Mississippi Hill Country Blues 1967 PDF Download
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Author: George Mitchell
Publisher: American Made Music
ISBN: 9781617038167
Category : Music
Languages : en
Pages : 0
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Book Description
The photographic record of unprecedented musical discovery and the geniuses of Mississippi's Hill Country blues
Author: George Mitchell
Publisher: American Made Music
ISBN: 9781617038167
Category : Music
Languages : en
Pages : 0
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Book Description
The photographic record of unprecedented musical discovery and the geniuses of Mississippi's Hill Country blues
Author: George Mitchell
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 240
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Book Description
Author: Legs McNeil
Publisher: Grove Press
ISBN: 9780802142641
Category : Music
Languages : en
Pages : 496
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Book Description
Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.
Author: Robert Ford
Publisher: Routledge
ISBN: 1351398482
Category : Music
Languages : en
Pages : 905
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Book Description
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Author: Edward Komara
Publisher: Rowman & Littlefield
ISBN: 0810889226
Category : Music
Languages : en
Pages : 319
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Book Description
Search the Internet for the 100 best songs or best albums. Dozens of lists will appear from aficionados to major music personalities. But what if you not only love listening to the blues or country music or jazz or rock, you love reading about it, too. How do you separate what matters from what doesn’t among the hundreds—sometimes thousands—of books on the music you so love? In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts. In 100 Books Every Blues Fan Should Own, Edward Komara, former Blues Archivist of the University of Mississippi, and his successor Greg Johnson select those histories, biographies, surveys, transcriptions and studies from the many hundreds of works that have been published about this vital American musical genre. Komara and Johnson provide a short description of the contents and the achievement of each title selected for their “Blues 100.” Entries include full bibliographic citations, prices of copies in print, and even descriptions of specific editions for book collectors. 100 Books Every Blues Fan Should Own also includes suggested blues recordings to accompany each recommended work, as well as a concluding section on key reference titles—or as Komara and Johnson phrase it: “The Books behind the Blues 100.” 100 Books Every Blues Fan Should Own serves as a guide for any blues fan looking for a road map through the history of—and even history of the scholarship on—the blues. Here Komara and Johnson answer the question of not only what is a “blues” book, but which ones are worth owning.
Author: Steven Manheim
Publisher: Arcadia Publishing
ISBN: 1439667098
Category : Biography & Autobiography
Languages : en
Pages : 96
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Book Description
The Mississippi Delta blues run as deep and mysterious as the beautiful land from where the music originates. Blues legends B.B. King, Muddy Waters, John Lee Hooker, Howlin' Wolf, Sonny Boy Williamson, and countless other greats came from this region. The Delta blues, born as work songs in Mississippi cotton fields, was played on city street corners and in rural juke joints. With the Great Migration of African Americans in the first half of the 20th century, the Delta blues also made its way from Mississippi to Chicago. The sound of the blues would become the blueprint for the birth of rock and roll in Memphis in the 1950s. The era of the great Delta blues musicians is over, but their legacy remains an important chapter in American music. This book contains images of these important performers and the rich Delta landscapes that influenced their music.
Author: Margo Cooper
Publisher: Univ. Press of Mississippi
ISBN: 1496847423
Category : Music
Languages : en
Pages : 604
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Book Description
Deep Inside the Blues collects thirty-four of Margo Cooper’s interviews with blues artists and is illustrated with over 160 of her photographs, many published here for the first time. For thirty years, Cooper has been documenting the lives of blues musicians, their families and homes, neighborhoods, festivals, and gigs. Her photographic work combines iconic late-career images of many legendary figures including Bo Diddley, Honeyboy Edwards, B. B. King, Pinetop Perkins, and Hubert Sumlin with youthful shots of Cedric Burnside, Shemekia Copeland, and Sharde Thomas, themselves now in their thirties and forties. During this time, the Burnside and Turner families and other Mississippi artists such as T-Model Ford, James “Super Chikan” Johnson, and L. C. Ulmer entered the national and international spotlight, ensuring the powerful connection between authentic Delta, Hill Country, and Piney Woods blues musicians and their audience continues. In 1993, Cooper began photographing in the clubs around New England, then in Chicago, and before long in Mississippi and Helena, Arkansas. On her very first trips to Mississippi in 1997 and 1998, Cooper had the good fortune to photograph Sam Carr, Frank Frost, Bobby Rush, and Otha Turner, among others. “The blues come out of the field,” Ulmer told Cooper. Seeing those fields, as well as the old juke joints, country churches, and people’s homes, inspired her. She began recording interviews with the musicians, sometimes over a period of years, listening and asking questions as their narratives unfolded. Many of the key blues players of the period have already passed, making their stories and Cooper’s photographs of them all the more poignant and valuable.
Author: Karin Bolender
Publisher: punctum books
ISBN: 1953035132
Category : Art
Languages : en
Pages : 355
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Book Description
Author:
Publisher: Univ of North Carolina Press
ISBN: 0807833258
Category : Music
Languages : en
Pages : 638
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Book Description
Collects interviews and commentary on blues and gospel music from the Mississippi Delta area, and discusses how race relations, connections to the sacred, and Southern life helped mold this style of music.
Author: Daphne A. Brooks
Publisher: Belknap Press
ISBN: 0674052811
Category : Social Science
Languages : en
Pages : 609
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Book Description
Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland–Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year “Brooks traces all kinds of lines, finding unexpected points of connection...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening by tracing lineages and calling for more space.” —New York Times An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.
