Author: C. L. Barber
Publisher: Univ of California Press
ISBN: 9780520054325
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare. Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare.
The Whole Journey
Author: C. L. Barber
Publisher: Univ of California Press
ISBN: 9780520054325
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare. Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare.
Publisher: Univ of California Press
ISBN: 9780520054325
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare. Through explorations of individual plays and of patterns that shape the entire canon, The Whole Journey illuminates dramatic, psychological, and historical concerns central to our understanding of Shakespeare.
The English Clown Tradition from the Middle Ages to Shakespeare
Author: Robert Hornback
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
Publisher: DS Brewer
ISBN: 1843843560
Category : Drama
Languages : en
Pages : 260
Book Description
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
The Cambridge Introduction to Shakespeare's Tragedies
Author: Janette Dillon
Publisher: Cambridge University Press
ISBN: 1139462431
Category : Literary Criticism
Languages : en
Pages : 147
Book Description
Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.
Publisher: Cambridge University Press
ISBN: 1139462431
Category : Literary Criticism
Languages : en
Pages : 147
Book Description
Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.
Author:
Publisher: Arihant Publications India limited
ISBN: 9326191974
Category :
Languages : en
Pages : 497
Book Description
Publisher: Arihant Publications India limited
ISBN: 9326191974
Category :
Languages : en
Pages : 497
Book Description
Henry IV, Parts I and II
Author: David Bevington
Publisher: Routledge
ISBN: 1317534042
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
Originally published in 1986. This volume points to the rich variety of critical responses to the Henry IV plays and their complexity. It includes selections from characteristic thought of the neoclassical age, character criticism in the eighteenth and nineteenth centuries, historical and new criticism, theatrical interpretation and other pieces by the likes of Samuel Johnson and W. H. Auden. The editor’s introduction explains the collection’s relevance and puts the pieces in context. Several chapters look at the character of Falstaff and the changing response and critique through time. Organised chronologically, the collection then ends with two pieces of theatrical criticism.
Publisher: Routledge
ISBN: 1317534042
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
Originally published in 1986. This volume points to the rich variety of critical responses to the Henry IV plays and their complexity. It includes selections from characteristic thought of the neoclassical age, character criticism in the eighteenth and nineteenth centuries, historical and new criticism, theatrical interpretation and other pieces by the likes of Samuel Johnson and W. H. Auden. The editor’s introduction explains the collection’s relevance and puts the pieces in context. Several chapters look at the character of Falstaff and the changing response and critique through time. Organised chronologically, the collection then ends with two pieces of theatrical criticism.
Documents Illustrating Elizabethan Poetry
Author: Laurie Magnus
Publisher: London : George Routledge & Sons, Limited; New York : E. P. Dutton & Company
ISBN:
Category : English literature
Languages : en
Pages : 230
Book Description
Publisher: London : George Routledge & Sons, Limited; New York : E. P. Dutton & Company
ISBN:
Category : English literature
Languages : en
Pages : 230
Book Description
Studies of Shakspere: introductory volume, containing a history of opinion on the writings of Shakspere; with the chronology of his plays
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
NTA/UGC-NET/JRF English
Author: YCT Expert Team
Publisher: YOUTH COMPETITION TIMES
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 424
Book Description
NTA/UGC-NET/JRF English Chapter-wise Solved Papers with Notes
Publisher: YOUTH COMPETITION TIMES
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 424
Book Description
NTA/UGC-NET/JRF English Chapter-wise Solved Papers with Notes
Shakespeare's Apprenticeship
Author: Ramon Jiménez
Publisher: McFarland
ISBN: 1476672644
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
The contents of the Shakespeare canon have come into question in recent years as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical works. Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew; and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays that bear nearly identical titles. Each is strikingly similar to its canonical counterpart in terms of structure, plot and cast, though the texts were entirely rewritten. Virtually all scholars, critics and editors of Shakespeare have overlooked or disputed the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.
Publisher: McFarland
ISBN: 1476672644
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
The contents of the Shakespeare canon have come into question in recent years as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical works. Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew; and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays that bear nearly identical titles. Each is strikingly similar to its canonical counterpart in terms of structure, plot and cast, though the texts were entirely rewritten. Virtually all scholars, critics and editors of Shakespeare have overlooked or disputed the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.
Shakespeare, Spenser, and the Crisis in Ireland
Author: Christopher Highley
Publisher: Cambridge University Press
ISBN: 0521581990
Category : History
Languages : en
Pages : 262
Book Description
Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.
Publisher: Cambridge University Press
ISBN: 0521581990
Category : History
Languages : en
Pages : 262
Book Description
Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.