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Author: Jane Kingsley-Smith
Publisher: Cambridge University Press
ISBN: 1107170656
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.
Author: Jane Kingsley-Smith
Publisher: Cambridge University Press
ISBN: 1107170656
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
An original account of the reception and influence of Shakespeare's Sonnets in his own time and in later literary history.
Author: Patricia Phillippy
Publisher: Cambridge University Press
ISBN: 1108422985
Category : History
Languages : en
Pages : 285
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Book Description
A study of remembrance in post-Reformation England in religious and secular artworks and texts by Shakespeare, Milton, and women writers.
Author: William Bridges Hunter (Jr.)
Publisher: Bucknell University Press
ISBN: 9780838750964
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In this survey one may discover Milton as he saw himself and come to recapture some of his originality. The selections from A Milton Encyclopedia in this volume were written by experts in each subject.
Author: Erin Minear
Publisher: Routledge
ISBN: 1317063724
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author: Ann Baynes Coiro
Publisher: Cambridge University Press
ISBN: 1139577115
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Reading literary texts in their historical contexts has been the dominant form of interpretation in literary criticism for the past thirty years. This collection of essays reflects on the origins of historicism and its present usefulness as a mode of literary analysis, its limitations and its future. The volume provides a brief history of the practice from its Renaissance origins, offering examples of historicist work that not only demonstrate the continuing vitality of this methodology but also suggest new directions for research. Focusing on the major figures of Shakespeare and Milton, these essays provide important and concise representations of trends in the field. Designed for scholars and students of early modern English literature (1500–1700), the volume will also be of interest to students of literature more generally and to historians.
Author: Robert Metcalf Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 052187839X
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Shakespeare Survey 60 is 'Theatres for Shakespeare'.
Author: Katherine Acheson
Publisher: Routledge
ISBN: 1351857258
Category : Literary Criticism
Languages : en
Pages : 492
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Book Description
Marginalia in early modern and medieval texts – printed, handwrit- ten, drawn, scratched, colored, and pasted in – offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode – a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.
Author: James Biester
Publisher: Cornell University Press
ISBN: 1501741276
Category : Poetry
Languages : en
Pages : 241
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Book Description
James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style—metaphysical wit and strong lines—as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.
