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Author: Paul Rennie
Publisher: Black Dog Pub Limited
ISBN: 9781906155971
Category : Art
Languages : en
Pages : 189
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Book Description
Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.
Author: Paul Rennie
Publisher: Black Dog Pub Limited
ISBN: 9781906155971
Category : Art
Languages : en
Pages : 189
Get Book Here
Book Description
Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.
Author: Paul Jarvis
Publisher: Amberley Publishing Limited
ISBN: 1445679280
Category : Transportation
Languages : en
Pages : 290
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Book Description
Stunning posters that chart the development and romance of air travel. In association with British Airways.
Author: Steven Heller
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 144
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Book Description
Author: Scott Anthony
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848220843
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
From Futurism and Modernism to Art Deco and Surrealism, aviation was from its earliest days inextricably linked with revolutionary new ways of seeing the world. Focusing on the golden age of British civil aviation, British Aviation Posters shows how art and design was applied with great creativity and style to develop and promote aviation in the UK and beyond.
Author:
Publisher:
ISBN:
Category : Posters
Languages : en
Pages : 1010
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Book Description
Author: David Bownes
Publisher: Lund Humphries Publishers Limited
ISBN: 9780853319856
Category : London Transport Board
Languages : en
Pages : 0
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Book Description
transport, history, drawing.
Author: Tom Eckersley
Publisher: Penguin Putnam
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
Author: Lesley Jackson
Publisher: Victoria & Albert Museum
ISBN: 9781851777594
Category : Design
Languages : en
Pages : 0
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Book Description
Focusing on design ingenuity, Modern British Furniture pinpoints the most inventive British designers and companies from 1945 to the present - from early postwar pioneers such as Ernest Race, Robin Day and Robert Heritage, to iconoclastic figures such as Peter Murdoch, William Plunkett and Max Clendinning, to today's global superstars led by Tom Dixon, Ron Arad and Jasper Morrison. Exploring the free-spirited and resourceful character of British design, this is a story of entrepreneurs who spearheaded their own companies - Lucian Ercolani at Ercol, Terence Conran at Habitat and Rodney Kinsman at OMK, among others - and the creative alliances between impassioned individuals and enlightened manufacturers, such as Frank Guille at Kandya. The book also looks at collaborations with international companies and foreignborn designers, such as El Ultimo Grito, who have adopted the UK as their base and injected further variety and spice into British furniture design.--
Author: Paul Rennie
Publisher:
ISBN: 9781908643728
Category :
Languages : en
Pages : 160
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Book Description
A superb 'missing' archive of historical safety posters dating from the 1930s to 1970s from the UK's RoSPA - The Royal Society for the Prevention of Accidents.
Author: Diane Bilbey
Publisher:
ISBN: 9781911300540
Category : Art
Languages : en
Pages : 0
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Book Description
This publication is a highly visual celebration of the massively popular, but now largely forgotten, Britain Can Make It exhibition. Organized by the Council of Industrial Design, it was held in empty ground-floor galleries of the Victoria & Albert Museum, from September to December 1946. A groundbreaking, morale boosting exhibition, it showcased British design and manufacturing. Despite its short run, it boasted an incredible 1.5 million visitors, and remains one of the most visited exhibitions ever held at the V&A. Long before the end of the Second World War hostilities, the government's Post War Export Trade Committee recognized the importance of promoting the country's manufacturing capabilities. Plans for an exhibition of 'National Importance' were set in place in October 1942, for an event that would illuminate the gloom of austerity, educate the public in the value of good design, and most importantly, boost much needed foreign trade. Britain's need to promote, manufacture and export its goods was urgent. The job of organizing the exhibition was given to the Council of Industrial Design on behalf of the government's Board of Trade. From its early planning stages, there was a desire to create an exhibition that was full of color, light and airy, and far removed from the browns and greens of the inter-war years. The exhibition was also intended to work as a public morale boosting exercise and it did, attracting visitors from around the country. Mile-long queues constantly formed outside the V&A. Interviewed in 1984, James Gardner, the designer of the exhibition, commented on the motivation for it: 'We'd got to get British manufacturers to produce well-designed goods quickly and to cheer the British public up. They were so depressed. Give them something to look forward to. You know, this was the dream of the future, if you like.' BCMI was not a trade show. Manufacturers had to put forward their products and only those deemed the best examples were chosen by specialist committees. An accompanying catalog detailing the manufacturers of products (and significantly, wherever possible the names of the designers of each product), could be bought by visitors from one of the bookstalls dotted around the exhibition. The catalog explained when goods would be available for the home and trade markets: 'Now, ' 'Soon' or 'Later.' Most often they were 'Later' for the home market which led to negative comments in the press, such as: 'Britain Can't Have It, ' 'Britons can't buy it, ' and 'Britain Can't Get It.' Products representing key consumer groups, including clothing, leisure, and domestic products were displayed. These were diverse, from pottery and glass, to radios, women's and men's wear, furniture, fabrics, toys, jewelry, boilers, taps, and sporting equipment. The Furnished Rooms section showcased room sets that sought to show how a range of people from different professional groups might live. By taking its structure loosely from the exhibition itself and from the accompanying Design '46 catalog, Britain Can Make It will take the reader through an eclectic range of subject areas and consumer products. The book begins with a discussion of the political climate and economic motivations that led to this exhibition of 'National Importance' taking place, and an overview of the contemporary social context. Additional essays will cover specific aspects of the exhibition itself, including the surrealist design of the exhibition, the art and artists involved, the naming, and the 'Design Quiz.' Most chapters will be in the form of short illustrated essays.
