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Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1316368696
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1316368696
Category : Literary Criticism
Languages : en
Pages : 235
Get Book Here
Book Description
Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1107094399
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Milton's Visual Imagination contends that Milton enriches his biblical source text with acute and sometimes astonishing visual details.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Karen L. Edwards
Publisher: Cambridge University Press
ISBN: 9780521017480
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Milton and the Natural World overturns prevailing critical assumptions by offering a fresh view of Paradise Lost, in which the representation of Eden's plants and animals is shown to be fully cognizant of the century's new, scientific natural history. The fabulous lore of the old science is wittily debunked, and the poem embraces new imaginative and symbolic possibilities for depicting the natural world, suggested by the speculations of Milton's scientific contemporaries including Robert Boyle, Thomas Browne and John Evelyn. Karen Edwards argues that Milton has represented the natural world in Paradise Lost, with its flowers and trees, insects and beasts, as a text alive with meaning and worthy of close reading.
Author: Susan Aldworth
Publisher:
ISBN: 9781527233102
Category : Imagery (Psychology) in art
Languages : en
Pages : 100
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Book Description
Author: William Fairfield Warren
Publisher:
ISBN:
Category : Cosmography
Languages : en
Pages : 92
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Book Description
Author: Eric C. Brown
Publisher: Penn State Press
ISBN: 027109351X
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
In January 2012, shooting was set to begin in Sydney, Australia, on the Hollywood-backed production of Milton’s Paradise Lost, with Oscar nominee Bradley Cooper cast as Satan. Yet just two weeks before the start of production, Legendary Pictures delayed the project, reportedly due to budgetary concerns, and soon the company had suspended the film indefinitely. Milton scholar Eric C. Brown, who was then serving as a script consultant for the studio, sees his experience with that project as part of a long and perplexing story of Milton on film. Indeed, as Brown details in this comprehensive study, Milton’s place in the popular imagination—and his extensive influence upon the cinema, in particular—has been both pervasive and persistent.
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0198769776
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
"Explores Milton's relationship to his contemporaries and early eighteenth-century heirs, demonstrating that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters"--Publisher.
Author: John Leonard
Publisher: Oxford University Press, USA
ISBN: 0199666555
Category : History
Languages : en
Pages : 879
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Book Description
A two-volume history of the criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries.
Author: John Leonard
Publisher: Oxford University Press
ISBN: 0191644633
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Faithful Labourers surveys and evaluates existing criticism of John Milton's epic Paradise Lost, tracing the major debates as they have unfolded over the past three centuries. Eleven chapters split over two volumes consider the key debates in Milton criticism, including discussion of Milton's style, his use of the epic genre, and his references to Satan, God, innocence, the fall, sex, nakedness, and astronomy. Volume one attends to questions of style and genre. The first three chapters examine the longstanding debate about Milton's grand style and the question of whether it forfeits the native resources of English. Early critics saw Milton as the pre-eminent poet of 'apt Numbers' and 'fit quantity', whose verse is 'apt' in the specific sense of achieving harmony between sound and sense; twentieth-century anti-Miltonists faulted Milton for divorcing sound from sense; late twentieth-century theorists have denied the possibility that sound can 'enact' sense. These are extreme changes of critical perception, and yet the story of how they came about has never been told. These chronological chapters explain the roots of these changes and, in doing so, engage with the enduring theoretical question of whether it is possible for sound to enact sense. Volume two considers interpretative issues, and each of the six chapters traces a key debate in the interpretation of Paradise Lost. They engage with such questions as whether Paradise Lost is an epic or an anti-epic, whether Satan runs away with the poem (and whether it is good that he does so), what it means to be innocent (or fallen), and whether Milton's poetry is hostile to women. A final chapter on the universe of Paradise Lost makes the provocative argument that almost every commentator since the middle of the eighteenth century has led readers astray by presenting Milton's universe as the medieval model of Ptolemaic spheres. This assumption, which has fostered the notion that Milton was backward-looking or anti-intellectual, rests upon a misreading of three satirical lines. Milton's earliest critics recognized that he unequivocally embraces the new astronomy of Kepler and Bruno.
