioned and modified by their physical being, their inheritance and environment, Through each of his senses he lets impressions from without pour into him. He harmonizes them with a passionate desire for beauty into marvelously plastic figures and moods. A style which grows thus organically from within is style out of richness; the other is style out of poverty.Ê
Publisher: Library of Alexandria
ISBN: 1465597751
Category : Fiction
Languages : en
Pages : 116
Book Description
In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the Main Currents of Nineteenth Century Literature; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art. This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading. There is in his work something of the passion for form and style that one finds in Flaubert and Pater, but where they are often hard, percussive, like a piano, he is soft and strong and intimate like a violin on which he plays his reading of life. Such analogies, however, have little significance, except that they indicate a unique and powerful artistic personality. Jacobsen is more than a mere stylist. The art of writers who are too consciously that is a sort of decorative representation of life, a formal composition, not a plastic composition. One element particularly characteristic of Jacobsen is his accuracy of observation and minuteness of detail welded with a deep and intimate understanding of the human heart. His characters are not studied tissue by tissue as under a scientist's microscope, rather they are built up living cell by living cell out of the author's experience and imagination. He shows how they are conditioned and modified by their physical being, their inheritance and environment, Through each of his senses he lets impressions from without pour into him. He harmonizes them with a passionate desire for beauty into marvelously plastic figures and moods. A style which grows thus organically from within is style out of richness; the other is style out of poverty.Ê
Jens Peter Jacobsen Collection
Author: Jens Jacobsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
Book Description
In Rainer Maria Rilke's Letters to a Young Poet, Rilke claims that there are only two books he finds truly indispensable and that he carries with him wherever he goes: the Bible and The Collected Works of Jens Peter Jacobsen. In Rilke's words, reading Jacobsen is like "a whole world envelop[ing] you, the happiness, the abundance, the inconceivable vastness of a world. Live for a while in these books, learn from them what you feel is worth learning, but most of all love them. This love will be returned to you thousands upon thousands of times, whatever your life may become... it will go through the whole fabric of your being, as one of the most important threads among all the threads of your experiences, disappointments, and joys." In order to give every English language reader that same life-altering experience described by Rilke, we are please to offer in one volume all of the essential works of prose fiction by Danish novelist Jens Peter Jacobsen -- the ground-breaking novelist of the Modern Breakthrough and master of literary naturalism, and probably the greatest and most influential nineteenth century European novelist you've never heard of. Included in this volume are the following novels and novellas: Marie Grubbe (1876), translated by Hanna Astrup Larsen Niels Lyhne (1880), translated by Hanna Astrup Larsen Mogens (1882), translated by Anna Grabow The Plague in Bergamo (1882), translated by Anna Grabow There Should Have Been Roses (1882), translated by Anna Grabow Mrs. Fonss (1882), translated by Anna Grabow Jens Peter Jacobsen (1847 - 1885) was a Danish novelist, poet, and scientist, often publishing just under the name "J. P. Jacobsen." He is considered to be the founder of the naturalist movement in Danish literature and a key leader of the Modern Breakthrough. Originally finding success as a scientist, Jacobsen was the author of an early Danish translation of Charles Darwin's The Origin of Spies and The Descent of Man. As a writer of fiction, he was the author of Fru Marie Grubbe (1876), a ground-breaking work in its depiction of the downfall of a Danish noblewomen that is evocative of the later works of D.H. Lawrence, Niels Lyhne (1880), the story of an atheist struggling in a merciless world that is evocative of the later works of Albert Camus, and the short-story collection Mogens og andre Noveller (1882).
Publisher:
ISBN:
Category :
Languages : en
Pages : 332
Book Description
In Rainer Maria Rilke's Letters to a Young Poet, Rilke claims that there are only two books he finds truly indispensable and that he carries with him wherever he goes: the Bible and The Collected Works of Jens Peter Jacobsen. In Rilke's words, reading Jacobsen is like "a whole world envelop[ing] you, the happiness, the abundance, the inconceivable vastness of a world. Live for a while in these books, learn from them what you feel is worth learning, but most of all love them. This love will be returned to you thousands upon thousands of times, whatever your life may become... it will go through the whole fabric of your being, as one of the most important threads among all the threads of your experiences, disappointments, and joys." In order to give every English language reader that same life-altering experience described by Rilke, we are please to offer in one volume all of the essential works of prose fiction by Danish novelist Jens Peter Jacobsen -- the ground-breaking novelist of the Modern Breakthrough and master of literary naturalism, and probably the greatest and most influential nineteenth century European novelist you've never heard of. Included in this volume are the following novels and novellas: Marie Grubbe (1876), translated by Hanna Astrup Larsen Niels Lyhne (1880), translated by Hanna Astrup Larsen Mogens (1882), translated by Anna Grabow The Plague in Bergamo (1882), translated by Anna Grabow There Should Have Been Roses (1882), translated by Anna Grabow Mrs. Fonss (1882), translated by Anna Grabow Jens Peter Jacobsen (1847 - 1885) was a Danish novelist, poet, and scientist, often publishing just under the name "J. P. Jacobsen." He is considered to be the founder of the naturalist movement in Danish literature and a key leader of the Modern Breakthrough. Originally finding success as a scientist, Jacobsen was the author of an early Danish translation of Charles Darwin's The Origin of Spies and The Descent of Man. As a writer of fiction, he was the author of Fru Marie Grubbe (1876), a ground-breaking work in its depiction of the downfall of a Danish noblewomen that is evocative of the later works of D.H. Lawrence, Niels Lyhne (1880), the story of an atheist struggling in a merciless world that is evocative of the later works of Albert Camus, and the short-story collection Mogens og andre Noveller (1882).
Difficult Death
Author: Morten Høi Jensen
Publisher: Yale University Press
ISBN: 0300233639
Category : Biography & Autobiography
Languages : en
Pages : 267
Book Description
Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.
Publisher: Yale University Press
ISBN: 0300233639
Category : Biography & Autobiography
Languages : en
Pages : 267
Book Description
Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.
Henrik Ibsen
Author: G. Wilson Knight
Publisher: Plunkett Lake Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 83
Book Description
“G. Wilson Knight approaches Ibsen in substantially the same way he approaches Shakespeare. By weaving a fabric of countless quotations from the plays, he attempts primarily to reconstruct Ibsen’s vision rather than to judge it. What emerges most clearly from his examination are Ibsen’s dominant themes. Knight sees Ibsen’s ‘emphasis on vocation, on the instinctive will, forcing persons to self-realization.’ He sees what, for Ibsen, the struggle for self-realization is: a struggle against ‘convention, hypocrisy, sexual passion, marriages of expedience, a corrupt press, and vested interests; and, hardest of all, the past, either of society or of oneself, which may involve guilt and hamper freedom.’ Each of Ibsen’s plays deals centrally with the protagonist’s search for (or avoidance of) his own destiny, which is to find and realize himself. What Knight sees beyond this quest itself and the specific obstacles to its fulfillment is the grandeur with which Ibsen envisioned that fulfillment. The man who achieved self-realization was of the race of new supermen, a genius whose full destiny, in Knight’s words, ‘will be to surpass art, strive for a wholeness including love, touch the occult, and challenge death.’ To Ibsen, self-realization was the only way of resolving the great ‘discords of human nature and human society.’ It was the means for attaining ‘his dream of a new nobility.’” — Irving Deer, Modern Drama
Publisher: Plunkett Lake Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 83
Book Description
“G. Wilson Knight approaches Ibsen in substantially the same way he approaches Shakespeare. By weaving a fabric of countless quotations from the plays, he attempts primarily to reconstruct Ibsen’s vision rather than to judge it. What emerges most clearly from his examination are Ibsen’s dominant themes. Knight sees Ibsen’s ‘emphasis on vocation, on the instinctive will, forcing persons to self-realization.’ He sees what, for Ibsen, the struggle for self-realization is: a struggle against ‘convention, hypocrisy, sexual passion, marriages of expedience, a corrupt press, and vested interests; and, hardest of all, the past, either of society or of oneself, which may involve guilt and hamper freedom.’ Each of Ibsen’s plays deals centrally with the protagonist’s search for (or avoidance of) his own destiny, which is to find and realize himself. What Knight sees beyond this quest itself and the specific obstacles to its fulfillment is the grandeur with which Ibsen envisioned that fulfillment. The man who achieved self-realization was of the race of new supermen, a genius whose full destiny, in Knight’s words, ‘will be to surpass art, strive for a wholeness including love, touch the occult, and challenge death.’ To Ibsen, self-realization was the only way of resolving the great ‘discords of human nature and human society.’ It was the means for attaining ‘his dream of a new nobility.’” — Irving Deer, Modern Drama
Mogens, and Other Stories
Author: Jens Peter Jacobsen
Publisher:
ISBN:
Category : Denmark
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Denmark
Languages : en
Pages : 168
Book Description
Letters to a Young Poet
Author: Rainer Maria Rilke
Publisher: W. W. Norton & Company
ISBN: 0393310396
Category : Language Arts & Disciplines
Languages : en
Pages : 90
Book Description
Letters written to F.X. Kappus during the years 1903-1908. Chronicle of Rilkes's life for the years 1903-1908 (p. 81-123).
Publisher: W. W. Norton & Company
ISBN: 0393310396
Category : Language Arts & Disciplines
Languages : en
Pages : 90
Book Description
Letters written to F.X. Kappus during the years 1903-1908. Chronicle of Rilkes's life for the years 1903-1908 (p. 81-123).
God's Gift
Author: John Banville
Publisher: Gallery Books
ISBN:
Category : Drama
Languages : en
Pages : 84
Book Description
Irish novelist's second play to draw upon the works of the German playwright.
Publisher: Gallery Books
ISBN:
Category : Drama
Languages : en
Pages : 84
Book Description
Irish novelist's second play to draw upon the works of the German playwright.
Jacob's Well
Author: Stephen Harrigan
Publisher: University of Texas Press
ISBN: 0292758154
Category : Fiction
Languages : en
Pages : 292
Book Description
Originally published in 1984, Stephen Harrigan's passionate, emotionally intense second novel takes readers deep into the mysterious passageways of a Central Texas aquifer—and of the human heart. This edition includes a new afterword by the author.
Publisher: University of Texas Press
ISBN: 0292758154
Category : Fiction
Languages : en
Pages : 292
Book Description
Originally published in 1984, Stephen Harrigan's passionate, emotionally intense second novel takes readers deep into the mysterious passageways of a Central Texas aquifer—and of the human heart. This edition includes a new afterword by the author.
Fire Walker
Author: William Kentridge
Publisher:
ISBN: 9780986985027
Category : Public art
Languages : en
Pages : 0
Book Description
In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the City of Johannesburg to be installed in time for the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor - known colloquially as a fire walker - carrying a burning brazier on her head. The eleven-metre-high striding figure would take her place at the foot of the Queen Elizabeth Bridge on a site formerly used by informal traders and taxi washers. Eschewing the bronze monumentalism of traditional public sculpture, Kentridge and Marx devised a figure made up of steel plates that resolves into a coherent image from one vantage point only. A pedestrian passing the sculpture has only a momentary view of the striding woman before the sculpture 'fragments' into its black and white parts. Fire Walker represents not a grand public office-bearer, but an ordinary citizen whose survival depends on her ability to negotiate often-contested urban terrain. This book began as a project to document the making of Fire Walker, but it evolved into a number of conversations about - and meditations on - the meaning of public art. Essays by Mark Gevisser, Mpho Matsipa, Alexandra Dodd, and Jonathan Cane and Zen Marie prise open critical questions about public space in Johannesburg; interviews with the various collaborators on the sculpture reveal the complexities and challenges of creating such a work; and the extraordinary images of the construction of the sculpture, alongside two photo essays on street vendors and old city monuments, suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space."--Publisher's description.
Publisher:
ISBN: 9780986985027
Category : Public art
Languages : en
Pages : 0
Book Description
In 2009, William Kentridge and Gerhard Marx were commissioned to make a public sculpture for the City of Johannesburg to be installed in time for the 2010 Soccer World Cup. The sculpture is based on a drawing by Kentridge of a woman street vendor - known colloquially as a fire walker - carrying a burning brazier on her head. The eleven-metre-high striding figure would take her place at the foot of the Queen Elizabeth Bridge on a site formerly used by informal traders and taxi washers. Eschewing the bronze monumentalism of traditional public sculpture, Kentridge and Marx devised a figure made up of steel plates that resolves into a coherent image from one vantage point only. A pedestrian passing the sculpture has only a momentary view of the striding woman before the sculpture 'fragments' into its black and white parts. Fire Walker represents not a grand public office-bearer, but an ordinary citizen whose survival depends on her ability to negotiate often-contested urban terrain. This book began as a project to document the making of Fire Walker, but it evolved into a number of conversations about - and meditations on - the meaning of public art. Essays by Mark Gevisser, Mpho Matsipa, Alexandra Dodd, and Jonathan Cane and Zen Marie prise open critical questions about public space in Johannesburg; interviews with the various collaborators on the sculpture reveal the complexities and challenges of creating such a work; and the extraordinary images of the construction of the sculpture, alongside two photo essays on street vendors and old city monuments, suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space."--Publisher's description.
Encyclopedia of Literary Translation Into English: A-L
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
Book Description
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
Book Description