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Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
ISBN: 9780231137515
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This is a groundbreaking work which links the novels of modernist, contemporary, and postcolonial authors to rethink the political nature of cosmopolitanism.
Author: Rebecca L. Walkowitz
Publisher: Columbia University Press
ISBN: 9780231137515
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This is a groundbreaking work which links the novels of modernist, contemporary, and postcolonial authors to rethink the political nature of cosmopolitanism.
Author: Dimitris Tziovas
Publisher: Rowman & Littlefield Publishers
ISBN: 1461637104
Category : Literary Collections
Languages : en
Pages : 291
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Book Description
Although it is one of the most dynamic and controversial areas of Greek culture, Greek modernism has received little scholarly attention as a literary and cultural phenomenon. A wide variety of competing, often clashing discourses and approaches characterize the study of Greek modernism. In this landmark volume, scholars from three continents provide a framework in which developments in prose, poetry, and drama can be studied together. The contributors seek to redefine the contours of Greek modernism, to reassess its impact on Greek culture, to explore the fringes of the movement. Special attention is paid to the role of the avant-garde in Greece and the emergence of postmodern trends in Greek culture. Greek Modernism and Beyond is valuable reading for students and scholars of Greek and European literature.
Author: Carole Bourne-Taylor
Publisher: Peter Lang
ISBN: 9783039114092
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.
Author: Zoltan Varga
Publisher: Routledge
ISBN: 1000538478
Category : Language Arts & Disciplines
Languages : en
Pages : 205
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Book Description
Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel. The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices. Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to students and scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies.
Author: Kim Levin
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 278
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Book Description
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: Deborah Ascher Barnstone
Publisher: University of Michigan Press
ISBN: 0472121944
Category : Art
Languages : en
Pages : 269
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Book Description
Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground. This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.
Author: Elizabeth A. Flynn
Publisher: SIU Press
ISBN: 9780809389223
Category : Feminism
Languages : en
Pages : 244
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Book Description
Author: John Armitage
Publisher: SAGE
ISBN: 1446265390
Category : Social Science
Languages : en
Pages : 253
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Book Description
Paul Virilio is one of the most significant and stimulating French cultural theorists writing today. Increasingly hailed as the ′archaeologist of the future′, Virilio is noted for his proclamation that the logic of ever increasing acceleration lies at the heart of the organization and transformation of the contemporary world. The first book to afford a properly critical evaluation of Virilio′s cultural theory, it includes an interview with Virilio; a recently translated example of his work; and a select bibliography of his writings. The commissioned contributions by leading cultural and social theorists examine Virilio′s work from his early speculations on military and urban space to his current writings on dromology, politics, new communications technologies, disappearance, and the fallout from `the information bomb′.
Author: Ariane Mildenberg
Publisher: Springer
ISBN: 134959251X
Category : History
Languages : en
Pages : 194
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Book Description
Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cézanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.
