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Author: Andrew M. Drozd
Publisher: Vernon Press
ISBN:
Category : Fiction
Languages : en
Pages : 233
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Book Description
Modern Czech culture has experienced a series of political traumas starting in the 1930s. Despite the difficult, shifting conditions, Czech writers have not only managed to contend with the situation, but have produced many fine literary efforts. This volume consists of seven articles by an international team of authors who are specialists in Czech literature. The first four chapters treat very well-known writers. There is one chapter on Karel Čapek and his play "The White Plague." There are three chapters on Milan Kundera, the internationally best-known Czech writer, with one of these chapters covering both Kundera and Bohumil Hrabal. The last three chapters deal with more recent and/or lesser-known writers. One chapter treats the Brothers Topol and the music underground, one chapter treats Czech literary responses to the period of the Normalization, and the final chapter treats Eda Kriseová. This volume presents new perspectives on Czech literature and will be of interest to specialists in Czech literature and history, Central European literature and history, Nazism and Communism. For example, although much has been written about Kundera, the three articles provide further treatments of three different aspects of his work: his ties to Russian literature, his misogyny, and the philosophical content of his novels. Specialists interested in the period of the Normalization (and after) will find the last three chapters particularly useful. The chapters are suitable for classroom use in courses in both Czech literature and Czech (or Central European) history. All material from Czech-language sources presented in the chapters is given in English translation.
Author: Andrew M. Drozd
Publisher: Vernon Press
ISBN:
Category : Fiction
Languages : en
Pages : 233
Get Book Here
Book Description
Modern Czech culture has experienced a series of political traumas starting in the 1930s. Despite the difficult, shifting conditions, Czech writers have not only managed to contend with the situation, but have produced many fine literary efforts. This volume consists of seven articles by an international team of authors who are specialists in Czech literature. The first four chapters treat very well-known writers. There is one chapter on Karel Čapek and his play "The White Plague." There are three chapters on Milan Kundera, the internationally best-known Czech writer, with one of these chapters covering both Kundera and Bohumil Hrabal. The last three chapters deal with more recent and/or lesser-known writers. One chapter treats the Brothers Topol and the music underground, one chapter treats Czech literary responses to the period of the Normalization, and the final chapter treats Eda Kriseová. This volume presents new perspectives on Czech literature and will be of interest to specialists in Czech literature and history, Central European literature and history, Nazism and Communism. For example, although much has been written about Kundera, the three articles provide further treatments of three different aspects of his work: his ties to Russian literature, his misogyny, and the philosophical content of his novels. Specialists interested in the period of the Normalization (and after) will find the last three chapters particularly useful. The chapters are suitable for classroom use in courses in both Czech literature and Czech (or Central European) history. All material from Czech-language sources presented in the chapters is given in English translation.
Author: Karen von Kunes
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
This collection of essays offers crucial and luminous insights into one of the best-known Czech authors, Milan Kundera, including his lesser known works. With essays that focus on Kundera's poetry and plays, his last four novels written in French, and his nonfiction writings on the novelistic form and translation, Milan Kundera Known and Unknown explores the complex and productive career of this globally recognized author. The approach begins by examining Kundera's distinctive literary style, and then how his voice radiated outward from the small communist country of Czechoslovakia to the world. Starting as a poet and playwright, Kundera transcended the Czech literary scene and rose to global prominence with his novelistic style of variations, paradoxes, humor, and clairvoyance into human relationships mixed with political tensions. His multi-dimensional existential topics introduced complex novelistic characters that have reached a large audience and remain evocative. Kundera also critically commented on creative works – his own and of others – thus contributing a unique approach to a specific aesthetic ideal and within the masterworks of world-renowned authors. Chapters on Kundera's aesthetics and form, his philosophical leanings, his relationship to the burgeoning concept of “world literature,” and translations of his writings offer new perspectives on his life's work. These insights shed light on Kundera's understudied works, such as his early poetry and his recent French novels, making connections between his early and later writing, and cementing his literary legacy for English-language audiences.
Author: Luiz Valério P. Trindade
Publisher: Vernon Press
ISBN: 1648890806
Category : Social Science
Languages : en
Pages : 228
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Book Description
‘No Laughing Matter: Race Joking and Resistance in Brazilian Social Media’ examines the social phenomenon of construction and dissemination of colonial-like racist discourses fostered against upwardly-mobile black women through disparagement humour on social media platforms, adopting a fresh and innovative perspective. In this book, Luiz Valério P. Trindade explores the idea that disparagement humour might not be as exempt of social impact as the jokers might believe, and that, in fact, this kind of humour reveals the hidden facet of deep-seated colonial ideologies still present in Brazilian society despite being hailed as a unique model of a post-racial society. The author argues that these ideologies establish and naturalise superior social positions and symbolic privileges to whites while undermining and delegitimising black women’s upward social mobility. Social media platforms enable the proponents of these beliefs not only to engage in the practice of online hate speech but also to attract a considerable number of like-minded people, creating a long-lasting echo chamber effect in the cyberspace. This way, they manage to amplify the reach and reverberation of their racist discourses in the online environment in ways not commonly seen in Brazilian offline social contexts. This monograph is of great interest and relevance to students, scholars, and researchers across a variety of disciplines, most notably Critical Race Studies, Media Communication Studies and Critical Humour Studies, and also academics in other areas such as Critical Discourse Analysis, Postcolonial Studies, Cultural Studies and Latin American Studies.
Author: Gunnar Odhner
Publisher: Vernon Press
ISBN: 1622734742
Category : Philosophy
Languages : en
Pages : 175
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Book Description
Why is progress in environmental protection slow and faltering? Is it because we misunderstand our place in nature? This book argues that it is the normative implications of Darwinism and their powerful grip on collective social consciousness that are partly responsible for the tardiness. For all its positive explanatory power and undoubted veracity, the normative implications of Darwinist thinking for our environmental predicament are stark: If we are children of Mother Nature equipped by her with a human nature, the responsibility for the deterioration of nature is partly Hers. This book takes a different standpoint. We are indeed children of Nature, but not primarily of the green nature or animal world but of the nature of language. We can understand how through the philosophy of Ludwig Wittgenstein, who states that “Language is a graft on instinctive behavior.” In our instinctive use of words we are parts of nature in a way resembling mice, frogs and giraffes. We are not as free as we think when we talk about our “free will”, because language uses us when we use it, hence our double roles as victims and instigators. The main thesis of this book is that rather than merely possessing language, we are language. If accepted, this realization may point the way to a more optimistic future for environmental protection and lay the foundations for a new analytical perspective on modern social behavior. "Darwin's Incomplete Idea" was much discussed when first published in Sweden (Bokförlaget Anomali, 2013). The English edition exposes, for the first time, this important work to an international audience. It should be of interest to philosophers of language and social scientists concerned about the environment and our place in it.
Author: Christopher Burlingame
Publisher: Vernon Press
ISBN: 1648894127
Category : Literary Criticism
Languages : en
Pages : 159
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Book Description
While much has been written about Chuck Palahniuk and his body of work, next to nothing has been written about when, where and how it is necessary to teach Palahniuk. This collection will reveal that teaching Palahniuk’s work and the discursive dynamic of the classroom interactions create new opportunities for scholarship by both the faculty member and his or her students. Despite early critical success with ‘Fight Club’, ‘Invisible Monsters’, and ‘Choke’, Palahniuk’s novels are increasingly dismissed for the very transgressive content that makes them essential pedagogical tools in the Age of Trump where “truth isn’t truth,” and tribalism is stoked with claims of “fake news”. This collection aims to broaden the scholarship by examining under-represented and unrepresented works from his oeuvre and situating them in the context of their pedagogical implications. In both form and content, the transgressive nature of Palahniuk’s work demands critical thought and reflection, capacities that are necessary for the preservation of a democratic society. Contributors take various approaches to address what students can learn about writing, literature, and society by reading and analyzing Palahniuk’s texts. The collection will discuss the value of teaching Palahniuk, innovations and various disciplinary contexts for teaching his works, and reflections on some of those pedagogical opportunities. Through its multi-faceted discussion of Palahniuk and pedagogy, this collection will legitimize efforts to bring his work onto syllabi and into the classroom, where it can enhance student engagement, create new avenues for inter-disciplinary scholarship, and re-invigorate an expansion of the canon. It will also provide diverse frameworks for incorporating and interpreting Palahniuk’s writing across disciplines. Finally, the collection will offer post-mortems from faculty members who have found the “guts” to teach Palahniuk and will offer insight into what students have gained and stand to gain from a more intensive Palahniuk pedagogy.
Author: Cristina Pérez-Arranz
Publisher: Vernon Press
ISBN: 164889240X
Category : Social Science
Languages : en
Pages : 231
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Book Description
'Wall to Wall: Law as Culture in Latin America and Spain' comprises interventions from a wide array of scholars based in the US, Spain, and Latin America, exploring the encounter of Hispanophone cultures and the law. Its contributors delineate a fraught relationship of complicity, negotiation, and outright confrontation covering five centuries and a truly global landscape, from Inquisitorial processes at the onset of the Spanish Empire to last-ditch plans to preserve it in the 19th century Philippines, to the challenges to contemporary articulations of the nation-state in Catalonia. Beyond single, specialized time-period and national cultures, 'Wall to Wall' embraces and showcases the heterogeneity of the field, covering both well-known territory (Argentina, Mexico, Spain) and often-neglected cultures (Venezuela, Philippines, and indigenous communities in the Yucatan area), as well as problems that cannot be narrowed down to the nation-state (exile, independence processes, non-state laws, translation of foreign cultures). Contributors include: Aurélie Vialette, Daniel Aguirre-Oteiza, Daniela Dorfman, María Fernanda Lander, Gloria Elizabeth Chacón, Iván Trujillo, Benjamin Easton, Pauline de Tholozany, Lauren G.J. Reynolds, Ignasi Gozalo-Salellas, and Gabriela Balcarce. The chapters included foreground the conceptual diversity of the field, in dialogue with issues in literary and visual culture, (post-)colonialism, race, nationalism, gender, and class. Not only do they place vernacular objects in dialogue with current international concepts and methods, but these essays also aim to advance an autonomous conceptual and theoretical work-based approach. Its chapters aspire to enter a global discussion around the state-centered aspiration to shape culture and the many literary and cultural practices that escape it; researchers of those issues and Latin American and Iberian studies will find new venues to rethink their global archive.
Author: Abigail Cloud
Publisher: Vernon Press
ISBN: 1622737520
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
This volume speaks to the use of poetry in critical qualitative research and practice focused on social justice. In this collection, poetry is a response, a call to action, agitation, and a frame for future social justice work. The authors engage with poetry’s potential for connectivity, political power, and evocation through methodological, theoretical, performative, and empirical work. The poet-researchers consider questions of how poetry and Poetic Inquiry can be a response to political and social events, be used as a pedagogical tool to critique inequitable social structures, and how Poetic Inquiry speaks to our local identities and politics. The authors answer the question: “What spaces can poetry create for dialogue about critical awareness, social justice, and re-visioning of social, cultural, and political worlds?” This volume adds to the growing body of Poetic Inquiry through the demonstration of poetry as political action, response, and reflective practice. We hope this collection inspires you to write and engage with political poetry to realize the power of poetry as political action, response, and reflective practice.
Author: Emily Greene Balch
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: Pedro Góis Moreira
Publisher: Vernon Press
ISBN: 1622739205
Category : Philosophy
Languages : en
Pages : 275
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Book Description
Richard Rorty is considered one of the most original philosophers of the last decades, and he has generated warm enthusiasm on the part of many intellectuals and students, within and outside the field of philosophy. The collection opens with an essay by Robert Brandom, in which he continues the discussion of Rorty’s “vocabulary vocabulary” that he began in Rorty and his Critics, and ends with an interview in which Brandom talks about Rorty himself as a teacher and friend. The collection is then divided into three further sections, each addressing an aspect of Rorty’s thought. First, a political section contains several essays discussing Rorty’s notorious “prophecy” in Achieving our Country and the idea that he would have foreseen the rise of a political “strongman.” Also discussed are Rorty's view of the cultural left, his view of the relation between truth and democracy, and Rorty on the concept of fraternity. In a second, epistemological section, several essays address Rorty’s historicism, anti-representationalism, and his views on truth and on religion, often through the lenses of his critics (Putnam, Habermas, Dews). A final section addresses the relations between Rorty and other philosophers such as Hume, Heidegger, and Ortega y Gasset. This works contains valuable essays in three languages — English, Portuguese, and Spanish — and is a small example of the reach of Rorty’s thought and its expansion beyond the Anglo-Saxon world in only ten years after his death. It will appeal to Rorty’s scholars and researchers as well as any student of pragmatism and anti-foundationalist thought.
Author: Lawrence N. Berlin
Publisher: Vernon Press
ISBN: 162273954X
Category : Language Arts & Disciplines
Languages : en
Pages : 174
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Book Description
Within the political sphere, a political actor is often judged by what he or she says, with their verbal performance often perceived as representative of the individual. Hearers accept that, as individuals, they possess a lifetime of experiences and actions which inform, but may also undermine, their aspirations in gaining political capital. Additionally, as representatives of a political party and its ideology, these actors do not exist in isolation; they are members and, at times, potential candidates of a particular party with its own agenda which may, in turn, cause them to modify their personal speech to align with espoused policies of the party. The various contributions contained in this volume examine the discourse of political actors through the lenses of positionality and stance. Throughout its chapters, clearly defined theoretical perspectives and specified social practices are employed, enabling the authors to elucidate how political actors can situate themselves, their party, and their opponents toward their ostensive public. This book successfully demonstrates how espoused perspectives relate to, or reflect on, the nature of the individual political actor and their truth, the party they represent and its ideology, and the pandering to popular public opinion to gain support and co-operation. This book will hold particular appeal for postgraduate students, researchers, and scholars of discourse studies, pragmatics, political science, as well as other areas in humanities and the social sciences.
