Author: Yi Sun
Publisher: Springer Nature
ISBN: 9813365781
Category : Performing Arts
Languages : en
Pages : 145
Book Description
This book adopts an integrative research framework that primarily combines industrial and discourse analysis to investigate the company Milkyway Image, drawing upon literature that studies film studios and the practices of film production, distribution, and reception. The history of the Hong Kong-based film production company Milkyway Image from its founding in 1996 to the present exemplifies the metamorphosis of the post-return Hong Kong film industry to an era characterised by Hong Kong’s integration into a Chinese national context and the transnationalisation of world cinema. It shows that contemporary Hong Kong cinema’s transition resists a monolithic chronicle and instead represents a narrative combining the perspectives of different interest groups and a complex process of compliance and resistance, negotiation and contestation. The meaning of Milkyway’s films shifts as they are circulated across cultures and viewed within diverse frameworks, and our understanding of Hong Kong cinema is subject to varying contexts and historical configurations. For researchers in film and media studies and those who have a general interest in Hong Kong cinema, Asian cinema, or contemporary film culture, this book reveals how a variety of industry and cultural bodies have become co-creators of meaning for a film production house, and how the company operates as a co-creator of the discourse that surrounds it.
Milkyway Image
Author: Yi Sun
Publisher: Springer Nature
ISBN: 9813365781
Category : Performing Arts
Languages : en
Pages : 145
Book Description
This book adopts an integrative research framework that primarily combines industrial and discourse analysis to investigate the company Milkyway Image, drawing upon literature that studies film studios and the practices of film production, distribution, and reception. The history of the Hong Kong-based film production company Milkyway Image from its founding in 1996 to the present exemplifies the metamorphosis of the post-return Hong Kong film industry to an era characterised by Hong Kong’s integration into a Chinese national context and the transnationalisation of world cinema. It shows that contemporary Hong Kong cinema’s transition resists a monolithic chronicle and instead represents a narrative combining the perspectives of different interest groups and a complex process of compliance and resistance, negotiation and contestation. The meaning of Milkyway’s films shifts as they are circulated across cultures and viewed within diverse frameworks, and our understanding of Hong Kong cinema is subject to varying contexts and historical configurations. For researchers in film and media studies and those who have a general interest in Hong Kong cinema, Asian cinema, or contemporary film culture, this book reveals how a variety of industry and cultural bodies have become co-creators of meaning for a film production house, and how the company operates as a co-creator of the discourse that surrounds it.
Publisher: Springer Nature
ISBN: 9813365781
Category : Performing Arts
Languages : en
Pages : 145
Book Description
This book adopts an integrative research framework that primarily combines industrial and discourse analysis to investigate the company Milkyway Image, drawing upon literature that studies film studios and the practices of film production, distribution, and reception. The history of the Hong Kong-based film production company Milkyway Image from its founding in 1996 to the present exemplifies the metamorphosis of the post-return Hong Kong film industry to an era characterised by Hong Kong’s integration into a Chinese national context and the transnationalisation of world cinema. It shows that contemporary Hong Kong cinema’s transition resists a monolithic chronicle and instead represents a narrative combining the perspectives of different interest groups and a complex process of compliance and resistance, negotiation and contestation. The meaning of Milkyway’s films shifts as they are circulated across cultures and viewed within diverse frameworks, and our understanding of Hong Kong cinema is subject to varying contexts and historical configurations. For researchers in film and media studies and those who have a general interest in Hong Kong cinema, Asian cinema, or contemporary film culture, this book reveals how a variety of industry and cultural bodies have become co-creators of meaning for a film production house, and how the company operates as a co-creator of the discourse that surrounds it.
Director in Action
Author: Stephen Teo
Publisher: Hong Kong University Press
ISBN: 9622098398
Category : Social Science
Languages : en
Pages : 307
Book Description
Director in Action examines the career of Johnnie To, whose art-house action hits include A Hero Never Dies, The Longest Nite, Running out of Time, The Mission, PTU, Breaking News, Election, and Election 2. The author discusses the symbiotic relationship between director and genre, why To is regarded as an auteur, and the influence he has on the trajectory of the action genre in the Hong Kong cinema. The author's view is that To's idiosyncratic auteurist style transforms the generic conventions under which he is compelled to work, and that there is a discernible element of experimentalism in his most outstanding films. In addition, To modulates the film noir form to suit his local contexts, characters and locations, to create a highly personalized noir cinema in post-1997 Hong Kong.
Publisher: Hong Kong University Press
ISBN: 9622098398
Category : Social Science
Languages : en
Pages : 307
Book Description
Director in Action examines the career of Johnnie To, whose art-house action hits include A Hero Never Dies, The Longest Nite, Running out of Time, The Mission, PTU, Breaking News, Election, and Election 2. The author discusses the symbiotic relationship between director and genre, why To is regarded as an auteur, and the influence he has on the trajectory of the action genre in the Hong Kong cinema. The author's view is that To's idiosyncratic auteurist style transforms the generic conventions under which he is compelled to work, and that there is a discernible element of experimentalism in his most outstanding films. In addition, To modulates the film noir form to suit his local contexts, characters and locations, to create a highly personalized noir cinema in post-1997 Hong Kong.
Found in Transition
Author: Yiu-Wai Chu
Publisher: SUNY Press
ISBN: 1438471696
Category : History
Languages : en
Pages : 310
Book Description
Presents an updated account of Hong Kong and its culture two decades after its reversion to China. In Found in Transition, Yiu-Wai Chu examines the fate of Hong Kongs unique cultural identity in the contexts of both global capitalism and the increasing influence of China. Drawing on recent developments, especially with respect to language, movies, and popular songs as modes of resistance to Mainlandization and different forms of censorship, Chu explores the challenges facing Hong Kong twenty years after its reversion to China as a Special Administrative Region. Highlighting locality and hybridity along postcolonial lines of interpretation, he also attempts to imagine the future of Hong Kong by utilizing Hong Kong studies as a method. Chu argues that the study of Hong Kongthe place where the impact of the rise of China is most intensely feltcan shed light on emergent crises in different areas of the world. As such, this book represents a consequential follow-up to the authors Lost in Transition and a valuable contribution to international, area, and cultural studies. This is a wide-ranging and worthy sequel to Chus Lost in Transition. By juxtaposing a series of critical issuesurban development, self-writing, language education, and cultural production, among othersthat have confounded those who care deeply about this former British colony, Chu offers his readers an intelligent and sensitive guide to connect and make sense of the various debates, and he places the conundrums Hong Kong faces in the contexts of both the limits of neoliberal capitalism and the Age of China. Leo K. Shin, author of The Making of the Chinese State: Ethnicity and Expansion on the Ming Borderlands
Publisher: SUNY Press
ISBN: 1438471696
Category : History
Languages : en
Pages : 310
Book Description
Presents an updated account of Hong Kong and its culture two decades after its reversion to China. In Found in Transition, Yiu-Wai Chu examines the fate of Hong Kongs unique cultural identity in the contexts of both global capitalism and the increasing influence of China. Drawing on recent developments, especially with respect to language, movies, and popular songs as modes of resistance to Mainlandization and different forms of censorship, Chu explores the challenges facing Hong Kong twenty years after its reversion to China as a Special Administrative Region. Highlighting locality and hybridity along postcolonial lines of interpretation, he also attempts to imagine the future of Hong Kong by utilizing Hong Kong studies as a method. Chu argues that the study of Hong Kongthe place where the impact of the rise of China is most intensely feltcan shed light on emergent crises in different areas of the world. As such, this book represents a consequential follow-up to the authors Lost in Transition and a valuable contribution to international, area, and cultural studies. This is a wide-ranging and worthy sequel to Chus Lost in Transition. By juxtaposing a series of critical issuesurban development, self-writing, language education, and cultural production, among othersthat have confounded those who care deeply about this former British colony, Chu offers his readers an intelligent and sensitive guide to connect and make sense of the various debates, and he places the conundrums Hong Kong faces in the contexts of both the limits of neoliberal capitalism and the Age of China. Leo K. Shin, author of The Making of the Chinese State: Ethnicity and Expansion on the Ming Borderlands
Visual Galaxy
Author: National Geographic
Publisher:
ISBN: 142622060X
Category : Astronomy
Languages : en
Pages : 328
Book Description
"This visual wellspring of the cosmos is the perfect companion for every stargazer. Filled with page after page of magnificent photographs, this book offers a deep dive into the past, present, and future of our home galaxy: the Milky Way. Embark on this dramatic journey by witnessing the stunning birth, life, and death of stars--including story of our own sun and the solar system it sustains. Continue on to discover our galaxy within the known universe with a scintillating peek at exoplanets, the new frontier in the search for life. Detailed maps and absorbing imagery from recent space missions illuminate the latest scientific information, complemented by a foreword by celebrated astronaut Chris Hadfield."-- Back cover.
Publisher:
ISBN: 142622060X
Category : Astronomy
Languages : en
Pages : 328
Book Description
"This visual wellspring of the cosmos is the perfect companion for every stargazer. Filled with page after page of magnificent photographs, this book offers a deep dive into the past, present, and future of our home galaxy: the Milky Way. Embark on this dramatic journey by witnessing the stunning birth, life, and death of stars--including story of our own sun and the solar system it sustains. Continue on to discover our galaxy within the known universe with a scintillating peek at exoplanets, the new frontier in the search for life. Detailed maps and absorbing imagery from recent space missions illuminate the latest scientific information, complemented by a foreword by celebrated astronaut Chris Hadfield."-- Back cover.
The Milky Way
Author: Moiya McTier
Publisher: Grand Central Publishing
ISBN: 1538754177
Category : Science
Languages : en
Pages : 224
Book Description
In this approachable and fascinating biography of the galaxy, an astrophysicist and folklorist details everything humans have discovered—from the Milky Way's formation to its eventual death, and what else there is to learn about the universe we call home. After a few billion years of bearing witness to life on Earth, of watching one hundred billion humans go about their day-to-day lives, of feeling unbelievably lonely, and of hearing its own story told by others, The Milky Way would like a chance to speak for itself. All one hundred billion stars and fifty undecillion tons of gas of it. It all began some thirteen billion years ago, when clouds of gas scattered through the universe's primordial plasma just could not keep their metaphorical hands off each other. They succumbed to their gravitational attraction, and the galaxy we know as the Milky Way was born. Since then, the galaxy has watched as dark energy pushed away its first friends, as humans mythologized its name and purpose, and as galactic archaeologists have worked to determine its true age (rude). The Milky Way has absorbed supermassive (an actual technical term) black holes, made enemies of a few galactic neighbors, and mourned the deaths of countless stars. Our home galaxy has even fallen in love. After all this time, the Milky Way finally feels that it's amassed enough experience for the juicy tell-all we've all been waiting for. Its fascinating autobiography recounts the history and future of the universe in accessible but scientific detail, presenting a summary of human astronomical knowledge thus far that is unquestionably out of this world. NAMED A BEST BOOK OF 2022 BY PUBLISHERS WEEKLY AND SCIENCENET NAMED A BEST AUDIOBOOK OF 2022 BY BOOKPAGE
Publisher: Grand Central Publishing
ISBN: 1538754177
Category : Science
Languages : en
Pages : 224
Book Description
In this approachable and fascinating biography of the galaxy, an astrophysicist and folklorist details everything humans have discovered—from the Milky Way's formation to its eventual death, and what else there is to learn about the universe we call home. After a few billion years of bearing witness to life on Earth, of watching one hundred billion humans go about their day-to-day lives, of feeling unbelievably lonely, and of hearing its own story told by others, The Milky Way would like a chance to speak for itself. All one hundred billion stars and fifty undecillion tons of gas of it. It all began some thirteen billion years ago, when clouds of gas scattered through the universe's primordial plasma just could not keep their metaphorical hands off each other. They succumbed to their gravitational attraction, and the galaxy we know as the Milky Way was born. Since then, the galaxy has watched as dark energy pushed away its first friends, as humans mythologized its name and purpose, and as galactic archaeologists have worked to determine its true age (rude). The Milky Way has absorbed supermassive (an actual technical term) black holes, made enemies of a few galactic neighbors, and mourned the deaths of countless stars. Our home galaxy has even fallen in love. After all this time, the Milky Way finally feels that it's amassed enough experience for the juicy tell-all we've all been waiting for. Its fascinating autobiography recounts the history and future of the universe in accessible but scientific detail, presenting a summary of human astronomical knowledge thus far that is unquestionably out of this world. NAMED A BEST BOOK OF 2022 BY PUBLISHERS WEEKLY AND SCIENCENET NAMED A BEST AUDIOBOOK OF 2022 BY BOOKPAGE
Masculinities and Hong Kong Cinema
Author: Laikwan Pang
Publisher: Hong Kong University Press
ISBN: 9622097375
Category : Social Science
Languages : en
Pages : 357
Book Description
This collection of exciting essays explores how the representations and the ideologies of masculinities can be productively studied in the context of Hong Kong cinema. It has two objectives: first, to investigate the multiple meanings and manifestations of masculinities in Hong Kong cinema that compliment and contradict each other. Second, to analyze the social and cultural environments that make these representations possible and problematic. Masculinities and Hong Kong Cinema presents a comprehensive picture of how Hong Kong mainstream cinematic masculinities are produced within their own socio-cultural discourses, and how these masculinities are distributed, received, and transformed within the setting of the market place. This volume is divided into three interrelated parts: the local cinematic tradition; the transnational context and reverberations; and the larger production, reception, and mediation environments. The combination of these three perspectives will reveal the dynamics and tensions between the local and the transnational, between production and reception, and between text and context, in the gendered manifestations of Hong Kong cinema.
Publisher: Hong Kong University Press
ISBN: 9622097375
Category : Social Science
Languages : en
Pages : 357
Book Description
This collection of exciting essays explores how the representations and the ideologies of masculinities can be productively studied in the context of Hong Kong cinema. It has two objectives: first, to investigate the multiple meanings and manifestations of masculinities in Hong Kong cinema that compliment and contradict each other. Second, to analyze the social and cultural environments that make these representations possible and problematic. Masculinities and Hong Kong Cinema presents a comprehensive picture of how Hong Kong mainstream cinematic masculinities are produced within their own socio-cultural discourses, and how these masculinities are distributed, received, and transformed within the setting of the market place. This volume is divided into three interrelated parts: the local cinematic tradition; the transnational context and reverberations; and the larger production, reception, and mediation environments. The combination of these three perspectives will reveal the dynamics and tensions between the local and the transnational, between production and reception, and between text and context, in the gendered manifestations of Hong Kong cinema.
Screenwriting in a Digital Era
Author: Kathryn Millard
Publisher: Springer
ISBN: 1137319100
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling around the globe, and explores new methods of collaboration and authorship in the digital environment.
Publisher: Springer
ISBN: 1137319100
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling around the globe, and explores new methods of collaboration and authorship in the digital environment.
Hong Kong Cinema and the 1997 Return of the Colony to Mainland China: The Tensions and the Consequences
Author: Mengyang Cui
Publisher: Universal-Publishers
ISBN: 1581123817
Category : Performing Arts
Languages : en
Pages : 77
Book Description
In this paper, I aimed to explore deeply the Hong Kong 1997 handover theme films by comparison and summary in order to discover the history and cultural meaning of this incident from a human perspective. 1997 is a turning point for Hong Kong people, society and the film industry. The city confronted a historical turning point under an experimental one country, two systems convention without precedent in history. This led many Hong Kong people to lose confidence about their future. In addition, this historical incident brought a series of social issues to Hong Kong people, such as confusion about their identity and uncertainty about the future. Therefore I chose four films from two directors with different viewpoints reveal Hong Kong society and people s life and spirit. Those films are Peter Chan s Comrades, Almost a Love Story (1996), Golden Chicken (2000), and Fruit Chan s Made in Hong Kong (1997), The Longest Summer (1997). Also, I will give a brief introduction about the aspects of the past of Hong Kong politically (colonial rule), economically and with respect of Hong Kong identity to understand its cinema and the possible effects of the 1997 handover.
Publisher: Universal-Publishers
ISBN: 1581123817
Category : Performing Arts
Languages : en
Pages : 77
Book Description
In this paper, I aimed to explore deeply the Hong Kong 1997 handover theme films by comparison and summary in order to discover the history and cultural meaning of this incident from a human perspective. 1997 is a turning point for Hong Kong people, society and the film industry. The city confronted a historical turning point under an experimental one country, two systems convention without precedent in history. This led many Hong Kong people to lose confidence about their future. In addition, this historical incident brought a series of social issues to Hong Kong people, such as confusion about their identity and uncertainty about the future. Therefore I chose four films from two directors with different viewpoints reveal Hong Kong society and people s life and spirit. Those films are Peter Chan s Comrades, Almost a Love Story (1996), Golden Chicken (2000), and Fruit Chan s Made in Hong Kong (1997), The Longest Summer (1997). Also, I will give a brief introduction about the aspects of the past of Hong Kong politically (colonial rule), economically and with respect of Hong Kong identity to understand its cinema and the possible effects of the 1997 handover.
Chinese Films in Focus II
Author: Chris Berry
Publisher: Bloomsbury Publishing
ISBN: 1349922803
Category : Performing Arts
Languages : en
Pages : 304
Book Description
Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.
Publisher: Bloomsbury Publishing
ISBN: 1349922803
Category : Performing Arts
Languages : en
Pages : 304
Book Description
Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.
East Asian Screen Industries
Author: Darrell Davis
Publisher: Bloomsbury Publishing
ISBN: 1838715487
Category : Performing Arts
Languages : en
Pages : 339
Book Description
East Asian Screen Industries is a guide to the film industries of Japan, South Korea, Taiwan, Hong Kong and the PRC. The authors examine how local production has responded to global trends and explore the effects of widespread de-regulation and China's accession to the World Trade Organisation.
Publisher: Bloomsbury Publishing
ISBN: 1838715487
Category : Performing Arts
Languages : en
Pages : 339
Book Description
East Asian Screen Industries is a guide to the film industries of Japan, South Korea, Taiwan, Hong Kong and the PRC. The authors examine how local production has responded to global trends and explore the effects of widespread de-regulation and China's accession to the World Trade Organisation.