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Author: Anne S. Lipscomb
Publisher: Univ. Press of Mississippi
ISBN: 1604736984
Category : Reference
Languages : en
Pages : 212
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Book Description
This easy-to-understand guide through a maze of research possibilities is for any genealogist who has Mississippi ancestry. It identifies the many official state records, incorporated community records, related federal records, and unofficial documents useful in researching Mississippi genealogy. Here the contents of these resources are clearly described, and directions for using them are clearly stated. Tracing Your Mississippi Ancestors also introduces many other helpful genealogical resources, including detailed colonial, territorial, state, and local materials. Among official records are census schedules, birth, marriage, divorce, and death registers, tax records, military documents, and records of land transactions such as deeds, tract books, land office papers, plats, and claims. In addition to noting such frequently used sources as Confederate Army records, this guidebook leads the researcher toward lesser-known materials, such as passenger lists from ships, Spanish court records, midwives' reports, WPA county histories, cemetery records, and information about extinct towns. Since researching forebears who belong to minority groups can be a difficult challenge, this book offers several avenues to discovering them. Of special focus are sources for locating African American and Native American ancestors. These include slave schedules, Freedman's Bureau papers, Civil War rolls, plantation journals, slave narratives, Indian census records, and Indian enrollment cards. To these specialized resources the authors of Tracing Your Mississippi Ancestors append an annotated bibliography of published and unpublished genealogical materials relating to Mississippi. Including over 200 citations, this is by far the most comprehensive list ever given for researching Mississippi genealogy. In addition, all of Mississippi's local, county, and state repositories of genealogical materials are identified, but because most documents for tracing Mississippi ancestors are found at the Mississippi Department of Archives and History, the authors have made the state archival collection in Jackson the focus of this book.
Author: Anne S. Lipscomb
Publisher: Univ. Press of Mississippi
ISBN: 1604736984
Category : Reference
Languages : en
Pages : 212
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Book Description
This easy-to-understand guide through a maze of research possibilities is for any genealogist who has Mississippi ancestry. It identifies the many official state records, incorporated community records, related federal records, and unofficial documents useful in researching Mississippi genealogy. Here the contents of these resources are clearly described, and directions for using them are clearly stated. Tracing Your Mississippi Ancestors also introduces many other helpful genealogical resources, including detailed colonial, territorial, state, and local materials. Among official records are census schedules, birth, marriage, divorce, and death registers, tax records, military documents, and records of land transactions such as deeds, tract books, land office papers, plats, and claims. In addition to noting such frequently used sources as Confederate Army records, this guidebook leads the researcher toward lesser-known materials, such as passenger lists from ships, Spanish court records, midwives' reports, WPA county histories, cemetery records, and information about extinct towns. Since researching forebears who belong to minority groups can be a difficult challenge, this book offers several avenues to discovering them. Of special focus are sources for locating African American and Native American ancestors. These include slave schedules, Freedman's Bureau papers, Civil War rolls, plantation journals, slave narratives, Indian census records, and Indian enrollment cards. To these specialized resources the authors of Tracing Your Mississippi Ancestors append an annotated bibliography of published and unpublished genealogical materials relating to Mississippi. Including over 200 citations, this is by far the most comprehensive list ever given for researching Mississippi genealogy. In addition, all of Mississippi's local, county, and state repositories of genealogical materials are identified, but because most documents for tracing Mississippi ancestors are found at the Mississippi Department of Archives and History, the authors have made the state archival collection in Jackson the focus of this book.
Author: Philip R. Ratcliffe
Publisher: Univ. Press of Mississippi
ISBN: 162846979X
Category : Music
Languages : en
Pages : 363
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Book Description
Winner, Best History, 2012 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research When Mississippi John Hurt (1892-1966) was "rediscovered" by blues revivalists in 1963, his musicianship and recordings transformed popular notions of prewar country blues. At seventy-one he moved to Washington, D.C., from Avalon, Mississippi, and became a live-wire connection to a powerful, authentic past. His intricate and lively style made him the most sought after musician among the many talents the revival brought to light. Mississippi John Hurt provides this legendary creator's life story for the first time. Biographer Philip Ratcliffe traces Hurt's roots to the moment his mother Mary Jane McCain and his father Isom Hurt were freed from slavery. Anecdotes from Hurt's childhood and teenage years include the destiny-making moment when his mother purchased his first guitar for $1.50 when he was only nine years old. Stories from his neighbors and friends, from both of his wives, and from his extended family round out the community picture of Avalon. US census records, Hurt's first marriage record in 1916, images of his first autographed LP record, and excerpts from personal letters written in his own hand provide treasures for fans. Ratcliffe details Hurt's musical influences and the origins of his style and repertoire. The author also relates numerous stories from the time of his success, drawing on published sources and many hours of interviews with people who knew Hurt well, including the late Jerry Ricks, Pat Sky, Stefan Grossman and Max Ochs, Dick Spottswood, and the late Mike Stewart. In addition, some of the last photographs taken of the legendary musician are featured for the first time in Mississippi John Hurt.
Author: William Ferris
Publisher: Univ of North Carolina Press
ISBN: 080789852X
Category : Music
Languages : en
Pages : 319
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Book Description
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
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Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Robert Nicholson
Publisher:
ISBN: 9780713726619
Category : African American musicians
Languages : en
Pages : 192
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2432
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Book Description
Author: Annye C. Anderson
Publisher: Hachette Books
ISBN: 030684527X
Category : Biography & Autobiography
Languages : en
Pages : 162
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Book Description
A Rolling Stone-Kirkus Best Music Book of 2020 “[Brother Robert} book does much to pull the blues master out of the fog of myth.”—Rolling Stone An intimate memoir by blues legend Robert Johnson's stepsister, including new details about his family, music, influences, tragic death, and musical afterlife Though Robert Johnson was only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, his enduring recordings have solidified his status as a progenitor of the Delta blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence-until now. In Brother Robert, nonagenarian Annye C. Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom, from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy. Along the way, readers are gifted not only with Anderson's personal anecdotes, but with colorful recollections passed down to Anderson by members of their family-the people who knew Johnson best. Readers also learn about the contours of his working life in Memphis, never-before-disclosed details about his romantic history, and all of Johnson's favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don't just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity. For decades, Anderson and her family have ignored the tall tales of Johnson "selling his soul to the devil" and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Wald, Preston Lauterbach, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.
Author: Elijah Wald
Publisher: Harper Collins
ISBN: 0062018442
Category : Biography & Autobiography
Languages : en
Pages : 510
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Book Description
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.
Author: Harry Bolick
Publisher: Univ. Press of Mississippi
ISBN: 1496835808
Category : Music
Languages : en
Pages : 882
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Book Description
In 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi’s rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell’s original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920–2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors’ field recordings; and the musicians’ own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi’s fiddle tunes.
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1350
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Book Description
