Author: Guido Mazzoni
Publisher: Harvard University Press
ISBN: 0674249038
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
On Modern Poetry
Author: Guido Mazzoni
Publisher: Harvard University Press
ISBN: 0674249038
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
Publisher: Harvard University Press
ISBN: 0674249038
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
Left of Poetry
Author: Sarah Ehlers
Publisher: UNC Press Books
ISBN: 1469651297
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Publisher: UNC Press Books
ISBN: 1469651297
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Attention Equals Life
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0199972125
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.
Publisher: Oxford University Press
ISBN: 0199972125
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.
Make It the Same
Author: Jacob Edmond
Publisher: Columbia University Press
ISBN: 0231548672
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
Publisher: Columbia University Press
ISBN: 0231548672
Category : Literary Criticism
Languages : en
Pages : 393
Book Description
The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
The Sound of Modern Polish Poetry
Author: Aleksandra Kremer
Publisher: Harvard University Press
ISBN: 0674261119
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.
Publisher: Harvard University Press
ISBN: 0674261119
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. WhatÕs in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czes_aw Mi_osz, Wis_awa Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Bia_oszewski, Anna Swir, and Tadeusz R_ewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. KremerÕs is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experimentsÑfrom poetic Òsound postcards,Ó to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.
Anthology of Modern American Poetry
Author: Cary Nelson
Publisher: Oxford University Press, USA
ISBN: 9780195122701
Category : Literary Criticism
Languages : en
Pages : 1249
Book Description
Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.
Publisher: Oxford University Press, USA
ISBN: 9780195122701
Category : Literary Criticism
Languages : en
Pages : 1249
Book Description
Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.
The Oxford Handbook of Modern and Contemporary American Poetry
Author: Cary Nelson
Publisher: Oxford University Press
ISBN: 0195398777
Category : Literary Criticism
Languages : en
Pages : 734
Book Description
The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.
Publisher: Oxford University Press
ISBN: 0195398777
Category : Literary Criticism
Languages : en
Pages : 734
Book Description
The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.
Contemporary Poetry
Author: Nerys Williams
Publisher: Edinburgh University Press
ISBN: 0748646035
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, from Sujata Bhatt to M. Philip NourbeSe and from John Ashbery to Eliot Weinberger, Nerys Williams guides students through the key ideas and movements in the study of poetry today. With reference to original manifestos and web-based experiments, as well as the role of information culture in shaping and distributing poetry globally this book engages with the full vitality of the contemporary poetry scene.Key Features* Wide topic range - from performance to politics, from lyric expression to ecopoetics and from multilingual poetries to electronic writing - enables provocative thematic links to be made * Discussion of global Englishes, dialects and idiolects aimed at those studying poetry on postcolonial literature and contemporary poetics courses* Contemporary relevance: relates poetry to reporting on global conflict, including the impact of the Iraq War* Student resources include a chronology, web resources, a glossary, questions for discussion and a guide to further reading
Publisher: Edinburgh University Press
ISBN: 0748646035
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, from Sujata Bhatt to M. Philip NourbeSe and from John Ashbery to Eliot Weinberger, Nerys Williams guides students through the key ideas and movements in the study of poetry today. With reference to original manifestos and web-based experiments, as well as the role of information culture in shaping and distributing poetry globally this book engages with the full vitality of the contemporary poetry scene.Key Features* Wide topic range - from performance to politics, from lyric expression to ecopoetics and from multilingual poetries to electronic writing - enables provocative thematic links to be made * Discussion of global Englishes, dialects and idiolects aimed at those studying poetry on postcolonial literature and contemporary poetics courses* Contemporary relevance: relates poetry to reporting on global conflict, including the impact of the Iraq War* Student resources include a chronology, web resources, a glossary, questions for discussion and a guide to further reading
Robert Lowell and the Confessional Voice
Author: Paula Hayes
Publisher: Peter Lang Pub Incorporated
ISBN: 9781433115240
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
<I>Robert Lowell and the Confessional Voice returns to the poet's early works, such as <I>Land of Unlikeness and <I>Lord Weary's Castle, in search of a relationship between Lowell's early poetry and his turn to a confessional style of writing in the 1950s. Lowell's early poetry is often overshadowed by the emergence of his confessional poetry (that develops in <I>Life Studies; however, instead of Lowell's early poetry being eclipsed by <I>Life Studies, a remembrance of his early poetry is necessary as a way of understanding Lowell's evolution as a poet. The early poetry provides readers and scholars of Lowell with a Puritan paradigm and the ethos of an American narrative that Lowell never fully abandons but only perpetually deconstructs.
Publisher: Peter Lang Pub Incorporated
ISBN: 9781433115240
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
<I>Robert Lowell and the Confessional Voice returns to the poet's early works, such as <I>Land of Unlikeness and <I>Lord Weary's Castle, in search of a relationship between Lowell's early poetry and his turn to a confessional style of writing in the 1950s. Lowell's early poetry is often overshadowed by the emergence of his confessional poetry (that develops in <I>Life Studies; however, instead of Lowell's early poetry being eclipsed by <I>Life Studies, a remembrance of his early poetry is necessary as a way of understanding Lowell's evolution as a poet. The early poetry provides readers and scholars of Lowell with a Puritan paradigm and the ethos of an American narrative that Lowell never fully abandons but only perpetually deconstructs.
Modern Poetry of Pakistan
Author: Iftikhar Arif
Publisher: Deep Vellum Publishing
ISBN: 1564786692
Category : Poetry
Languages : en
Pages : 399
Book Description
Modern Poetry of Pakistan brings together not one but many poetic traditions indigenous to Pakistan, with 142 poems translated from seven major languages, six of them regional (Baluchi, Kashmiri, Panjabi, Pashto, Seraiki, and Sindhi) and one national (Urdu). Collecting the work of forty-two poets and fifteen translators, this book reveals a society riven by ethnic, class, and political differences—but also a beautiful and truly national literature, with work both classical and modern, belonging to the same culture and sharing many of the same concerns and perceptions.
Publisher: Deep Vellum Publishing
ISBN: 1564786692
Category : Poetry
Languages : en
Pages : 399
Book Description
Modern Poetry of Pakistan brings together not one but many poetic traditions indigenous to Pakistan, with 142 poems translated from seven major languages, six of them regional (Baluchi, Kashmiri, Panjabi, Pashto, Seraiki, and Sindhi) and one national (Urdu). Collecting the work of forty-two poets and fifteen translators, this book reveals a society riven by ethnic, class, and political differences—but also a beautiful and truly national literature, with work both classical and modern, belonging to the same culture and sharing many of the same concerns and perceptions.