Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Comus
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
Milton's Comus
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Book Description
Lady in the Labyrinth
Author: William Shullenberger
Publisher: Associated University Presse
ISBN: 9780838641743
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The book's study of Milton's identification with his female hero, and his advocacy of women's ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism"--Book jacket
Publisher: Associated University Presse
ISBN: 9780838641743
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
The book's study of Milton's identification with his female hero, and his advocacy of women's ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism"--Book jacket
Milton's Minor Poems
Author: John Milton
Publisher: Upton Press
ISBN: 1444679546
Category : Literary Criticism
Languages : en
Pages : 76
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Upton Press
ISBN: 1444679546
Category : Literary Criticism
Languages : en
Pages : 76
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Milton's Puritan Masque
Author: Maryann Cale McGuire
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Paradise Lost
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
The Politics of the Stuart Court Masque
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Milton the Dramatist
Author: Timothy J. Burbery
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This book-length study of Milton as a dramatist fills a longstanding gap in Milton scholarship. Combining author-contextual criticism, historicized reader-response theory, and new historicism, Timothy Burbery begins by answering common objections to the claim that the poet is a dramatist, including the putatively static natures of Comus and Samson Agonistes, Milton's egoism, and his Puritanism. Further, Burbery asserts, recent biographical evidence of Milton's consumption of drama, such as his father's trusteeship of the Blackfriars Theater, suggests that the future poet viewed commercial plays and thus probably alludes to these experiences in his early poetry. Exposure to the public theater may also have influenced major episodes of his own dramas, including the debate between the Lady and Comus, and Dalila's stunning entrance in Samson. The study then examines Milton as a practitioner of drama by analyzing Arcades and the Ludlow masque. Having mastered the conventions of masque in the former work, Milton stretched himself in Comus by composing a work that was far more playlike than any court masque. It is possible that his success with these dramas encouraged Milton to regard himself as a budding dramatist in the 1630s, for late in that decade he began sketching out ideas for tragedies on biblical subjects including the Fall, Sodom, and Abraham and Isaac. This material, found in the Trinity Manuscript, shows him working through practical problems of staging and presentation, and sets the foundation for Paradise Lost and Samson Agonistes. While Samson was never intended for the stage, it nonetheless embeds numerous stage directions in its dialogue, including information about the characters' appearances, gestures, and blocking. Awareness of these cues sheds light on some of the current critical debates, including the terrorist reading of the tragedy and Dalila's role. Burbery surveys the surprisingly extensive stage history of Samson, a history that tends to confirm its theatrical viability. Milton the Dramatist emphasizes Milton's dramatic achievements and thus restores a more equitable balance to our appreciation of his total literary achievement.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This book-length study of Milton as a dramatist fills a longstanding gap in Milton scholarship. Combining author-contextual criticism, historicized reader-response theory, and new historicism, Timothy Burbery begins by answering common objections to the claim that the poet is a dramatist, including the putatively static natures of Comus and Samson Agonistes, Milton's egoism, and his Puritanism. Further, Burbery asserts, recent biographical evidence of Milton's consumption of drama, such as his father's trusteeship of the Blackfriars Theater, suggests that the future poet viewed commercial plays and thus probably alludes to these experiences in his early poetry. Exposure to the public theater may also have influenced major episodes of his own dramas, including the debate between the Lady and Comus, and Dalila's stunning entrance in Samson. The study then examines Milton as a practitioner of drama by analyzing Arcades and the Ludlow masque. Having mastered the conventions of masque in the former work, Milton stretched himself in Comus by composing a work that was far more playlike than any court masque. It is possible that his success with these dramas encouraged Milton to regard himself as a budding dramatist in the 1630s, for late in that decade he began sketching out ideas for tragedies on biblical subjects including the Fall, Sodom, and Abraham and Isaac. This material, found in the Trinity Manuscript, shows him working through practical problems of staging and presentation, and sets the foundation for Paradise Lost and Samson Agonistes. While Samson was never intended for the stage, it nonetheless embeds numerous stage directions in its dialogue, including information about the characters' appearances, gestures, and blocking. Awareness of these cues sheds light on some of the current critical debates, including the terrorist reading of the tragedy and Dalila's role. Burbery surveys the surprisingly extensive stage history of Samson, a history that tends to confirm its theatrical viability. Milton the Dramatist emphasizes Milton's dramatic achievements and thus restores a more equitable balance to our appreciation of his total literary achievement.
Milton and the Masque Tradition
Author: John G. Demaray
Publisher:
ISBN: 9780674331549
Category :
Languages : en
Pages : 200
Book Description
Publisher:
ISBN: 9780674331549
Category :
Languages : en
Pages : 200
Book Description
Comus
Author: Margaret Hodges
Publisher:
ISBN: 9780823411467
Category : Brothers and sisters
Languages : en
Pages : 0
Book Description
When Alice and her two younger brothers become lost in the woods, the children separate, and Alice is captured by an evil magician named Comus.
Publisher:
ISBN: 9780823411467
Category : Brothers and sisters
Languages : en
Pages : 0
Book Description
When Alice and her two younger brothers become lost in the woods, the children separate, and Alice is captured by an evil magician named Comus.