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Author: Elizabeth-Anne Scarth
Publisher: VDM Publishing
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 126
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Book Description
Cicero, Quintilian and the anonymous author of the ad Herennium each describe the art and practice of using an artificial memory system to help aid remembrance. Each of the authors'' respective treatises offers an exploration of how both loci (places) and imagines (images) were used to facilitate remembrance of both res (things) and verba (words). The methods delineated by each author provide valuable insight into the visual process, used by educated Romans to retrieve and recall information stored in their memories. By understanding how remembering and recollection were inherently important to the Romans the modern reader can apprehend how Virgil, as a member of the Roman elite, either consciously or subconsciously, would portray his characters as being familiar not only with the system of artificial memory, but also with the Roman process of using different spaces and places to stimulate remembrance. This book looks at the rhetoricians'' discussions of the art of memory and posits that Virgil uses the artificial memory system features of sequential order, discriminability, and distinctiveness when describes the way his characters look at various images in the Aeneid.
Author: Elizabeth-Anne Scarth
Publisher: VDM Publishing
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 126
Get Book Here
Book Description
Cicero, Quintilian and the anonymous author of the ad Herennium each describe the art and practice of using an artificial memory system to help aid remembrance. Each of the authors'' respective treatises offers an exploration of how both loci (places) and imagines (images) were used to facilitate remembrance of both res (things) and verba (words). The methods delineated by each author provide valuable insight into the visual process, used by educated Romans to retrieve and recall information stored in their memories. By understanding how remembering and recollection were inherently important to the Romans the modern reader can apprehend how Virgil, as a member of the Roman elite, either consciously or subconsciously, would portray his characters as being familiar not only with the system of artificial memory, but also with the Roman process of using different spaces and places to stimulate remembrance. This book looks at the rhetoricians'' discussions of the art of memory and posits that Virgil uses the artificial memory system features of sequential order, discriminability, and distinctiveness when describes the way his characters look at various images in the Aeneid.
Author: Scott McGill
Publisher: Oxford University Press
ISBN: 0198039107
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The Virgilian centos anticipate the avant-garde and smash the image of a staid, sober, and centered classical world. This book examines the twelve mythological and secular Virgilian centos that survive from antiquity. The centos, in which authors take non-consecutive lines or segments of lines from the Eclogues, Georgics, and Aeneid and reconnect them to produce new poems, have received limited attention. No other book-length study exists of all the centos, which date from ca. 200 to ca. 530. The centos are literary games, and they have a playful shock value that feels very modern. Yet the texts also demand to be taken seriously for what they disclose about late antique literary culture, Virgil's reception, and several important topics in Latin literature and literary studies generally. As radically intertextual works, the centos are particularly valuable sites for pursuing inquiry into allusion. Scrutinizing the peculiarities of the texts' allusive engagements with Virgil requires clarification of the roles of the author and the reader in allusion, the criteria for determining what constitutes an allusion, and the different functions allusion can have. By investigating the centos from these different perspectives and asking what they reveal about a wide range of weighty subjects, this book comes into dialogue with major topics and studies in Latin literature.
Author: Aaron M. Seider
Publisher: Cambridge University Press
ISBN: 1107292522
Category : History
Languages : en
Pages : 241
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Book Description
Tracing the path from Troy's destruction to Rome's foundation, the Aeneid explores the transition between past and future. As the Trojans struggle to found a new city and the narrator sings of his audience's often-painful history, memory becomes intertwined with a crucial leitmotif: the challenge of being part of a group that survives violence and destruction only to face the daunting task of remembering what was lost. This book offers a new reading of the Aeneid that engages with critical work on memory and questions the prevailing view that Aeneas must forget his disastrous history in order to escape from a cycle of loss. Considering crucial scenes such as Aeneas' reconstruction of Celaeno's prophecy and his slaying of Turnus, this book demonstrates that memory in the Aeneid is a reconstructive and dynamic process, one that offers a social and narrative mechanism for integrating a traumatic past with an uncertain future.
Author: TEDD. WIMPERIS
Publisher: University of Michigan Press
ISBN: 0472133497
Category :
Languages : en
Pages : 243
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Book Description
A new take on the Aeneid, drawing previously unexplored connections between Vergil's fictional world and its political context
Author: George Kazantzidis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111345327
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.
Author: Christopher Chinn
Publisher: BRILL
ISBN: 9004498869
Category : History
Languages : en
Pages : 360
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Book Description
Scholars have long noted the strikingly visual aspects of Statius’ poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents “visual narratives” in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achilles’ blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class.
Author: Lloyd Howard
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773536558
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Using hidden linguistic configurations, explores the issue of Virgil's authority in the Divine comedy as compared to other poets, guides, and demons.
Author: Dean Hammer
Publisher: Cambridge University Press
ISBN: 1009249606
Category : History
Languages : en
Pages : 265
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Book Description
"This Roman polish, and this smooth behaviour, That render man thus tractable and tame? Are they not only to disguise our passions, To set our looks at variance with our thoughts, To check the starts and sallies of the soul, And break off all its commerce with the tongue; In short, to change us into other creatures, Than what our nature and the gods designed us? (Joseph Addison, Cato: A Tragedy, I, 4, 40-47) What have we been changed into? Amidst Rome's civil war, the Numidian general, Syphax, questions the effects of Romanization endorsed by Numa, the prince of Numidia and ally of Cato the Younger in the fight against Caesar. This question is unsettling in part because answering it begins to undermine an assumption about the past upon which the question rests. The more one pushes the question, the more one realizes that there is no absolute beginning point, no from, but only ongoing experiences and memories that almost imperceptibly connect to identities. Yet cultures attempt to answer the question of identity definitively. Cultures naturalize, lending normativity to beliefs and actions that form identity. And cultures narrativize, giving constancy to identity over time. The assumptions that underlie these narratives - the symbolic resources that a culture draws on - rest in the background as something already familiar within which one remembers, makes sense of experiences, and forms 12 expectations. To ask about these assumptions unsettles, laying bare the anxieties that underlie the question, "Who are We?" We answer the question for America through familiar European categories that grow out of the Renaissance and Enlightenment. Questions of the American founding are organized around debates about its republican, liberal, or religious heritage. The space, itself, appears as an empty state of nature in which a new history (absent a feudal past) can begin. Belonging appears as a formal feature of the integrated nation-state (notably, citizenship) that is comprised of constitutional rights and sustained by market interactions. And the future is envisioned as a narrative of progress of reason, science, wealth, and rights. Early American social actors and observers defined it this way; scholars analyze America in these terms"--
Author: Athanasios Efstathiou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110479796
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This collective volume provides a fresh perspective on Homeric reception through a methodologically focused, interdisciplinary investigation of the transformations of Homeric epic within varying generic and cultural contexts. It explores how various aspects of Homeric poetics appeal and can be mapped on to a diversity of contexts under different socio-historical, intellectual, literary and artistic conditions. The volume brings together internationally acclaimed scholars and acute young researchers in the fields of classics and reception studies, yielding insight into the varied strategies and ideological forces that define Homeric reception in literature, scholarship and the performing arts (theatre, film and music) and shape the ‘horizon of expectations’ of readers and audience. This collection also showcases that the wide-ranging ‘migration’ of Homeric material through time and across place holds significant cultural power, being instrumental in the construction of new cultural identities. The volume is of particular interest to scholars in the fields of classics, reception and cultural studies and the performing arts, as well as to readers fascinated by ancient literature and its cultural transformations.
Author: Maggie L. Popkin
Publisher: Cambridge University Press
ISBN: 1107103576
Category : Architecture
Languages : en
Pages : 297
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Book Description
This book offers the first critical study of the architecture of the Roman triumph, ancient Rome's most important victory ritual. Through case studies ranging from the republican to imperial periods, it demonstrates how powerfully monuments shaped how Romans performed, experienced, and remembered triumphs and, consequently, how Romans conceived of an urban identity for their city. Monuments highlighted Roman conquests of foreign peoples, enabled Romans to envision future triumphs, made triumphs more memorable through emotional arousal of spectators, and even generated distorted memories of triumphs that might never have occurred. This book illustrates the far-reaching impact of the architecture of the triumph on how Romans thought about this ritual and, ultimately, their own place within the Mediterranean world. In doing so, it offers a new model for historicizing the interrelations between monuments, individual and shared memory, and collective identities.
