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Author: Edward Allen
Publisher: Cambridge University Press
ISBN: 1108496326
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Modernist Invention attends to the parallel histories of media technology and modernist American poetry.
Author: Edward Allen
Publisher: Cambridge University Press
ISBN: 1108496326
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Modernist Invention attends to the parallel histories of media technology and modernist American poetry.
Author: Gregory Castle
Publisher: Cambridge University Press
ISBN: 1316298582
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. Drawing on American, English, Irish, Russian, French and German traditions, leading scholars challenge existing attitudes about realism and modernism and draw new attention to everyday life and everyday objects. In addition to its exploration of new forms such as the modernist genre novel and experimental historical novel, this book considers the novel in postcolonial, transnational and cosmopolitan contexts. A History of the Modernist Novel also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.
Author: Gregg Bocketti
Publisher: University Press of Florida
ISBN: 0813065046
Category : History
Languages : en
Pages : 323
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Book Description
“Beautifully researched and engagingly told, this book captures the bitter conflicts and surprising continuities that marked the emergence of a national style in Brazil as it tells the story of the men and women who, despite their many differences, together created ‘the beautiful game.’”—Roger Kittleson, author of The Country of Football: Soccer and the Making of Modern Brazil “Compellingly shows how each segment of Brazilian society—players, club owners, and spectators, especially the usually neglected female fans—was touched by the sport that it eventually came to proudly embrace as its own.”—Amy Chazkel, coeditor of The Rio de Janeiro Reader: History, Culture, Politics “Highlights the narrative power of soccer, showing how Brazilians—from elite sportsmen and nationalist intellectuals to common men and women—infused the sport with both personal and national importance.”—Joshua Nadel, author of Fútbol!: Why Soccer Matters in Latin America Although the popular history of Brazilian football narrates a story of progress toward democracy and inclusion, it does not match the actual historical record. Instead, football can be understood as an invention of early twentieth century middle-class and wealthy Brazilians who called themselves “sportsmen” and nationalists, and used the sport as part of their larger campaigns to shape and reshape the nation. In this cross-cutting cultural history, Gregg Bocketti traces the origins of football in Brazil from its elitist, Eurocentric identity as “foot-ball” at the end of the nineteenth century to its subsequent mythologization as the specifically Brazilian “futebol,” o jogo bonito (the beautiful game). Bocketti examines the popular depictions of the sport as having evolved from a white elite pastime to an integral part of Brazil’s national identity known for its passion and creativity, and concludes that these mythologized narratives have obscured many of the complexities and the continuities of the history of football and of Brazil. Mining a rich trove of sources, including contemporary sports journalism, archives of Brazilian soccer clubs, and British ministry records, and looking in detail at soccer’s effect on all parts of Brazilian society, Bocketti shows how important the sport is to an understanding of Brazilian nationalism and nation building in the late nineteenth and early twentieth centuries.
Author: Adam Meehan
Publisher: LSU Press
ISBN: 0807173584
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad’s prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett’s categorical disavowal of the subjective “I.” Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement’s function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century.
Author: Allana Lindgren
Publisher: Routledge
ISBN: 1317696158
Category : Literary Criticism
Languages : en
Pages : 977
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Book Description
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
Author: Morton Levitt
Publisher: UPNE
ISBN: 9781584655008
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
A wide-ranging response to The Rhetoric of Fiction.
Author: Clare Cavanagh
Publisher: Princeton University Press
ISBN: 1400821495
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
If modernism marked, as some critics claim, an "apocalypse of cultural community," then Osip Mandelstam (1891-1938) must rank among its most representative figures. Born to Central European Jews in Warsaw on the cusp of the modern age, he could claim neither Russian nor European traditions as his birthright. Describing the poetic movement he helped to found, Acmeism, as a "yearning for world culture," he defined the impulse that charges his own poetry and prose. Clare Cavanagh has written a sustained study placing Mandelstam's "remembrance and invention" of a usable poetic past in the context of modernist writing in general, with particular attention to the work of T. S. Eliot and Ezra Pound. Cavanagh traces Mandelstam’s creation of tradition from his earliest lyrics to his last verses, written shortly before his arrest and subsequent death in a Stalinist camp. Her work shows how the poet, generalizing from his own dilemmas and disruptions, addressed his epoch’s paradoxical legacy of disinheritance--and how he responded to this unwelcome legacy with one of modernism’s most complex, ambitious, and challenging visions of tradition. Drawing on not only Russian and Western modernist writing and theory, but also modern European Jewish culture, Russian religious thought, postrevolutionary politics, and even silent film, Cavanagh traces Mandelstam’s recovery of a "world culture" vital, vast, and varied enough to satisfy the desires of the quintessential outcast modernist.
Author: Catherine Driscoll
Publisher: University Press of Florida
ISBN: 0813043204
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernism's desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity.
Author: Sara Danius
Publisher: Cornell University Press
ISBN: 150172116X
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
Author: Paul Goldberger
Publisher: Yale University Press
ISBN: 0300267398
Category : Architecture
Languages : en
Pages : 310
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Book Description
A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.
