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Author: Warren Chernaik
Publisher: Palgrave Macmillan
ISBN: 9780333606599
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.
Author: Warren Chernaik
Publisher: Springer
ISBN: 1349245518
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.
Author: Alissa G. Karl
Publisher: Routledge
ISBN: 1136094741
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Though the relationship of modernist writers and artists to mass-marketplaces and popular cultural forms is often understood as one of ambivalence if not antagonism, Modernism and the Marketplace redirects this established line of inquiry, considering the practical and conceptual interfaces between literary practice and dominant economic institutions and ideas.
Author: Allan Kilner-Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350255327
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Probing the relationship between modernist literary experimentation and several key strands of occult practice which emerged in Europe from roughly 1894 to 1944, this book sets the work of leading modernist writers alongside lesser known female writers and writers in languages other than English to more fully portray the aesthetic and philosophical connections between modernism and the occult. Although the early decades of the twentieth century-the era of cocktails, motorcars, bobbed hair, and war-are often described as a period of newness and innovation, many writers of the time found inspiration and visionary brilliance by turning to the mysterious occult past. This book's principle intervention is to reimagine the contours and boundaries of literary modernism by welcoming into the conversation a number of significant female writers and writers in languages other than English who are often still relegated to the fringes of modernist studies. Well-remembered poets and novelists such as Ezra Pound, W.B. Yeats, and Aleister Crowley were tied to occult beliefs, and this book sets these leading figures alongside less well-remembered but equally splendid modernists including Paul Brunton, Mary Butts, Alexandra David-Neel, Florence Farr, Dion Fortune, Hermann Hesse, and Rudolf Steiner. From the little magazines where occultism and Fabianism were comfortable companions, to consulting rooms of psychoanalysts where archetypes were revealed to be both mystical and mundane, to the forbidden mountain trails that led to formidable spiritual teachers, the conditions of modernism were invariably those conditions which inspired a return to the occult traditions that many thinkers believed had long evaporated. Indeed, in many ways these traditions were the making of the modern world. By uncovering hidden hopes and anxieties that faced a newly modern Western Europe, this book demonstrates how literary modernists understood occultism as a universal form of cultural expression which has inspired creative exuberance since the dawn of civilisation.
Author: Vicki Mahaffey
Publisher: John Wiley & Sons
ISBN: 0470776862
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This inclusive guide to Modernist literature considers the ‘high’ Modernist writers such as Eliot, Joyce, Pound and Yeats alongside women writers and writers of the Harlem Renaissance. Challenges the idea that Modernism was conservative and reactionary. Relates the modernist impulse to broader cultural and historical crises and movements. Covers a wide range of authors up to the outbreak of World War II, among them Oscar Wilde, Joseph Conrad, Henry James, Langston Hughes, Samuel Beckett, HD, Virginia Woolf, Djuna Barnes, and Jean Rhys. Includes coverage of women writers and gay and lesbian writers.
Author: Patrick Collier
Publisher: Routledge
ISBN: 1351916939
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
British modernism came of age at a time of great cultural anxiety about the state of journalism. The new newspapers, with their brief, flashy articles, striking visuals, hyperbolic headlines, and sensational news, stood at the center of debates about reading in the period, seeming to threaten the viability of representative democracy, the health and vitality of the language, and the very future of literature itself. Patrick Collier's study brings an impressive array of archival research to his exploration of modernism's relationship to the newspaper press. People who sought to make their way as writers could neither remain neutral on this issue nor abandon journalism, which offered an irreplaceable source of income and self-advertisement. Collier discusses five modern writers-T. S. Eliot, James Joyce, Virginia Woolf, Rebecca West, and Rose Macaulay-showing how their work takes part in contemporary debates about journalism and examining the role journalism played in establishing their careers. In doing so, he uncovers tensions and contradictions inherent in the identity of the 'serious artist' who relied on the ephemeral forms of journalism for money and reputation.
Author: Liesl Olson
Publisher: Oxford University Press
ISBN: 0199349789
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Modernism and the Ordinary overturns conventional accounts of the modernist period as primarily drawn toward the new, the transcendent, and the extraordinary. Liesl Olson shows how modernist writers were preoccupied, instead, with the unselfconscious actions of everyday life, even in times of political crisis and war. Experiences like walking to work, eating a sandwich, or mending a dress were often resistant to shock, and these daily activities presented a counter-force to the aesthetic of heightened affect with which the period is often associated. With attentive and sensitive readings, Modernism and the Ordinary examines works by Joyce, Woolf, Stein, Stevens, Proust, Beckett, and Auden alongside the ideas of philosophers such as Henri Bergson and William James. In doing so, the book reveals the non-transformative power of the ordinary as one of modernism's most compelling attributes.
Author: Michael Shallcross
Publisher: Routledge
ISBN: 1317192605
Category : Literary Criticism
Languages : en
Pages : 492
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Book Description
This book comprehensively rethinks the relationship between G.K. Chesterton and a range of key literary modernists. When Chesterton and modernism have previously been considered in relation to one another, the dynamic has typically been conceived as one of mutual hostility, grounded in Chesterton’s advocacy of popular culture and modernist literature’s appeal to an aesthetic elite. In setting out to challenge this binary narrative, Shallcross establishes for the first time the depth and ambivalence of Chesterton’s engagement with modernism, as well as the reciprocal fascination of leading modernist writers with Chesterton’s fiction and thought. Shallcross argues that this dynamic was defined by various forms of parody and performance, and that these histrionic expressions of cultural play not only suffused the era, but found particular embodiment in Chesterton’s public persona. This reading not only enables a far-reaching reassessment of Chesterton’s corpus, but also produces a framework through which to re-evaluate the creative and critical projects of a host of modernist writers—most sustainedly, T.S. Eliot, Wyndham Lewis, and Ezra Pound—through the prism of Chesterton's disruptive presence. The result is an innovative study of the literary performance of popular and ‘high’ culture in early twentieth-century Britain, which adds a valuable new perspective to continuing critical debates on the parameters of modernism.
Author: Rachel Potter
Publisher: OUP Oxford
ISBN: 0191534374
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Anglo-American modernist writing and modern mass democratic states emerged at the same time, during the period of 1900-1930. Yet writers such as T. S. Eliot, W. B. Yeats, Ezra Pound, Wyndham Lewis, and Ford Madox Ford were notoriously hostile to modern democracies. They often defended, in contrast, anti-democratic forms of cultural authority. Since the late 1970s, however, our understanding of modernist culture has altered as previously marginalised writers, in particular women such as Gertrude Stein, Djuna Barnes, H.D., and Mina Loy, have been reassessed. Not only has the picture of Anglo-American modernist culture changed significantly, but the understanding of the relationship between modernist writing and politics has also shifted. Rachel Potter here reassess the relationship between modernism and democracy by analysing the wide range of different reactions by modernist writers to the new democracies. She charts the changes in the ideas of democracy as a result of the shift from liberal to mass democracies after the First World War and of women's entrance into the political and cultural spheres. By uncovering hitherto-unanalysed essays by a number of feminist writers she argues that in fact there was a widespread scepticism about the consequences of mass democracy for women's liberation, and that this scepticism was central to the work of women modernist writers.
Author: Peter Childs
Publisher: Bloomsbury Publishing
ISBN: 1441190031
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
A complete introduction to Modernist writers, ideas and movements, this book considers the precursors as well as the legacy of Modernist Literature in a clear, accessible manner.
Author: Andrzej Gasiorek
Publisher: John Wiley & Sons
ISBN: 1405177160
Category : Literary Criticism
Languages : en
Pages : 618
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Book Description
A History of Modernist Literature offers a critical overview of modernism in England between the late 1890s and the late 1930s, focusing on the writers, texts, and movements that were especially significant in the development of modernism during these years. A stimulating and coherent account of literary modernism in England which emphasizes the artistic achievements of particular figures and offers detailed readings of key works by the most significant modernist authors whose work transformed early twentieth-century English literary culture Provides in-depth discussion of intellectual debates, the material conditions of literary production and dissemination, and the physical locations in which writers lived and worked The first large-scale book to provide a systematic overview of modernism as it developed in England from the late 1890s through to the late 1930s
