Author: Wali Ahmadi
Publisher: Routledge
ISBN: 1134072775
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
With the unleashing of the "War on Terror" in the aftermath of 9/11, Afghanistan has become prominent in the news. However, we need to appreciate that no substantive understanding of contemporary history, politics and society of this country can be achieved without a thorough analysis of the Afghan encounter with cultural and literary modernity and modernization. Modern Persian Literature in Afghanistan does just that. The book offers a balanced and interdisciplinary analysis of the rich and admirable contemporary poetry and fiction of a land long tormented by wars and invasions. It sets out to demonstrate that, within the trajectory of the union between modern aesthetic imagination and politics, creativity and production, and representation and history, the modernist intervention enabled many contemporary poets and writers of fiction to resist the overt politicization of the literary field, without evading politics or disavowing the modern state. The interpretative moves and nuanced readings of a series of literary texts make this book a major contribution to a rather neglected area of research and study. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009
Author: Wali Ahmadi
Publisher: Routledge
ISBN: 1134072767
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
With the unleashing of the "War on Terror" in the aftermath of 9/11, Afghanistan has become prominent in the news. However, we need to appreciate that no substantive understanding of contemporary history, politics and society of this country can be achieved without a thorough analysis of the Afghan encounter with cultural and literary modernity and modernization. Modern Persian Literature in Afghanistan does just that. The book offers a balanced and interdisciplinary analysis of the rich and admirable contemporary poetry and fiction of a land long tormented by wars and invasions. It sets out to demonstrate that, within the trajectory of the union between modern aesthetic imagination and politics, creativity and production, and representation and history, the modernist intervention enabled many contemporary poets and writers of fiction to resist the overt politicization of the literary field, without evading politics or disavowing the modern state. The interpretative moves and nuanced readings of a series of literary texts make this book a major contribution to a rather neglected area of research and study. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009
Author: Ehsan Yarshater
Publisher: Suny Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 584
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Book Description
In this unique survey, twenty-one scholars examine Persian imaginative literature, bringing out its historical development through discussions of genres and styles. Ehsan Yarshater's introductory essay places the various phases of Iran's literatures in perspective. It also expands on some areas of interest touched upon in the ensuing chapters, notably Old and Middle Persian literature. In a second essay, Yarshater explains the progression of the classical tradition from a robust youth to an effete old age, before moving on to a new beginning. Significant writers are highlighted in separate chapters. The book's sections include: introductory survey, pre-Islamic literatures, the classical period, contemporary literature of Iran, Persian literature outside Iran, and the translation of Persian literature.
Author: Arley Loewen
Publisher: OUP Pakistan
ISBN: 9780195477955
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Images of Afghanistan, an edited collection in the non-fiction cultural/ social genre, provides the first-ever overview of the art and literature of Afghanistan. 32 chapters on art, music, film, proverbs, short stories, poetry, cartoons, and folktales in popular style offer key insights into the complexities of Afghan culture and dispel the misperception that Afghanistan is only a haven for terrorists and drug dealers.
Author: Zuzanna Olszewska
Publisher: Indiana University Press
ISBN: 0253017637
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
An ethnographic study of poetry and its place among young Afghan refugees living in urban regions of Iran. The Pearl of Dari takes us into the heart of Afghan refugee life in the Islamic Republic of Iran through a rich ethnographic portrait of the circle of poets and intellectuals who make up the “Pearl of Dari” cultural organization. Dari is the name by which the Persian language is known in Afghanistan. Afghan immigrants in Iran, refugees from the Soviet war in Afghanistan, are marginalized and restricted to menial jobs and lower-income neighborhoods. Ambitious and creative refugee youth have taken to writing poetry to tell their story as a group and to improve their prospects for a better life. At the same time, they are altering the ancient tradition of Persian love poetry by promoting greater individualism in realms such as gender and marriage. Zuzanna Olszewska offers compelling insights into the social life of poetry in an urban, Middle Eastern setting largely unknown in the West. Praise for The Pearl of Dari “The Pearl of Dari offers the reader the precious pearl of a genuine reading and learning experience. Zuzanna Olszewska combines solid scholarship with uplifting sensitivity to create a lively narrative replete with joyful discoveries of genuine personhood, agency, and humanity in the midst of multiple marginalities, an account of growing up amid layer upon layer of tension, bravely defying overwhelming odds.” —Ahmad Karimi-Hakkak, University of Maryland “Olszewska’s virtuoso study explores how young progressive Afghan intellectuals use the writing and performance of poetry as a prestigious discourse, to sustain community and claim dignity in exile. Her work makes an essential new contribution in Persian literary studies, ethnolinguistics, and refugee cultural studies worldwide.” —Margaret A. Mills, Professor Emerita of Persian and Folklore, Ohio State University
Author:
Publisher: Farrar, Straus and Giroux
ISBN: 146688066X
Category : Poetry
Languages : en
Pages : 161
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Book Description
I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.
Author: Rabe`eh Balkhi
Publisher: Mage Publishers
ISBN: 1949445607
Category : Poetry
Languages : en
Pages : 600
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Book Description
One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.
Author:
Publisher: Cambria Press
ISBN: 1621969916
Category :
Languages : en
Pages : 342
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Book Description
Author: Abolqasem Ferdowsi
Publisher: Penguin
ISBN: 1101993235
Category : Poetry
Languages : en
Pages : 1041
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Book Description
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: C. P. W. Gammell
Publisher: Hurst Publishers
ISBN: 1805263854
Category : History
Languages : en
Pages : 419
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Book Description
The city of Herat in western Afghanistan long sat at the edge of empires and served as a hub for trade and a conduit for armies. Yet it has been much more than simply a staging post or plaything of political ambition. It has been an imperial capital, a city of extraordinary wealth, and has played host to a cultural renaissance to rival that of Florence. The Pearl of Khorasan tells the history of this storied oasis city, from the invasions of Chingiz Khan in 1221 to the present day. An epilogue assesses the challenges Herat faces in the wake of Afghanistan’s recent turmoil. Throughout Herat’s cycles of conquest and habitation, several patterns emerge: the primacy of geography; the city’s strong identification with the fertility of the banks of the Hari River; and its reputation as a place of theological excellence, tolerance and cultural refinement. From the luminescent genius of the Timurid century to the destruction and cultural vandalism associated with the Taliban’s rule of Afghanistan and the post-9/11 conflict, Herat has hosted empires and experienced the cupidity and lust for power of foreign agents. Using Persian, Pashto and British sources, the author paints a vivid picture of a city in which he has lived, presenting a personal vision of its tumultuous history.
