Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Modern Art Despite Modernism
Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247
Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Modern Art and the Life of a Culture
Author: Jonathan A. Anderson
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
Book Description
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
Book Description
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Modernism on the Nile
Author: Alex Dika Seggerman
Publisher: UNC Press Books
ISBN: 1469653052
Category : Art
Languages : en
Pages : 292
Book Description
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
Publisher: UNC Press Books
ISBN: 1469653052
Category : Art
Languages : en
Pages : 292
Book Description
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
Modernism's Masculine Subjects
Author: Marcia Brennan
Publisher: MIT Press
ISBN: 9780262025713
Category : Architecture
Languages : en
Pages : 254
Book Description
Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined. Historically and theoretically."--Jacket.
Publisher: MIT Press
ISBN: 9780262025713
Category : Architecture
Languages : en
Pages : 254
Book Description
Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined. Historically and theoretically."--Jacket.
Modern Art Despite Modernism
Author: Robert Storr
Publisher:
ISBN: 9780870700347
Category : Art, Modern
Languages : en
Pages : 247
Book Description
Throughout the 20th century, the evolution of mainstream modernism in the arts has been shadowed and complicated by alternative expressions, intended either to set back the clock or to redirect the stream of "progress". This book, published in conjunction with the second of three cycles of millennial exhibitions (MoMA2000) at The Museum of Modern Art, New York, explores the anti-modernist impulse as exhibited in painting and sculpture through the social, political, and cultural conflicts of the 1920s, 1930s, and 1940s. Curator Robert Storr reminds the reader of the strengths of some of this work -- by Otto Dix, Lucien Freud, Francesco Clemente, and even Pablo Picasso -- and of the enduring popularity of such artists as Pavel Tchelitchew, whose Hide and Seek, along with Andrew Wyeth's Christina's World, are among the public's favorite pictures. Storr also discusses taste and vulgarity and their implications, both past and present, for institutions like The Museum of Modern Art that are thought of as canon-builders.
Publisher:
ISBN: 9780870700347
Category : Art, Modern
Languages : en
Pages : 247
Book Description
Throughout the 20th century, the evolution of mainstream modernism in the arts has been shadowed and complicated by alternative expressions, intended either to set back the clock or to redirect the stream of "progress". This book, published in conjunction with the second of three cycles of millennial exhibitions (MoMA2000) at The Museum of Modern Art, New York, explores the anti-modernist impulse as exhibited in painting and sculpture through the social, political, and cultural conflicts of the 1920s, 1930s, and 1940s. Curator Robert Storr reminds the reader of the strengths of some of this work -- by Otto Dix, Lucien Freud, Francesco Clemente, and even Pablo Picasso -- and of the enduring popularity of such artists as Pavel Tchelitchew, whose Hide and Seek, along with Andrew Wyeth's Christina's World, are among the public's favorite pictures. Storr also discusses taste and vulgarity and their implications, both past and present, for institutions like The Museum of Modern Art that are thought of as canon-builders.
Modern Art
Author: Robin Blake
Publisher: Parragon Publishing
ISBN: 9780752553566
Category : Art
Languages : en
Pages : 260
Book Description
Modern art. Variety of artistic disciplines. Detailed look at work of many important modern masters. Detailed commentary.
Publisher: Parragon Publishing
ISBN: 9780752553566
Category : Art
Languages : en
Pages : 260
Book Description
Modern art. Variety of artistic disciplines. Detailed look at work of many important modern masters. Detailed commentary.
Abstraction in Reverse
Author: Alexander Alberro
Publisher: University of Chicago Press
ISBN: 022639395X
Category : Art
Languages : en
Pages : 320
Book Description
Introduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
Publisher: University of Chicago Press
ISBN: 022639395X
Category : Art
Languages : en
Pages : 320
Book Description
Introduction: spectatorship after abstract art -- Concrete art, and invention -- Time-objects -- Subjective instability -- The instituting subject -- Conclusion
AngloModern
Author: Janet Wolff
Publisher: Cornell University Press
ISBN: 1501717464
Category : Art
Languages : en
Pages : 187
Book Description
Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Publisher: Cornell University Press
ISBN: 1501717464
Category : Art
Languages : en
Pages : 187
Book Description
Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.
Twentieth-century Italian Art
Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
Book Description
Modern Art and the Death of a Culture
Author: Hendrik Roelof Rookmaaker
Publisher: Crossway
ISBN: 9780891077992
Category : Art
Languages : en
Pages : 260
Book Description
Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.
Publisher: Crossway
ISBN: 9780891077992
Category : Art
Languages : en
Pages : 260
Book Description
Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.