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Author: Roger Lathbury
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 96
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Book Description
"Explores the social, cultural, and historical contexts of American literature from 1910 to 1945"--Page 4 of cover.
Author: Roger Lathbury
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 96
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Book Description
"Explores the social, cultural, and historical contexts of American literature from 1910 to 1945"--Page 4 of cover.
Author: Roger Lathbury
Publisher: Infobase Publishing
ISBN: 1438134185
Category : American literature
Languages : en
Pages : 129
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Book Description
This engaging, illustrated guide to the modernist movement in American literature provides a wealth of information on American modernism, the Lost Generation, modernism in the American novel, the Harlem Renaissance, modernism i.
Author: Jane Goldman
Publisher: Red Globe Press
ISBN: 0333696204
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
This essential guide explores and celebrates the rise and development of modernist and avant-garde literatures and theories in the period 1910-1945, from Imagism to the Apocalypse movement. Jane Goldman charts transitions in writing, reading, performing and publishing practices, and in international groupings and regroupings of writers and artists, and interrogates the term 'Modernism' which labels the era. Goldman introduces students to the work of many canonical high modernist writers, such as Ezra Pound, T. S. Eliot, W. B. Yeats, James Joyce and Virginia Woolf, and samples the work of other important modernist figures, including Nathanael West, John Rodker, Aldous Huxley and the Harlem Renaissance poets.
Author: Robert Henri
Publisher: Rutgers University Press
ISBN: 9780813536842
Category : Art
Languages : en
Pages : 294
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Book Description
The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.
Author: Roger Lathbury
Publisher: Infobase Publishing
ISBN: 143811852X
Category :
Languages : en
Pages : 97
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Book Description
A comprehensive reference guide to the modernist movement in American literature, this volume provides a wealth of information on American modernism, the Lost Generation, modernism in the American novel, the Harlem Renaissance, modernism in poetry and drama, and the literary culture of the Moderns. Writers covered include: Countee Cullen, E. E. Cummings, John Dos Passos, T. S. Eliot, William Faulkner, F. Scott Fitzgerald, Sigmund Freud, Robert Frost, Ernest Hemingway, Langston Hughes, Zora Neale Hurston, Sinclair Lewis, Eugene O'Neill, Ezra Pound, Gertrude Stein, and more.
Author: Diana Collecott
Publisher: Cambridge University Press
ISBN: 9780521550789
Category : History
Languages : en
Pages : 376
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Book Description
Diana Collecott proposes that Sappho's presence in H. D.'s work is as significant as that of Homer in Pound's and of Dante in Eliot's.
Author: Rainer Maria Rilke
Publisher: Vintage
ISBN: 0307787761
Category : Fiction
Languages : en
Pages : 305
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Book Description
This is the definitive, widely acclaimed translation of the major prose work of one of our century's greatest poets -- "a masterpiece like no other" (Elizabeth Hardwick) -- Rilke's only novel, extraordinary for its structural uniqueness and purity of language. First published in 1910, it has proven to be one of the most influential and enduring works of fiction of our century. Malte Laurids Brigge is a young Danish nobleman and poet living in Paris. Obsessed with death and with the reality that lurks behind appearances, Brigge muses on his family and their history and on the teeming, alien life of the city. Many of the themes and images that occur in Rilke's poetry can also be found in the novel, prefiguring the modernist movement in its self-awareness and imagistic immediacy.
Author: Vincent Sherry
Publisher: Cambridge University Press
ISBN: 1316720535
Category : Literary Criticism
Languages : en
Pages : 1579
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Book Description
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
Author: Alex Davis
Publisher: Cambridge University Press
ISBN: 1107038677
Category : Literary Criticism
Languages : en
Pages : 571
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Book Description
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
Author: Blake Stimson
Publisher: U of Minnesota Press
ISBN: 1452909202
Category :
Languages : en
Pages : 332
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Book Description
“Don’t start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!” —Geert Lovink, Institute of Network Cultures, Amsterdam “This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.” — Stephen F. Eisenman, author of The Abu Ghraib Effect “Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers.” —Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world’s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Rubn Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovi´c, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. “To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the “imagined community”: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires.” —BOMB
