Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1107094399
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Milton's Visual Imagination contends that Milton enriches his biblical source text with acute and sometimes astonishing visual details.
Milton's Visual Imagination
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1107094399
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Milton's Visual Imagination contends that Milton enriches his biblical source text with acute and sometimes astonishing visual details.
Publisher: Cambridge University Press
ISBN: 1107094399
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Milton's Visual Imagination contends that Milton enriches his biblical source text with acute and sometimes astonishing visual details.
Divided Empire
Author: Robert Thomas Fallon
Publisher: Penn State Press
ISBN: 0271071559
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic. Milton's works are crowded with political figures—kings, counselors, senators, soldiers, and envoys—all engaged in a comparable variety of public acts—debate, decree, diplomacy, and warfare—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times. Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, "not what the poetry says about the events, but what the events say about the poetry." Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
Publisher: Penn State Press
ISBN: 0271071559
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
In Divided Empire, Robert T. Fallon examines the influence of John Milton's political experience on his great poems: Paradise Lost, Paradise Regained, and Samson Agonistes. This study is a natural sequel to Fallon's previous book, Milton in Government, which examined Milton's decade of service as Secretary for Foreign Languages to the English Republic. Milton's works are crowded with political figures—kings, counselors, senators, soldiers, and envoys—all engaged in a comparable variety of public acts—debate, decree, diplomacy, and warfare—in a manner similar to those who exercised power on the world stage during his time in public office. Traditionally, scholars have cited this imagery for two purposes: first, to support studies of the poet's political allegiances as reflected in his prose and his life; and, second, to demonstrate that his works are sympathetic to certain ideological positions popular in present times. Fallon argues that Paradise Lost is not a political testament, however, and to read its lines as a critique of allegiances and ideologies outside the work is limit the range and scope of critical inquiry and to miss the larger purpose of the political imagery within the poem. That imagery, the author proposes, like that of all Milton's later works, serves to illuminate the spiritual message, a vision of the human soul caught up in the struggle between vast metaphysical forces of good and evil. Fallon seeks to enlarge the range of critical inquiry by assessing the influence of personal and historical events upon art, asking, as he puts it, "not what the poetry says about the events, but what the events say about the poetry." Divided Empire probes, not Milton's judgment on his sources, but the use he made of them.
Paradise Lost, Book 3
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
The Universe as Pictured in Milton's Paradise Lost
Author: William Fairfield Warren
Publisher:
ISBN:
Category : Cosmography
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Cosmography
Languages : en
Pages : 92
Book Description
Milton's Biblical and Classical Imagery
Author: John M. Steadman
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Paradise Lost
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
Book Description
The Essential Paradise Lost
Author: John Carey
Publisher: Faber & Faber
ISBN: 0571328563
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
After its publication in 1667, John Milton's Paradise Lost was celebrated throughout Europe as a supreme achievement of the human spirit. Now it is little read. To bring readers back to Milton's masterpiece, John Carey has shortened it to a third of its original length. In this fascinating reinterpretation, Carey reveals new insights about Milton's sources of inspiration, while exploring divided readings of the work's key characters. The Essential Paradise Lost presents the epic's greatest poetry, with linking passages that preserve its cosmic sweep - from the superhuman defiance of a ruined archangel to a pair of tragic lovers, bewildered to find themselves responsible for the fate of the whole human race.
Publisher: Faber & Faber
ISBN: 0571328563
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
After its publication in 1667, John Milton's Paradise Lost was celebrated throughout Europe as a supreme achievement of the human spirit. Now it is little read. To bring readers back to Milton's masterpiece, John Carey has shortened it to a third of its original length. In this fascinating reinterpretation, Carey reveals new insights about Milton's sources of inspiration, while exploring divided readings of the work's key characters. The Essential Paradise Lost presents the epic's greatest poetry, with linking passages that preserve its cosmic sweep - from the superhuman defiance of a ruined archangel to a pair of tragic lovers, bewildered to find themselves responsible for the fate of the whole human race.
Paradise Regained
Author: John Milton
Publisher: First Avenue Editions ™
ISBN: 1467775975
Category : Poetry
Languages : en
Pages : 77
Book Description
A companion to the epic poem Paradise Lost, John Milton's Paradise Regained describes the temptation of Christ. After Adam and Eve are expelled from the Garden of Eden, Satan and the fallen angels stay on earth to lead people astray. But when God sends Jesus, the promised savior, to earth, Satan prepares himself for battle. As an adult, Jesus goes into the wilderness to gain strength and courage. He fasts for 40 days and nights, after which Satan tempts him with food, power, and riches. But Jesus refuses all these things, and Satan is defeated by the glory of God. This is an unabridged version of Milton's classic work, which was first published in England in 1671.
Publisher: First Avenue Editions ™
ISBN: 1467775975
Category : Poetry
Languages : en
Pages : 77
Book Description
A companion to the epic poem Paradise Lost, John Milton's Paradise Regained describes the temptation of Christ. After Adam and Eve are expelled from the Garden of Eden, Satan and the fallen angels stay on earth to lead people astray. But when God sends Jesus, the promised savior, to earth, Satan prepares himself for battle. As an adult, Jesus goes into the wilderness to gain strength and courage. He fasts for 40 days and nights, after which Satan tempts him with food, power, and riches. But Jesus refuses all these things, and Satan is defeated by the glory of God. This is an unabridged version of Milton's classic work, which was first published in England in 1671.
Pastoral Imagery in Milton’s Poem "Lycidas"
Author: Silvia Schilling
Publisher: GRIN Verlag
ISBN: 3668725519
Category : Foreign Language Study
Languages : en
Pages : 9
Book Description
Essay from the year 2015 in the subject Didactics for the subject English - Literature, Works, grade: -, University College Dublin, course: Hauptseminar: Writing and Performance in the Age of Shakespeare - Renaissance Literature, language: English, abstract: This essay analyzes the functions of pastoral imagery in Milton ́s poem "Lycidas", which is a pastoral elegy that was written after Edward King died. The term "pastoral imagery" refers to imagery that describes nature and especially shepherds and their way of life. Interestingly, said imagery is not only used to celebrate the deceased and his relationship with the poem ́s speaker, but also to criticize the church.
Publisher: GRIN Verlag
ISBN: 3668725519
Category : Foreign Language Study
Languages : en
Pages : 9
Book Description
Essay from the year 2015 in the subject Didactics for the subject English - Literature, Works, grade: -, University College Dublin, course: Hauptseminar: Writing and Performance in the Age of Shakespeare - Renaissance Literature, language: English, abstract: This essay analyzes the functions of pastoral imagery in Milton ́s poem "Lycidas", which is a pastoral elegy that was written after Edward King died. The term "pastoral imagery" refers to imagery that describes nature and especially shepherds and their way of life. Interestingly, said imagery is not only used to celebrate the deceased and his relationship with the poem ́s speaker, but also to criticize the church.
Contesting the Subject
Author: William H. Epstein
Publisher: Purdue University Press
ISBN: 9781557530189
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Stanley Fish opens the collection with a persuasive argument for the role of intention and biography. Michael McKeon, Gordon Turnbull, and Jerome Christensen are concerned with the late eighteenth--and early nineteenth-century English cultural discourse that gave rise to the nearly simultaneous emergence of literary biography, Romantic sensibility, and reflexive human consciousness. The essays by Alison Booth, Cheryl Walker, and Sharon O'Brien reveal that the recognition or lack thereof the biographical subject has received and remains both a problem and an opportunity for women writers and readers. The essays by Valerie Ross, Rob Wilson, Steven Weiland, and William Epstein pursue the question of difference and cultural reification in the theory and practice of a specifically American biography and biographical criticism.
Publisher: Purdue University Press
ISBN: 9781557530189
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Stanley Fish opens the collection with a persuasive argument for the role of intention and biography. Michael McKeon, Gordon Turnbull, and Jerome Christensen are concerned with the late eighteenth--and early nineteenth-century English cultural discourse that gave rise to the nearly simultaneous emergence of literary biography, Romantic sensibility, and reflexive human consciousness. The essays by Alison Booth, Cheryl Walker, and Sharon O'Brien reveal that the recognition or lack thereof the biographical subject has received and remains both a problem and an opportunity for women writers and readers. The essays by Valerie Ross, Rob Wilson, Steven Weiland, and William Epstein pursue the question of difference and cultural reification in the theory and practice of a specifically American biography and biographical criticism.