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Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
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Book Description
Author: Andrea Fischer
Publisher: GRIN Verlag
ISBN: 3638150232
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2.3 (B), University of Tubingen (New Philology Faculty), course: Hauptseminar: Restoration Literature, language: English, abstract: Milton is one of the greatest poets of the English language. His career as a poet was marked by private tragedies and public controversies. Samson Agonistes is a piece of work, which was composed by Milton not as a pure didactic exercise but also as extended personal meditation. It seems to be one of his attempts to justify the ways of God to himself and thereby establish a vision of Christian heroism that answers the fears and misgivings of his own heart and mind. Samson Agonistes also shows Milton′s struggle with politics after the defeat of the Good Old Cause in which he supported strongly. The events and emotions surrounding his composition Samson Agonistes had a great influence on this work. Nobody knows exactly when Samson Agonistes was written but it is assumed that it was in a time where his own resurrection and salvation had begun and that he had taken Samson as a role model less numinous than Christ to express his inner feelings. Samson Agonistes is therefor more interesting as a religious, political and autobiographical play than as the classical, Greek tragedy or as the Christian comedy, as so many people have judged it. In this term paper I will work out how much politics and religion have influenced Samson Agonistes and whether there are bibliographical correspondences between Milton and Samson. [...]
Author: John Milton
Publisher: First Avenue Editions ™
ISBN: 1467775975
Category : Poetry
Languages : en
Pages : 77
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A companion to the epic poem Paradise Lost, John Milton's Paradise Regained describes the temptation of Christ. After Adam and Eve are expelled from the Garden of Eden, Satan and the fallen angels stay on earth to lead people astray. But when God sends Jesus, the promised savior, to earth, Satan prepares himself for battle. As an adult, Jesus goes into the wilderness to gain strength and courage. He fasts for 40 days and nights, after which Satan tempts him with food, power, and riches. But Jesus refuses all these things, and Satan is defeated by the glory of God. This is an unabridged version of Milton's classic work, which was first published in England in 1671.
Author: Joseph Anthony Wittreich
Publisher: Princeton University Press
ISBN: 1400854172
Category : Drama
Languages : en
Pages : 429
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Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Catherine Martin
Publisher: Routledge
ISBN: 1317208293
Category : Literary Criticism
Languages : en
Pages : 342
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This book joins a growing trend toward transnational literary studies and revives a venerable tradition of Anglo-Italian scholarship centering on John Milton. Correcting misperceptions that have diminished the international dimensions of his life and work, it broadly surveys Milton’s Italianate studies, travels, poetics, politics, and religious convictions. While his debts to Machiavelli and other classical republicans are often noted, few contemporary critics have explored the Italian sources of his anti-papal, anti-episcopal, and anti-formalist religious outlook. Relying on Milton’s own testimony, this book explores its roots in Dante, Petrarch, Ariosto, and that great "Venetian enemy of the pope," Paolo Sarpi, thereby correcting a recent tendency to make native English contexts dominate his development. This tendency is partly due to a mistaken belief that Italy was in steep decline during and after Milton’s travels of 1638-1639, the period immediately before he produced his prose critiques of the English Church, its canon law, and its censorship. Yet these were also fundamentally "Italian" issues that he skillfully adapted to meet contemporary English needs, a practice enabled by his extraordinarily positive experience of the Italian language, cities, academies, and music, the latter of which ultimately influenced Milton’s "operatic" drama, Samson Agonistes. Besides republicanism and theology (radical doctrines of free grace and free will), equally strong influences treated here include Italian Neoplatonism, cosmology, and romance epic. By making these traditions his own, Milton became what John Steadman once described as an "Italianate Englishman" whose classical "literary tastes and critical orientation...were...to a considerable extent" molded by Italian critics (1976), a view that is fully credited and updated here.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Author: Derek N. C. Wood
Publisher: University of Toronto Press
ISBN: 9780802048486
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Wood proposes that Milton's Samson is an emblematic embodiment of Old Testament consciousness as rigorous, incomplete, literalistic, and uncomprehending, fashioned by the old Mosaic Law, without the amelioration of Christ's charity and forgiveness.
Author: James P. Driscoll
Publisher: University Press of Kentucky
ISBN: 0813185580
Category : Poetry
Languages : en
Pages : 367
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Book Description
In this first extensive Jungian treatment of Milton's major poems, James P. Driscoll uses archetypal psychology to explore Milton's great themes of God, man, woman, and evil and offers readers deepened understanding of Jung's profound thoughts on Godhead. The Father, the Son, Satan, Messiah, Samson, Adam, and Eve gain new dimensions of meaning as their stories become epiphanies of the archetypes of Godhead. God and Satan of Paradise Lost are seen as the ego and the shadow of a single unfolding personality whose anima is the Holy Spirit and Milton's muse. Samson carries the Yahweh archetype examined by Jung in Answer to Job, and Messiah and Satan in Paradise Regained embody the hostile brothers archetype. Anima, animus and the individuation drive underlie the psychodynamics of Adam and Eve's fall. Driscoll draws on his critical acumen and scholarly knowledge of Renaissance literature to shed new light on Jung's psychology of religion. The Unfolding God of Jung and Milton illumines Jung's heterodox notion of Godhead as a quarternity rather than a trinity, his revolutionary concept of a divine individuation process, his radical solution to the problem of evil, and his wrestling with the feminine in Godhead. The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.
Author: Herbert McLachlan
Publisher: Manchester University Press
ISBN:
Category : Unitarians
Languages : en
Pages : 240
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Author: Feisal Mohamed
Publisher: Stanford University Press
ISBN: 0804780730
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Our post-secular present, argues Feisal Mohamed, has much to learn from our pre-secular past. Through a consideration of poet and polemicist John Milton, this book explores current post-secularity, an emerging category that it seeks to clarify and critique. It examines ethical and political engagement grounded in belief, with particular reference to the thought of Alain Badiou, Jacques Derrida, Jürgen Habermas, and Gayatri C. Spivak. Taken to an extreme, such engagement produces the cult of the suicide bomber. But the suicide bomber has also served as a convenient bogey for those wishing to distract us from the violence in Western and Christian traditions and for those who would dismiss too easily the vigorous iconoclasm that belief can produce. More than any other poet, Milton alerts us to both anti-humane and liberationist aspects of belief and shows us relevant dynamics of language by which such commitment finds expression.
