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Author: Henry Peacham
Publisher:
ISBN: 9781911134237
Category : Art
Languages : en
Pages : 212
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Book Description
Minerva Britanna, written in the early seventeenth century by Henry Peacham, is an enigmatic magical book of poetry and images that mixes together Renaissance faery magic, Elizabethan codes, Hermetic wisdom, and echoes of kingly advice. It is a puzzle book of those magical Mysteries that have to do with the land, the monarch, the sacred duties of the nobleman, and the faery secrets of Britain. It also deals with ascent and inner rebirth, central parts of the early Rosicrucian pattern. Any adept magician who reads this book will spot its messages, advice, reflections, humour, and its finger pointing the way to the future. It is a book of visionary constructs, gateways, and keys, hidden among flattery, mathematical puzzles, and historical reflection, all rooted within the sacred land of Britain and the sacred kingship. For those wishing to delve into the deeper Mysteries of traditional English Renaissance faery magic, Minerva Britanna is the perfect book to work with. Nineteenth-century magicians took us away from the land and locked magic in vaults and temples, far away from the trees, the birds, and the Faery Queene. By peering back into the soul of English Renaissance magic through Minerva Britanna, we can recover that wildness in our magical practice, and bring back to our work some of the love of playfulness and puzzles, and the shadow of the Faery Queene. This edition is a facsimile of the original manuscript that has been carefully hand restored and cleaned, and is presented with an introduction by adept magical author Josephine McCarthy.
Author: Henry Peacham
Publisher:
ISBN: 9781911134237
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
Minerva Britanna, written in the early seventeenth century by Henry Peacham, is an enigmatic magical book of poetry and images that mixes together Renaissance faery magic, Elizabethan codes, Hermetic wisdom, and echoes of kingly advice. It is a puzzle book of those magical Mysteries that have to do with the land, the monarch, the sacred duties of the nobleman, and the faery secrets of Britain. It also deals with ascent and inner rebirth, central parts of the early Rosicrucian pattern. Any adept magician who reads this book will spot its messages, advice, reflections, humour, and its finger pointing the way to the future. It is a book of visionary constructs, gateways, and keys, hidden among flattery, mathematical puzzles, and historical reflection, all rooted within the sacred land of Britain and the sacred kingship. For those wishing to delve into the deeper Mysteries of traditional English Renaissance faery magic, Minerva Britanna is the perfect book to work with. Nineteenth-century magicians took us away from the land and locked magic in vaults and temples, far away from the trees, the birds, and the Faery Queene. By peering back into the soul of English Renaissance magic through Minerva Britanna, we can recover that wildness in our magical practice, and bring back to our work some of the love of playfulness and puzzles, and the shadow of the Faery Queene. This edition is a facsimile of the original manuscript that has been carefully hand restored and cleaned, and is presented with an introduction by adept magical author Josephine McCarthy.
Author: Paul Hemenway Altrocchi, MD
Publisher: iUniverse
ISBN: 149174345X
Category : Literary Criticism
Languages : en
Pages : 475
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Book Description
The greatest cultural mystery in the Western World is, "Who wrote the plays and sonnets published under the pen name of William Shakespeare?" For reasons of monarchial succession, greed and power, Robert Cecil, Queen Elizabeth's chief counselor, forced Edward de Vere, 17th Earl of Oxford, to use a pseudonym for his great works. De Vere chose the pen name William Shakespeare. Because of his similar name, Cecil selected Will Shakspere of Stratford-on-Avon as the fraudulent front man. Poor choice: Shakspere was uneducated, never owned a book, never traveled abroad, knew no foreign languages and could not read or write. Because of the tenacious grip of Conventional Wisdom, professors of English still believe Cecil's hoax 400 years later, clinging futilely to their Stratford Man despite abundant evidence against their illogical theory. Soul of the Age contains 28 high-quality articles by a remarkable new generation of authorship experts who clearly establish de Vere as Shakespeare and annihilate the illiterate Will Shakspere's candidacy. Hugh Trevor-Roper, Professor of History, Oxford University, 1962: "Armies of scholars, formidably equipped, have examined all the documents which could possibly contain at least a mention of his (Shakespeare's) name. One hundredth part of this labour applied to one of his insignificant contemporaries would be sufficient to produce a substantial biography. And yet the greatest of all Englishmen, after this tremendous inquisition, still remains so close a mystery that even his identity can still be doubted . . . "During his lifetime nobody claimed to know him. Not a single tribute was paid to him at his death. As far as the records go, he was uneducated, had no literary friends, possessed at his death no books, and could not write. It is true, six of his signatures have been found, all spelt differently; but they are so ill-formed that some graphologists suppose the hand to have been guided. Except for these signatures, no syllable of writing by Shakespeare [Shakspere] has been identified . . . Such is the best the historians can do. Clearly it is not enough. It may be the shell: it is not the man."
Author: Gerard Carruthers
Publisher: Oxford University Press
ISBN: 0191055816
Category : Literary Collections
Languages : en
Pages : 443
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Book Description
Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work—both in the Scottish context and more broadly—on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism—John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.
Author: Tina Skouen
Publisher: Routledge
ISBN: 135140282X
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The stigma of haste pervaded early modern English culture, more so than the so-called stigma of print. The period’s writers were perpetually short on time, but what does it mean for authors to present themselves as hasty or slow, or to characterize others similarly? This book argues that such classifications were a way to define literary value. To be hasty was, in a sense, to be irresponsible, but, in another sense, it signaled a necessary practicality. Expressions of haste revealed a deep conflict between the ideal of slow writing in classical and humanist rhetoric and the sometimes grim reality of fast printing. Indeed, the history of print is a history of haste, which carries with it a particular set of modern anxieties that are difficult to understand in the absence of an interdisciplinary approach. Many previous studies have concentrated on the period’s competing definitions of time and on the obsession with how to use time well. Other studies have considered time as a notable literary theme. This book is the first to connect ideas of time to writerly haste in a richly interdisciplinary manner, drawing upon rhetorical theory, book history, poetics, religious studies and early modern moral philosophy, which, only when taken together, provide a genuinely deep understanding of why the stigma of haste so preoccupied the early modern mind. The Value of Time in Early Modern English Literature surveys the period from ca 1580 to ca 1730, with special emphasis on the seventeenth century. The material discussed is found in emblem books, devotional literature, philosophical works, and collections of poetry, drama and romance. Among classical sources, Horace and Quintilian are especially important. The main authors considered are: Robert Parsons; Edmund Bunny; King James 1; Henry Peacham; Thomas Nash; Robert Greene; Ben Jonson; Margaret Cavendish; John Dryden; Richard Baxter; Jonathan Swift; Alexander Pope. By studying these writers’ expressions of time and haste, we may gain a better understanding of how authorship was defined at a time when the book industry was gradually taking the place of classical rhetoric in regulating writers’ activities.
Author: Raymond A. Anselment
Publisher: University of Delaware Press
ISBN: 9780874133387
Category : History
Languages : en
Pages : 246
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Book Description
This study analyzes a series of complex, ambivalent literary responses to the decades of civil turmoil in seventeenth-century England that simultaneously demanded public commitment and prompted private withdrawal. From their various perspectives the Royalist writers raised in the humanist tradition are shown to appreciate anew the value of patient fortitude.
Author: Peter Daly
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208441
Category : Art
Languages : en
Pages : 167
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Book Description
Emblems—pictorial designs with accompanying mottoes and epigrams— helped to shape virtually every form of verbal and visual communication in the West during the sixteenth and seventh centuries. A recent re-awakening of scholarly interest in the emblem has brought to light the difficulty of locating and consulting the unorganized mass of available material. Recognizing the need for a large-scale systematic index to the emblem, the editor organized a symposium at McGill University to discuss the possibilities of preparing such an index. The resulting papers by six symposium participants— Barbara Becker-Cantarino, Peter M. Daly, Peter Erb, G. Richard Dimler, Lorelei Robins, and Alan Young—contribute to our knowledge of the emblems of Peacham and Corrozet, the Dutch love emblems, the Jesuit emblem, and emblems used in books of mediation. The essays also discuss the problems and procedures involved in preparing an Index Emblematicus, a work which would serve scholars working in the fields of literature, art, culture, religion, history, and the languages. The volume is richly illustrated with over forty emblem reproductions.
Author: Eleanor Chan
Publisher: Oxford University Press
ISBN: 0197748171
Category : Music
Languages : en
Pages : 426
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Book Description
The visual, material, and literary cultures of the English Renaissance are littered with objects that depict, utilise, or respond to the metaphor of musical harmony--yet harmony in this period relied on a certain amount of carefully mannered dissonance. Using visual and literary sources alongside musical works, author Eleanor Chan explores the rise of the false relation, a variety of dissonance that, despite being officially frowned upon by contemporary theoretical treatises, became characteristic of English vocal music between ca. 1550 and 1630.
Author:
Publisher: Trafford Publishing
ISBN: 1412233976
Category :
Languages : en
Pages : 790
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Book Description
Author: Peter Goodrich
Publisher: Cambridge University Press
ISBN: 1107035996
Category : Art
Languages : en
Pages : 313
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Book Description
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
Author: Sir Henry Goodyere
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 250
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Book Description
