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Author:
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Category :
Languages : en
Pages : 228
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Author:
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ISBN:
Category :
Languages : en
Pages : 228
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Author:
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ISBN:
Category : Law
Languages : en
Pages : 1002
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Includes history of bills and resolutions.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 812
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 616
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Author: Gene Eric Salecker
Publisher: McFarland
ISBN: 1476650063
Category : History
Languages : en
Pages : 216
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Book Description
World War II was over and the U.S. was still using the captured Japanese island of Okinawa as a major naval base. Hundreds of vessels dotted the numerous bays and inlets, and thousands of military personnel occupied the island. In October 1945, Typhoon Louise tore into Okinawa, slamming ships together and tossing them onto reefs and beaches. Terrible winds tore up tent cities and disintegrated corrugated tin Quonset huts. One hundred people died and 383 ships of all sizes were sunk or damaged. This book tells the full story of the typhoon historian Samuel Eliot Morison called "the most furious and lethal storm ever encountered by the United States Navy."
Author:
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Category : Periodicals in microform
Languages : en
Pages : 1460
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Author: University of Minnesota. Library. Newspaper and Microform Division
Publisher:
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Category : Newspapers
Languages : en
Pages : 78
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Author: Juanita Karpf
Publisher: Univ. Press of Mississippi
ISBN: 1496848918
Category : Music
Languages : en
Pages : 220
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Book Description
Many churchgoers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind Esther, the Beautiful Queen, his choral setting of a text based on the biblical Book of Esther. The uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In From Biblical Book to Musical Megahit: William B. Bradbury’s “Esther, the Beautiful Queen,” Juanita Karpf traces the work’s rich performance and reception history. Bradbury emphatically stated that he intended Esther to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated Esther’s rapid entrée into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of Esther as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation. However heated this debate seemed at times, it did little to quell the continued rise in popularity of Esther. In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, Esther became, by any measure, an international megahit.
Author: University of Minnesota. Libraries
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 748
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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 508
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