Author: Kim Brandt
Publisher: Duke University Press
ISBN: 0822389541
Category : History
Languages : en
Pages : 319
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Book Description
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
Author: Yūko Kikuchi
Publisher: Psychology Press
ISBN: 0415297907
Category : Art
Languages : en
Pages : 329
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Book Description
Yanagi Soetsu, Bernard Leach and Hamada Shoji are the golden trio of the Mingei (folkcrafts) movement. The theory at its core and its adaptation by Leach, has long been an influential 'Oriental' asethetic philosophy for studio craft artists in the West.
Author: Amaury Saint-Gilles
Publisher: Tuttle Publishing
ISBN: 1462917364
Category : Art
Languages : en
Pages : 265
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Book Description
Explore Japanese folk art--called mingei--with this beautifully illustrated book. Mingei literally means the "arts of the people" and is a treasured expression of Japanese culture and history. This book of Japanese folk art introduces 116 exquisite and interesting Japanese pieces, describing their origins, showing how they are made and used, and relating the background of myth and folklore associated with each. Illustrated with many line drawings and color photographs, Mingei offers readers a concise and informative introduction to a rich and varied artistic tradition.
Author: Brian Moeran
Publisher: Routledge
ISBN: 1136796738
Category : Social Science
Languages : en
Pages : 287
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Book Description
This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'. At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.
Author: Yuko Kikuchi
Publisher: Routledge
ISBN: 113442955X
Category : Social Science
Languages : en
Pages : 329
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Book Description
Conceptualised in 1920s Japan by Yanagi Sôetsu, the Mingei movement has spread world wide since the 1950s, creating phenomena as diverse as Mingei museums, Mingei connoisseurs and collectors, Mingei shops and Mingei restaurants. The theory, at its core and its adaptation by Bernard Leach, has long been an influential 'Oriental' aesthetic for studio craft artists in the West. But why did Mingei become so particularly influential to a western audience? And could the 'Orientalness' perceived in Mingei theory be nothing more than a myth? This richly illustrated work offers controversial new evidence through its cross-cultural examination of a wide range of materials in Japanese, English, Korean and Chinese, bringing about startling new conclusions concerning Japanese modernization and cultural authenticity. This new interpretation of the Mingei movement will appeal to scholars of Japanese art history as well as those with interests in cultural identity in non-Western cultures.
Author: Manami Okazaki
Publisher: Tuttle Publishing
ISBN: 1462924603
Category : Art
Languages : en
Pages : 172
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Book Description
"In an age when so much of our time is spent staring at screens, it is easy to understand why the warmth, intimacy and idiosyncrasies of hand craftsmanship should seem alluring…the term Mingei describes useful, unobtrusive, beautifully crafted objects" --Alice Rawsthorn, The New York Times The Mingei Folk Crafts movement, founded by philosopher and art historian Soetsu Yanagi and potters Hamada Shoji and Kawai Kanjiro in the early 20th century, celebrates the utilitarian designs in functional objects hand-crafted by village artisans throughout Japan. This book offers an illustrated guide to Japan's rich folk craft traditions and shows why the Mingei philosophy is even more relevant today than it was a century ago. Folk crafts have become associated with the Slow Life movement and the Wabi Sabi philosophy which values simple and imperfect items above the bright and shiny mass-produced objects of our modern culture. This book introduces 34 fascinating Japanese folk craft traditions--ranging from popular, widely-known ones to many lesser-known crafts that are equally exquisite but rarely seen. The crafts covered here include: Aizome Hand-dyed Indigo Textiles which use the leaves of the indigo plant to produce a rich, deep-blue color Bizen, the unique unglazed pottery with an earthy, rustic appearance--and simple, charming designs Chochin Lanterns made of handmade washi paper stretched over a bamboo frame, found outside restaurants and temples, including the famous example at the entrance to Tokyo's Sensoji Temple Edo Furin Wind Chimes made of delicate hand-blown glass, one of the iconic symbols--and sounds--of the hot and humid Japanese summers Inuharuko Papier Mache Toy Dogs, adorable pups that have acted as good-luck symbols since the Edo period Maneki Neko Beckoning Cats, one of the most popular folk crafts in Japan, with their right paw raised to bring in money and good luck Tenugui Cloths, dyed using the chusen method to provide delicate color gradations and used as kitchen cloths, for wrapping or to wear as a scarf, as well as for framing since they are so beautiful! Author Manami Okazaki describes each craft in loving detail and interviews nine talented folk artists specializing in unique crafts like Koginzashi Needlework, Bingata Dyed Fabrics and Warazaiku Rice Straw Crafts. This beautifully-illustrated book will be treasured by folk art collectors and enthusiasts worldwide. It features 400 color photographs and a comprehensive guide to buying Japanese folk crafts both inside and outside Japan.
Author: Soetsu Yanagi
Publisher: Penguin UK
ISBN: 0241366364
Category : Art
Languages : en
Pages : 204
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Book Description
The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.
Author: Muneyoshi Yanagi
Publisher: Kodansha International
ISBN: 9780870119484
Category : Art
Languages : en
Pages : 254
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Book Description
Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.
Author: Stephen P. Huyler
Publisher: Mapin Publishing Pvt
ISBN: 9780944142851
Category : Art
Languages : en
Pages : 0
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Book Description
Study on the art works of Sonabai, 1928?-2007, Indian sculptor. DVD discusses Sonabai's work within the context of women's folk art in India.
Author: Robert Moes
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 324
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Book Description
