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Author: Brenda Richardson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Author: Brenda Richardson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 212
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Book Description
Author: Susan Fillion
Publisher:
ISBN: 9781567925326
Category :
Languages : en
Pages : 0
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Book Description
What could be more unlikely than this tale of two unmarried sisters from a German-Jewish family in Baltimore amassing one of the major collections of modern art in America? But Etta and Claribel Cone saw the potential of young artists like Matisse and Picasso when few people in America even knew they existed. Etta fell in love with art on her first trip to Italy under the encouragement of Leo Stein. During their travels, the sisters began amassing Japanese prints, antiques, and textiles. Buying without professional counsel, trusting their eyes and instincts, they soon were concentrating on the avant garde, befriending and supporting artists, and building one of the foremost collections of Matisse's work in the world. In this touching story, fully illustrated with the work they collected-Picasso, Matisse, Cezanne, Gauguin-we can trace the contours of their lives, made more vivid by the colorful paintings.
Author: Ellen B. Hirschland
Publisher: Northwestern University Press
ISBN: 0810124815
Category : Art
Languages : en
Pages : 294
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Book Description
They were friends with Picasso and Matisse. They ran in the same circles as Gertrude and Leo Stein. They avidly purchased works by Manet, Gauguin, Cezanne, Seurat, and Degas at a time when other Americans didn't. They were two Victorian women from Baltimore buying avant-garde art in Paris, attending salons with friends, and building a collection that would initially puzzle and eventually awe the art world. Over a period of fifty years, sisters Caribel and Etta Cone amassed one of the most acclaimed collections of late-nineteenth and twentieth-century art in America. Dr. Claribel and Miss Etta were two halves of an idiosyncratic team who used the fortures of their German Jewish immigrant family to seek out works that imspired and pleased them, regardless of public opinion. This richly illustrated biography documents their lives from a unique perspective: that of their great-niece and their great-great-niece. Ellen B. Hirschland and her daughter Nancy Hirschland Ramage delve into Claribel's and Etta's world, following the sisters through letters and personal stories as they travel to meet the artists whose work would turn their adjoining apartments into a virtual museum. The sisters' experiences in Paris in the 1910s and 1920s provide an exceptional view of the bright artistic ferment in the city at that time. Only time would vindicate their keen vision and unwavering taste.
Author: Baltimore Museum of Art
Publisher:
ISBN: 9780578888187
Category : Art
Languages : en
Pages : 263
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Book Description
"This exhibition explores the 43-year friendship between artist Henri Matisse (1869-1954) and Baltimore collector Etta Cone (1870-1949). More than 160 paintings, sculptures, prints, drawings, and illustrated books provide new insights into the formation of the renowned Cone Collection, one of the greatest collections of modern art in the United States. Etta, with her older sister Claribel (1864-1929), acquired more than 700 works by Matisse between 1906 and 1949 and bequeathed the majority of them to the BMA as part of a gift of 3,000 objects. Etta's dedication and curiosity ultimately lent the Cone collection its characteristic depth and breadth. After accepting Etta's invitation to visit her in Baltimore in 1930, Matisse realized he could have a major U.S. presence, and began creating and offering Etta specific works of art with the Cone collection in mind." Among these works are masterpieces such as The Yellow Dress (1929-31) and Large Reclining Nude (1935), rarely shown drawings, and the preliminary studies for his first illustrated book, Poems by Stéphane Mallarmé (1932). The works in the exhibition are generally arranged by acquisition date, demonstrating Cone's increasingly discerning eye for Matisse's work throughout their long partnership. A fully illustrated catalog accompanying the exhibition contains new scholarship on the formal, technical, and social aspects of the decades-long working partnership between artist and patron.
Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 0300115415
Category : Art
Languages : en
Pages : 324
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Book Description
Contains photographs of sculptures created by Henri Matisse.
Author: Karen Levitov
Publisher: Yale University Press
ISBN: 9780300170214
Category : Art
Languages : en
Pages : 0
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Book Description
Published in conjunction with an exhibition organized by the Baltimore Museum of Art, the Jewish Museum, New York, and the Vancouver Art Gallery and held at the Jewish Museum, New York, May 6-Sept. 25, 2011 and at the Vancouver Art Gallery.
Author: Louis van Tilborgh
Publisher: Yale University Press
ISBN: 0300214863
Category : Art
Languages : en
Pages : 163
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Book Description
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.
Author: Susan Fillion
Publisher: David R. Godine Publisher
ISBN: 1567924344
Category : Art
Languages : en
Pages : 86
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Book Description
Recounts the lives of the Cone sisters, their travels, and their collection of Modern art from such artists as Henri Matisse and Pablo Picasso.
Author: Mary Watkins
Publisher: Yale University Press
ISBN: 9780300063172
Category : Family & Relationships
Languages : en
Pages : 274
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Book Description
Discusses how young children make sense of the fact that they are adopted with 20 accounts of parents talking to their children about adoption.
Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
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Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
