The Art of Modular Origami PDF Download
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Author: Joseph Hwang
Publisher: Joseph Hwang
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 108
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Book Description
Origami artist Joseph Hwang presents thirty original modular designs for the intermediate to high level folder. Each model is constructed from thirty squares each and require no cuts or glue. Step-by-step diagrams teach the folder how to fold and assemble the first three units of each model.
Author: Joseph Hwang
Publisher: Joseph Hwang
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 108
Get Book Here
Book Description
Origami artist Joseph Hwang presents thirty original modular designs for the intermediate to high level folder. Each model is constructed from thirty squares each and require no cuts or glue. Step-by-step diagrams teach the folder how to fold and assemble the first three units of each model.
Author: Albright-Knox Art Gallery
Publisher:
ISBN:
Category : Minimal art
Languages : en
Pages : 30
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Book Description
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
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Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Author: Leqi Yu
Publisher: Hong Kong University Press
ISBN: 9888754238
Category : Art
Languages : en
Pages : 217
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Book Description
In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate. “Architecture has been a subject of Chinese painting for two millennia, but has remained elusive. Painting Architecture explains the reasons as well as why the thirteenth and fourteenth centuries are pivotal. The book also translates the vast writings on architectural painting, places the paintings in historical context, and assesses the relation between the paintings and actual buildings. The superior scholarship and original interpretation ensure that paintings of architecture will be part of future discourse about Chinese painting.” —Nancy Steinhardt, professor, University of Pennsylvania “Focusing on the development of jiehua in the fourteenth century when the Mongols ruled China, Yu’s book raises issues beyond the field of painting history, including architectural history, aesthetics, and social-historical studies. It is a long-awaited contribution to a rarely studied painting genre and an admirable accomplishment of multidisciplinary research on Chinese art.” —Qianshen Bai, associate professor emeritus, Boston University
Author: Albright-Knox Art Gallery (Buffalo, NY)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
Author: Yve-Alain Bois
Publisher: MIT Press
ISBN: 9780262521802
Category : Design
Languages : en
Pages : 356
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Book Description
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
Author: Janet Fox
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
Author: David S. Areford
Publisher: Yale University Press
ISBN: 0300246048
Category : Art
Languages : en
Pages : 289
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Book Description
A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist’s work across media and address topics such as LeWitt’s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan’s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist’s practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt’s creativity and offer a multifaceted reassessment of this singular and influential artist.
