The Works of Charles and Mary Lamb: Miscellaneous prose, 1798-1834 PDF Download
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Author: Charles Lamb
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Author: Charles Lamb
Publisher:
ISBN:
Category :
Languages : en
Pages : 642
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Author: Charles Lamb
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 3754
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Book Description
This eBook edition of "The Collected Works of Charles Lamb and Mary Lamb" has been formatted to the highest digital standards and adjusted for readability on all devices. Essays of Elia is a collection of essays written by Charles Lamb, first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. The personal and conversational tone of the essays has charmed many readers. Lamb himself is the Elia of the collection, and his sister Mary is "Cousin Bridget." Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck. Tales from Shakespeare is an English children's book written by Charles and Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them. Volume 1: Curious fragments, extracted from a commonplace-book which belonged to Robert Burton, the famous Author of "The Anatomy of Melancholy" Early Journalism Characters of Dramatic Writers, Contemporary with Shakspeare On the Inconveniences Resulting from Being Hanged On the Danger of Confounding Moral with Personal Deformity: with a Hint to those who have the Framing of Advertisements for Apprehending Offenders... Volume 2: Essays of Elia Last Essays of Elia Volume 3: Tales from Shakespeare The Adventures of Ulysses Mrs. Leicester's School The King and Queen of Hearts Poetry for Children Three Poems Not in "Poetry for Children" Prince Dorus Volume 4: Rosamund Gray, Essays, Etc. Poems Album Verses, With a Few Others Volume 5: The Letters of Charles and Mary Lamb (1796-1820) Volume 6: The Letters of Charles and Mary Lamb (1821-1842)
Author: John O'Keeffe
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
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Author: John O'Keeffe
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 482
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Author: John O'Keeffe
Publisher: Cambridge University Press
ISBN: 1108034896
Category : Biography & Autobiography
Languages : en
Pages : 443
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Book Description
A two-volume memoir published in 1826 by an Irish playwright renowned for his comic operas and farces.
Author: Walley Chamberlain OULTON
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 1611461154
Category : Performing Arts
Languages : en
Pages : 801
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Book Description
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1040
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Author: Susan Valladares
Publisher: Liverpool University Press
ISBN: 183553788X
Category : Drama
Languages : en
Pages : 199
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Book Description
What do we gain from watching a familiar play for the nth time? This was a crucial question for Romantic-period theatre managers, who, to deliver varied programmes, relied on a repertoire of ‘stock’ entertainments performed in alternation with the latest plays. Repertory theatre was not new to the Romantic period, but it took on additional purchase at a time when the playhouse was not simply a site for entertainment but a government-controlled cultural institution and business, subject to sometimes extreme financial, political, and ideological pressures. Through an innovative selection of case studies drawn from deep archival research, Stock Pieces juxtaposes canonical with otherwise forgotten entertainments; unites the period’s professional and amateur dramatic cultures; and spans British metropolitan, provincial, and imperial geographies. The picture that emerges is fresh and compelling. Stock Pieces sheds light on the mechanics of stock piece status, the Romantic afterlives of Shakespeare’s near contemporaries (whose popular appeal declined as his increased), and the work of various agents (from pantomime arrangers to enslaved performers in Jamaica) who contested the repertoire’s received aesthetic and cultural values. It also explores the extent to which investments in the abolitionist cause were remediated by stock pieces that revived and reenacted the spectral violence of slavery and the slave trade – for various purposes. Stock Pieces showcases how the Romantic-period dramatic repertoire could be mobilised to signify social and political practices that operated outside the theatrical institution, crossed national borders, and dared to effect real change.
