Author: Hester B. Lyon
Publisher:
ISBN:
Category : Millinery
Languages : en
Pages : 286
Book Description
Modern Millinery
Millinery Trade Review
Author:
Publisher:
ISBN:
Category : Hats
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : Hats
Languages : en
Pages : 788
Book Description
The Illustrated Milliner
Author:
Publisher:
ISBN:
Category : Millinery
Languages : en
Pages : 1498
Book Description
Publisher:
ISBN:
Category : Millinery
Languages : en
Pages : 1498
Book Description
Report
Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 1102
Book Description
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 1102
Book Description
The Glovers Review
Author:
Publisher:
ISBN:
Category : Gloves
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Gloves
Languages : en
Pages : 582
Book Description
Parliamentary Papers
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1092
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1092
Book Description
United States Economist, and Dry Goods Reporter
Author:
Publisher:
ISBN:
Category : Fashion
Languages : en
Pages : 1076
Book Description
Publisher:
ISBN:
Category : Fashion
Languages : en
Pages : 1076
Book Description
The Art of Millinery
Author: Anna Ben-Yûsuf
Publisher:
ISBN:
Category : Millinery
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Millinery
Languages : en
Pages : 264
Book Description
The Fellow Worker
Author: Jordan Marsh Company
Publisher:
ISBN:
Category : Employee motivation
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Employee motivation
Languages : en
Pages : 344
Book Description
Painted Love
Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224
Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.