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Author: Carolina Rocha
Publisher: Springer
ISBN: 1137011793
Category : Social Science
Languages : en
Pages : 380
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Book Description
Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Author: Carolina Rocha
Publisher: Springer
ISBN: 1137011793
Category : Social Science
Languages : en
Pages : 380
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Book Description
Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Author: Carolina Rocha
Publisher: Intellect L & D E F A E
ISBN: 9781783200153
Category : Art
Languages : en
Pages : 299
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Book Description
"Modern Argentine Masculinities gathers essays that explore the social construction of gender from the nineteenth century to the present. Authors analyze literary and cinematic texts, as well as contemporary popular songs, and offer a wide-ranging picture of the performance of masculinity as it has evolved and adapted since the consolidation of Argentina as a modern nation. This captivating interdisciplinary volume sheds new light on the construction of heterosexual and queer Argentine masculinities."--Page 4 of cover.
Author: Amit Thakkar
Publisher: Springer Nature
ISBN: 3031680502
Category :
Languages : en
Pages : 244
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Book Description
Author: Ingo Rohrer
Publisher: Springer Nature
ISBN: 3031687833
Category :
Languages : en
Pages : 378
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Book Description
Author: Javier Fernández-Galeano
Publisher: U of Nebraska Press
ISBN: 1496239830
Category : History
Languages : en
Pages : 341
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Book Description
In Maricas Javier Fernández-Galeano traces the erotic lives and legal battles of Argentine and Spanish gender- and sexually nonconforming people who carved out their own spaces in metropolitan and rural cultures between the 1940s and the 1980s. In both countries, agents of the state, judiciary, and medical communities employed “social danger” theory to measure individuals’ latent criminality, conflating sexual and gender nonconformity with legal transgression. Argentine and Spanish queer and trans communities rejected this mode of external categorization. Drawing on Catholicism and camp cultures that stretched across the Atlantic, these communities constructed alternative models of identification that remediated state repression and sexual violence through the pursuit of the sublime, be it erotic, religious, or cultural. In this pursuit they drew ideological and iconographic material from the very institutions that were most antagonistic to their existence, including the Catholic Church, the military, and reactionary mass media. Maricas incorporates non-elite actors, including working-class and rural populations, recruits, prisoners, folk music fans, and defendants’ mothers, among others. The first English-language monograph on the history of twentieth-century state policies and queer cultures in Argentina and Spain, Maricas demonstrates the many ways queer communities and individuals in Argentina and Spain fought against violence, rejected pathologization, and contested imposed, denigrating categorization.
Author: Claudia Sandberg
Publisher: Springer
ISBN: 3319770101
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism’s effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, this book establishes an informative and accessible text for scholars and students alike.
Author: Sarah Radcliffe
Publisher: Routledge
ISBN: 1134805594
Category : Science
Languages : en
Pages : 224
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Book Description
Remaking the Nation presents new ways of thinking about the nation, nationalism and national identities. Drawing links between popular culture and indigenous movements, issues of 'race' and gender, and ideologies of national identity, the authors draw on their work in Latin America to illustrate their retheorisation of the politics of nationalism. This engaging exploration of contemporary politics in a postmodern, post new-world-order uncovers a map of future political organisation, a world of pluri-nations and ethnicised identities in the ever-changing struggle for democracy.
Author: Currie K. Thompson
Publisher: Cambria Press
ISBN: 1604978791
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Although Juan Domingo Perón's central role in Argentine history and the need for an unbiased assessment of his impact on his nation's cinema are beyond dispute, the existing scholarship on the subject is limited. In recent decades Argentina has witnessed a revival of serious film study, some of which has focused on the nation's classical movies and, in one case, on Peronism. None of this work has been translated into English, however.This is the first English-language book that offers an extensive assessment of Argentine cinema during first Peronism. It is also the first study in any language that concentrates systematically on the evolution of social attitudes reflected in Argentine movies throughout those years and that assesses the period's impact on subsequent filmmaking activity. By analyzing popular Argentine movies from this time through the prism of myth-second-order communication systems that present historically developed customs and attitudes as natural-the book traces the filmic construction of gender, criminality, race, the family, sports, and the military. It identifies in movies the development and evolution of mindsets and attitudes that may be construed as "Peronist." By framing its consideration of films from the Perón years in the context of earlier and later ones, it demonstrates that this period accelerates-and sometimes registers backward-looking responses to-earlier progressive mythic shifts, and it traces the development in the 1950s of a critical mindset that comes to fruition in the "new cinema" of the 1960s. Picturing Argentina: Myths, Movies, and the Peronist Vision is an important book for Latin American studies, film studies, and history collections.
Author: Carolina Rocha
Publisher: Lexington Books
ISBN: 0739199528
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children’s subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used—gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others—take into account innovative approaches to filmic techniques as they explore the varied representations of children.
Author: Matt Losada
Publisher: SUNY Press
ISBN: 1438470630
Category : History
Languages : en
Pages : 222
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Book Description
Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present. The Projected Nation examines the representation of rural spaces and urban margins in Argentine cinema from the 1910s to the present. The literary and visual culture of the nineteenth and early-twentieth centuries formulated a spatial imaginaryoften articulated as an opposition between civilization and barbarism, or its inversioninto which the cinema intervened. As the twentieth century progressed, the new medium integrated these ideas with its own images in various ways. At times cinema limited itself to reproducing inherited representations that reassure the viewer that all is well in the nation, while at others it powerfully reformulated them by filming spaces and peoples previously excluded from the national culture and left behind in the nations modernizing process. Matt Losada accounts for historical events, technological factors, and the politics of film form and viewing in assessing a selection of works ranging from mass-marketed cinema to the political avant-garde, and from the canonical to the nearly unknown. This is an ambitious work that views the spatial imaginary in a full century of film development as informed by national culture and politics. Marvin DLugo, coeditor of The Routledge Companion to Latin American Cinema
