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Author: Catherine Weate
Publisher: Bloomsbury Publishing
ISBN: 1849435375
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
Modern Voice: Working with Actors on Contemporary Text has been designed to follow on from Catherine’s previous book, Classic Voice: Working with Actors on Vocal Style, focusing on the less defined demands within contemporary drama. Lifting contemporary speech rhythms off the page can be a challenge for actors. Sometimes these rhythms are realistic, resembling or mirroring the speech patterns of real human beings, sometimes they are non-realistic, distorting speech patterns for particular effect. Modern Voice not only provides an accessible approach for understanding speech rhythm but also presents an overview of different types and styles of contemporary text (including the rise of dramatic realism in England, America and Australia). Along the way there are a myriad of practical ideas for directors, lecturers, teachers, trainers and coaches to explore in their workshops and rehearsals.
Author: Catherine Weate
Publisher: Bloomsbury Publishing
ISBN: 1849435375
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
Modern Voice: Working with Actors on Contemporary Text has been designed to follow on from Catherine’s previous book, Classic Voice: Working with Actors on Vocal Style, focusing on the less defined demands within contemporary drama. Lifting contemporary speech rhythms off the page can be a challenge for actors. Sometimes these rhythms are realistic, resembling or mirroring the speech patterns of real human beings, sometimes they are non-realistic, distorting speech patterns for particular effect. Modern Voice not only provides an accessible approach for understanding speech rhythm but also presents an overview of different types and styles of contemporary text (including the rise of dramatic realism in England, America and Australia). Along the way there are a myriad of practical ideas for directors, lecturers, teachers, trainers and coaches to explore in their workshops and rehearsals.
Author: Michael Edward Edgerton
Publisher: Rowman & Littlefield Publishers
ISBN: 9780810888401
Category : Singing
Languages : en
Pages : 0
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Book Description
Airflow -- Source -- Resonance/Articulation -- Heightened potentials.
Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 022664717X
Category : Music
Languages : en
Pages : 404
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Book Description
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
Author: Linda Joyce Manney
Publisher: John Benjamins Publishing
ISBN: 9789027230515
Category : Language Arts & Disciplines
Languages : en
Pages : 310
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Book Description
This book provides an in-depth analysis of the inflectional middle category in Modern Greek. Against the theoretical backdrop of cognitive linguistics, it is argued that a wide range of seemingly disparate middle structures in Modern Greek comprise a complex semantic network, and that this network is organized around two prototypical middle event types, which are noninitiative emotional response and spontaneous change of state. In those cases where middle structures have active counterparts, middle and active variants of the same verb stem are compared in order to demonstrate more clearly the semantic distinctions and pragmatic functions encoded by inflectional middle voice in Modern Greek. Major semantic groupings of middle structures treated include emotional response in particular and psycho-emotive experience in general, spontaneous change of state and/or the resulting state, agent-induced events in which an agent subject is (emotionally) involved with or affected by some aspect of the designated situation, passive-like events in which a patient subject is affected by a nonfocal agent, implicit or specified, and reflexive-like events in which a patient subject and an unspecified agent may overlap to varying degrees.
Author: Gina Bloom
Publisher: University of Pennsylvania Press
ISBN: 0812201310
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Voice in Motion explores the human voice as a literary, historical, and performative motif in early modern English drama and culture, where the voice was frequently represented as struggling, even failing, to work. In a compelling and original argument, Gina Bloom demonstrates that early modern ideas about the efficacy of spoken communication spring from an understanding of the voice's materiality. Voices can be cracked by the bodies that produce them, scattered by winds when transmitted as breath through their acoustic environment, stopped by clogged ears meant to receive them, and displaced by echoic resonances. The early modern theater underscored the voice's volatility through the use of pubescent boy actors, whose vocal organs were especially vulnerable to malfunction. Reading plays by Shakespeare, Marston, and their contemporaries alongside a wide range of late sixteenth- and early seventeenth-century texts—including anatomy books, acoustic science treatises, Protestant sermons, music manuals, and even translations of Ovid—Bloom maintains that cultural representations and theatrical enactments of the voice as "unruly matter" undermined early modern hierarchies of gender. The uncontrollable physical voice creates anxiety for men, whose masculinity is contingent on their capacity to discipline their voices and the voices of their subordinates. By contrast, for women the voice is most effective not when it is owned and mastered but when it is relinquished to the environment beyond. There, the voice's fragile material form assumes its full destabilizing potential and becomes a surprising source of female power. Indeed, Bloom goes further to query the boundary between the production and reception of vocal sound, suggesting provocatively that it is through active listening, not just speaking, that women on and off the stage reshape their world. Bringing together performance theory, theater history, theories of embodiment, and sound studies, this book makes a significant contribution to gender studies and feminist theory by challenging traditional conceptions of the links among voice, body, and self.
Author: Barrett Williams
Publisher: Barrett Williams
ISBN:
Category : Computers
Languages : en
Pages : 119
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Book Description
**Unlock the Power of Voice Technology with "Voice Unlocked"** Dive into the captivating world of speech and audio processing with "Voice Unlocked," your essential guide to the technologies shaping the way we communicate with machines. This eBook unveils the complex interworking of human-computer interaction, beginning with the evolution of speech recognition systems to the breakthrough applications of deep learning in audio processing. Discover how sound waves and human speech anatomy form the bedrock of modern audio processing technologies. Unearth the secrets of neural networks and explore how they revolutionize speech recognition and natural language processing. Real-life case studies illustrate the profound impact of these technologies in smart devices and beyond. Join a journey through the world of voice assistants and smart speakers, uncovering the key innovations and ethical debates that surround these ubiquitous tools. Learn how emotional tones can be detected through audio analysis, enhancing customer service and enabling new user experiences. Explore how voice biometrics are setting new standards in security and authentication, and how audio enhancement techniques are reshaping user interactions. "Voice Unlocked" also delves into cross-disciplinary innovations, showcasing collaborations with audiovisual technologies and the potential avenues for future exploration. Engage with thought-provoking insights into the ethical implications of audio processing, including privacy concerns and algorithmic biases. Prepare for the future of human-computer interaction by examining emerging trends and imagining the next generation of interfaces where audio processing plays a pivotal role. Conclude your exploration with industry insights and reflections on the transformative impact of these technologies on our daily lives. Whether you're a tech enthusiast or a professional in the field, "Voice Unlocked" offers a comprehensive understanding of the audio innovations that are making waves today and shaping tomorrow's world.
Author: Maria Stepanova
Publisher: Columbia University Press
ISBN: 0231551681
Category : Literary Collections
Languages : en
Pages : 392
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Book Description
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.
Author: Charles Lunn
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 108
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Book Description
Author: Mark Stuart
Publisher: Thomas Nelson
ISBN: 1400213312
Category : Religion
Languages : en
Pages : 256
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Book Description
The incredible story of a lead singer's rise to fame and his crushing fall when he lost his singing voice, his career, and his marriage--and then found a new calling more in tune with God than he ever thought possible. Mark Stuart was the front man of popular Christian rock band, Audio Adrenaline, at a time when the Christian music scene exploded. Advancing from garage band to global success, the group sold out stadiums all over the world, won Grammy Awards, and even celebrated an album going certified Gold. But after almost twenty years, Mark's voice began to give out. When doctors diagnosed him with a debilitating disease, the career with the band he'd founded and dedicated his life to building was gone. Then to his shock, his wife ended their marriage, and Mark believed he'd lost everything. Unsure of his future, Mark traveled to Haiti to help with the band's ministry, the Hands and Feet Project. When the devastating 2010 earthquake hit, media learned he was present and sought him out for interviews. Ironically, Mark became the scratchy voice for the struggling Haitians, drawing the world's attention to their dire circumstances. In the process, Mark found a greater purpose than he'd ever known before. In this gripping, compelling new book, Mark Stuart overlays his story with passages from the gospel of John, urging his readers to listen for God's voice and to embrace his big love that calls us into a big life.
Author: Christina Gutekunst
Publisher: Bloomsbury Publishing
ISBN: 1350064947
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms. The authors create a step-by-step guide to explore how voice can: - Respond to our thoughts, senses, feelings, imagination and will - Fully express language in content and form - Communicate imaginary circumstances and human experience - Transform to adapt to different roles - Connect to a variety of audiences and spaces Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.
