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Author: Megan Heffernan
Publisher: University of Pennsylvania Press
ISBN: 0812252802
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.
Author: Megan Heffernan
Publisher: University of Pennsylvania Press
ISBN: 0812252802
Category : Literary Criticism
Languages : en
Pages : 304
Get Book Here
Book Description
In Making the Miscellany Megan Heffernan examines the poetic design of early modern printed books and explores how volumes of compiled poems, which have always existed in practice, responded to media change in sixteenth- and seventeenth-century England. Heffernan's focus is not only the material organization of printed poetry, but also how those conventions and innovations of arrangement contributed to vernacular poetic craft, the consolidation of ideals of individual authorship, and centuries of literary history. The arrangement of printed compilations contains a largely unstudied and undertheorized archive of poetic form, Heffernan argues. In an evolving system of textual transmission, compilers were experimenting with how to contain individual poems within larger volumes. By paying attention to how they navigated and shaped the exchanges between poems and their organization, she reveals how we can witness the basic power of imaginative writing over the material text. Making the Miscellany is also a study of how this history of textual design has been differently told by the distinct disciplines of bibliography or book history and literary studies, each of which has handled—and obscured—the formal qualities of early modern poetry compilations and the practices that produced them. Revisiting these editorial and critical approaches, this book recovers a moment when compilers, poets, and readers were alert to a poetics of organization that exceeded the limits of the individual poem.
Author: Anne Kingsmill Finch
Publisher:
ISBN: 9781409951568
Category : Poetry
Languages : en
Pages : 276
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Book Description
Anne Finch (nee Kingsmill), Countess of Winchilsea (1661-1720), was one of the first female English poets to be published. She was well educated as her family believed in good education for girls as well as for boys. Today, some consider her to be Englandas best female poet prior to the nineteenth century. While Finch also authored fables and plays, today she is best known for her poetry: lyric poetry, odes, love poetry and prose poetry. Later literary critics recognized the diversity of her poetic output as well as its personal and intimate style. Her works include: Miscellany Poems: On Several Occasions (1713) and Aristomenes; or, The Royal Shepherd (1713).
Author: Carly Watson
Publisher: Springer Nature
ISBN: 3030370666
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.
Author: Alex Palmer
Publisher: Skyhorse Publishing Inc.
ISBN: 1616080957
Category : Humor
Languages : en
Pages : 185
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Book Description
Behind-the-book stories and facts about authors, publishing, and everything..
Author: E. E. Cummings
Publisher:
ISBN: 9780871406538
Category : American prose literature
Languages : en
Pages : 384
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Book Description
Includes works in French language with parallel English text.
Author: Kenneth Jackson
Publisher: Penguin UK
ISBN: 0141935235
Category : Literary Collections
Languages : en
Pages : 552
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Book Description
Including works from Welsh, Irish and Scottish Gaelic, Cornish, Breton and Manx, this Celtic Miscellany offers a rich blend of poetry and prose from the eighth to the nineteenth century, and provides a unique insight into the minds and literature of the Celtic people. It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.
Author: E. E. Cummings
Publisher: Liveright Publishing
ISBN: 0871403943
Category : Poetry
Languages : en
Pages : 408
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Book Description
A Miscellany, confined to a private edition for decades, sheds further light on the prodigious vision and imagination of the most inventive poet of the twentieth century: E.E. Cummings. Formally fractured and yet gleefully alive and whole, E. E. Cummings’s groundbreaking modernist poetry expanded the boundaries of language. In A Miscellany, originally released in a limited run in 1958, Cummings lent his delightfully original voice to “a cluster of epigrams,” a poem, three speeches from an unfinished play, and forty-nine essays—most of them previously written for or published in magazines, anthologies, or art gallery catalogues. Seven years later, George J. Firmage—editor of much of Cummings’s work, including Complete Poems—broadened the scope of this delightfully eclectic collection, adding seven more poems and essays, and many of Cummings’s unpublished line drawings. Together, these pieces paint a distinctive portrait of Cummings’s eccentric, yet precise, genius. Like his poetry, Cummings’s prose is lively; often witty, biting, and offbeat, he is an intelligent observer and critic of the modern. His essays explore everything from Cubism to the circus, equally quick to analyze his poetic contemporaries and satirize New York society. As Cummings wrote in his original foreword, A Miscellany contains “a great deal of liveliness and nothing dead.” This remains true today, more than fifty years after its original publication.
Author: Laura Suzanne Lieber
Publisher: BRILL
ISBN: 9004365893
Category : Religion
Languages : en
Pages : 245
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Book Description
In Jewish Aramaic Poetry from Late Antiquity, Laura Suzanne Lieber offers annotated translations of sixty-nine poems written between the 4th and 7th century C.E. in the Land of Israel, along with commentaries and introductions. The poems celebrate a range of occasions from the ritual year and the life-cycle: Passover, Shavuot (Pentacost), the Ninth of Av, Purim, the New Moon of Nisan, the conclusion of the Torah, weddings, and funerals. Written in the vernacular of the Jews of living in Palestine after the Christianization of the Roman Empire, these works offer insight into lived Jewish experience during a pivotal age. The volume contextualizes the individual works so that readers from a range of backgrounds can appreciate the formal, linguistic, exegetical, theological, and performative creativity of these works. "Lieber has produced reliable renderings, as well as learned and helpful annotations, and has consistently expressed herself in clear and elegant fashion....Her volume is an important, scientific study in its own right, as well as a useful reference tool (if read alongside the Sokoloff-Yahalom edition), and certainly deserves a wide readership." - Stefan C. Reif, St John's College, Cambridge, UK, in: Journal of Jewish Studies 70.2 (2019) "Scholars of Judaism in late antiquity and the early Middle Ages will certainly appreciate Lieber’s effort in offering all of this textual material to them in conveniently accessible form. Almost every student of Judaism in those eras, regardless of academic specialty, is likely to find something of interest and value in the poems that she has translated." - Mose J. Bernstein, Yeshiva University, Speculum 95/3 (2020)
Author: Catherine Bates
Publisher: John Wiley & Sons
ISBN: 1118585194
Category : Literary Criticism
Languages : en
Pages : 671
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Book Description
The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.
Author: John Ronald Reuel Tolkien
Publisher:
ISBN: 9780965463775
Category : Adventure stories
Languages : en
Pages : 388
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Book Description
