Miss Rutherford's Scrap Book

Miss Rutherford's Scrap Book PDF Author: Mildred Lewis Rutherford
Publisher:
ISBN:
Category : Southern States
Languages : en
Pages : 292

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Miss Rutherford's Scrap Book

Miss Rutherford's Scrap Book PDF Author: Mildred Lewis Rutherford
Publisher:
ISBN:
Category : Southern States
Languages : en
Pages : 292

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Book Description


Miss Rutherford's Historical Notes

Miss Rutherford's Historical Notes PDF Author: Mildred Lewis Rutherford
Publisher:
ISBN:
Category : Confederate States of America
Languages : en
Pages : 608

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Miss Rutherford's Scrap Book

Miss Rutherford's Scrap Book PDF Author: Mildred Lewis Rutherford
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 798

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Some topics: "The Causes That Led to the War Between the States, Secession Was Not Rebellion, Who Was Responsible For War?, Was Coercion Constitutional?, Army and Navy of the Confederate States Organized, Battles and Leaders The Surrender and Results."

Prominent Families of New York

Prominent Families of New York PDF Author: Lyman Horace Weeks
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 64

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The Calamities and Quarrels of Authors

The Calamities and Quarrels of Authors PDF Author: Isaac Disraeli
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 364

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Dixie's Daughters

Dixie's Daughters PDF Author: Karen L. Cox
Publisher: University Press of Florida
ISBN: 0813063892
Category : History
Languages : en
Pages : 243

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Book Description
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.

Post-Colonial and African American Women's Writing

Post-Colonial and African American Women's Writing PDF Author: Gina Wisker
Publisher: Bloomsbury Publishing
ISBN: 0333985249
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
This accessible and unusually wide-ranging book is essential reading for anyone interested in postcolonial and African American women's writing. It provides a valuable gender and culture inflected critical introduction to well established women writers: Toni Morrison, Alice Walker, Margaret Atwood, Suniti Namjoshi, Bessie Head, and others from the U.S.A., India, Africa, Britain, Australia, New Zealand and introduces emergent writers from South East Asia, Cyprus and Oceania. Engaging with and clarifying contested critical areas of feminism and the postcolonial; exploring historical background and cultural context, economic, political, and psychoanalytic influences on gendered experience, it provides a cohesive discussion of key issues such as cultural and gendered identity, motherhood, mothertongue, language, relationships, women's economic constraints and sexual politics.

Miss Rutherford's Scrap Book

Miss Rutherford's Scrap Book PDF Author: Mildred Lewis Rutherford
Publisher:
ISBN:
Category : Southern States
Languages : en
Pages : 562

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Victorian Literature

Victorian Literature PDF Author: Clement King Shorter
Publisher:
ISBN:
Category : English
Languages : en
Pages : 262

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Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.