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Author: Christopher Butler
Publisher: Oxford University Press
ISBN: 0192804413
Category : Art
Languages : en
Pages : 137
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Book Description
A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
Author: Christopher Butler
Publisher: Oxford University Press
ISBN: 0192804413
Category : Art
Languages : en
Pages : 137
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Book Description
A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
Author: David Cottington
Publisher: OUP Oxford
ISBN: 0191577820
Category : Art
Languages : en
Pages : 169
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Book Description
As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Stephen Eric Bronner
Publisher: Oxford University Press
ISBN: 0190692677
Category : Philosophy
Languages : en
Pages : 161
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Book Description
Secondary edition statement from sticker on cover.
Author: Pericles Lewis
Publisher: Cambridge University Press
ISBN: 1316224309
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
More than a century after its beginnings, modernism still has the power to shock, alienate or challenge readers. Modernist art and literature remain thought of as complex and difficult. This introduction explains in a readable, lively style how modernism emerged, how it is defined, and how it developed in different forms and genres. Pericles Lewis offers students a survey of literature and art in England, Ireland and Europe at the beginning of the twentieth century. He also provides an overview of critical thought on modernism and its continuing influence on the arts today, reflecting the interests of current scholarship in the social and cultural contexts of modernism. The comparative perspective on Anglo-American and European modernism shows how European movements have influenced the development of English-language modernism. Illustrated with works of art and featuring suggestions for further study, this is the ideal introduction to understanding and enjoying modernist literature and art.
Author: Vanessa R. Schwartz
Publisher: OUP USA
ISBN: 0195389417
Category : History
Languages : en
Pages : 153
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Book Description
The French Revolution, politics and the modern nation -- French and the civilizing mission -- Paris and magnetic appeal -- France stirs up the melting pot -- France hurtles into the future.
Author: Christopher Butler
Publisher: Oxford Paperbacks
ISBN: 0192802399
Category : Art
Languages : en
Pages : 152
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Book Description
'a pre-eminently sane, lucid, and concise statement about the central issues, the key examples, and the notorious derilections of postmodernism. I feel a fresh wind blowing away the miasma coiling around the topic. ' -Ihab Hassan, University of Wisconsin, Milwaukee'the most intellectually incisive, coherent and comprehensive meditation upon the history and significance of postmodernism that I have yet encountered.' -Patricia Waugh, University of Durham'easily the best introduction to postmodernism currently available' -Hans Bertens, Utrecht University
Author: David James
Publisher: Oxford University Press
ISBN: 0191067040
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The kinship between modernism and close reading has long between taken for granted. But for that reason, it has also gone unexamined. As the archives, timeframes, and cultural contexts of global modernist studies proliferate, the field's rapport with close reading no longer appears self-evident or guaranteed—even though for countless students studying literary modernism still invariably means studying close reading. This authoritative collection of essays illuminates close reading's conceptual, institutional, and pedagogical genealogies as a means of examining its enduring potential. David James brings together a cast of world-renowned scholars to offer an account of some of the things we might otherwise know, and need to know, about the history of modernist theories of reading, before then providing a sense of how the futures for critical reading look different in light of the multiple ways in which modernism has been close read. Modernism and Close Reading responds to a contemporary climate of unprecedented reconstitution for the field: it takes stock of close reading's methodological possibilities in the wake of modernist studies' geographical, literary-historical, and interdisciplinary expansions; and it shows how the political, ethical, and aesthetic consequences of attending to matters of form complicate ideological preconceptions about the practice of formalism itself. By reassessing the intellectual commitments and institutional conditions that have shaped modernism in criticism as well as in the classroom, we are able to ask new questions about close reading that resonate across literary and cultural studies. Invigorating that critical venture, this volume enriches our vocabulary for addressing close reading's perpetual development and diversification.
Author: David Cottington
Publisher: Oxford University Press
ISBN: 0192803646
Category : Art
Languages : en
Pages : 169
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Book Description
Through an investigation of the history of modern art, the contemporary relevance of this pivotal artistic movement is explained. Concise and accessible, Modern Art: A Very Short Introduction interrogates the ideas of modern art. It questions the notions of what qualifies as 'modern', and explores the ways in which modern art relates to contemporary and postmodern movements. Provocative and engaging, Modern Art: A Very Short Introduction is an ideal guide for gallery goers, students, and all those either interested in, or confused by, the idea of modern art.
Author: Martin Hewitt
Publisher: Oxford University Press
ISBN: 0191056537
Category : History
Languages : en
Pages : 161
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Book Description
Very Short Introductions: Brilliant, Sharp, Inspiring The Victorian period may have come to an end over 120 years ago, but the Victorians continue to be a vital presence in the modern world. Contemporary Britain is still in large part Victorian in its transport networks, sewage systems, streets, and houses. Victorian cultural legacies, especially in art, science, and literature, are still celebrated. The first to have to grapple with many of the challenges of modern urban society, we continue to look to the Victorians for inspiration and solace. And we are increasingly aware of the ways their global actions shaped, often for ill, the world around us. Much mythologised, inexhaustibly controversial, the Victorians are an inescapable reference point for understanding the modern histories not just of Britain and its empire, but of the world. In The Victorians: A Very Short Introduction Martin Hewitt offers a guide through the thickets of judgement and debate which have grown around the period and its people, to offer a historical overview of the Victorians and their legacies. He seeks to answer five crucial questions. Why have the Victorians continued occupy such a prominent place in the cultures of not just the anglophone world? How far does it make sense to think of a 64-year period arbitrarily given an identity by the longevity of the Queen as an identifiable historical period in a general sense? How justified are the value-laden versions of the Victorians which argue for the existence of a particular world view called 'Victorianism'? Beyond ideology, what was Victorian Britain actually like – and in particular, what was distinctive about it? Who were the Victorians – not just the eminent few, but the population as a whole? And finally, how far and with what results did the Victorians and their culture spread across the globe? In answering these questions, Hewitt cautions against some long-held orthodoxies, throws a light on some less well-known aspects of the period, and urges the importance of understanding the Victorians on their own terms if we are to effectively engage with their legacies. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: David Cottington
Publisher: Oxford University Press
ISBN: 0199582734
Category : Art
Languages : en
Pages : 153
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Book Description
For over a hundred years 'the avant-garde' has been the most influential concept in modern art; its impact on the history of modern culture has been profound. In this Very Short Introduction, David Cottington explores why the avant-garde carries so much authority, and places it within the context of western modernity and capitalist culture.
