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Author:
Publisher: Kettler Verlag
ISBN: 9783862067183
Category : Documentary photography
Languages : en
Pages : 0
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Book Description
Today, more people than ever are fleeing persecution and war. Over 68 million people are on the move worldwide, according to the UN's latest figures. With his new book "Migration as Avant-Garde," Michael Danner delivers a moving, critical, and thought-provoking contribution to the current public debate. He skillfully deploys a variety of elements and combines his own photos and texts with historic images. The result is a consistent but multifaceted narrative, which is frequently deconstructed both in terms of design and content. While the title at first seems somewhat bewildering, it becomes self-explanatory in the course of reading the quotations, interspersed throughout the book, from Hannah Arendt's 1943 essay "We Refugees." The events that Arendt wrote about more than seventy years--giving up one's home, one's friends, family, and language--are more pressing today than ever before. In search of progress, driven by the desire for a better future, and risking their lives, people both then and now hit the road, break through physical and psychological boundaries, and thus provide our society with new perspectives and ways of thinking.
Author:
Publisher: Kettler Verlag
ISBN: 9783862067183
Category : Documentary photography
Languages : en
Pages : 0
Get Book Here
Book Description
Today, more people than ever are fleeing persecution and war. Over 68 million people are on the move worldwide, according to the UN's latest figures. With his new book "Migration as Avant-Garde," Michael Danner delivers a moving, critical, and thought-provoking contribution to the current public debate. He skillfully deploys a variety of elements and combines his own photos and texts with historic images. The result is a consistent but multifaceted narrative, which is frequently deconstructed both in terms of design and content. While the title at first seems somewhat bewildering, it becomes self-explanatory in the course of reading the quotations, interspersed throughout the book, from Hannah Arendt's 1943 essay "We Refugees." The events that Arendt wrote about more than seventy years--giving up one's home, one's friends, family, and language--are more pressing today than ever before. In search of progress, driven by the desire for a better future, and risking their lives, people both then and now hit the road, break through physical and psychological boundaries, and thus provide our society with new perspectives and ways of thinking.
Author: Saloni Mathur
Publisher: Yale University Press
ISBN: 0300172583
Category : Art
Languages : en
Pages : 273
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Book Description
The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a selection of essays, fourteen distinguished scholars explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.
Author: Burcu Dogramaci
Publisher: Leuven University Press
ISBN: 9462702268
Category : Art
Languages : en
Pages : 440
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Book Description
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
Author: Timothy Brown
Publisher: Berghahn Books
ISBN: 0857450794
Category : History
Languages : en
Pages : 307
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Book Description
The wave of anti-authoritarian political activity associated with the term “1968” can by no means be confined under the rubric of “protest,” understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to “1968” frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond.
Author: Lina Žigelytė
Publisher:
ISBN:
Category : Avant-garde (Aesthetics)
Languages : en
Pages : 528
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Book Description
"This dissertation concerns intersections of migration and sexuality in the transnational art movements that flourished between the World Wars and came to be known as the historical avant-garde. The project focuses on films and photographs by artists with distinct experiences of migration and a shared interest in modern sexual cultures. Drawing on multilingual archival research, I focus on selected works by four such artists: The Soviet filmmaker Sergei Eisenstein (1898-1948), the silent Hollywoodera filmmaker and actress Alla Nazimova (1879-1945), the French Surrealist artist Claude Cahun (1894-1954), and the German-born photographer Germaine Krull (1897-1985). My analysis stems from overlapping interwar debates on the ways migration and modern sexual cultures were changing the social fabric of Europe and North America. The works examined in this dissertation engaged with these debates with critical perspectives on the effects of cross-cultural encounters on minority cultures. I argue that this critical stance was achieved through images that captured surfaces in portrayal of the human body. This aesthetic choice resulted in works that evaded the aesthetic capture of the body's physical presence. Instead, selected works hinted at traces of bodies through the focus on faces, subtle bodily gestures, details of landscape next to portrayed bodies, and shadows coating human flesh. Chapter 1 examines Eisenstein's unfinished film on Mexico from the early 1930s as an anti-colonial project noteworthy for its representation of the faces of non-Western peoples. Through the focus on bodily movement, Chapter 2 shifts discussions about the inventiveness of Nazimova's 1923 film Salom{caron} from representation of same-sex desire to Nazimova's confrontation with American ideals of assimilation. Chapter 3 considers how Cahun's quaint outdoor self-portraits from the late 1930s made with her partner Marcel Moore devised a model of artistic collaboration that broke new ground in interwar artist circles. Chapter 4 analyzes Krull's Parisian work (1926-1937), with a focus on her photographic use of shadows as a visual meditation on the idea of home in times of global upheaval. My dissertation examines migrant modernity as a constellation of conflicting attachments to bodies, oppressive histories, visions of the future, and ideas about home." -- leaves ix-x
Author: Jonathan L. Owen
Publisher: Berghahn Books
ISBN: 0857451278
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.
Author: Per Bäckström
Publisher: Rodopi
ISBN: 9401210373
Category : History
Languages : en
Pages : 328
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Book Description
Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.
Author: Brigid Maureen Cohen
Publisher: Cambridge University Press
ISBN: 1107003008
Category : Biography & Autobiography
Languages : en
Pages : 341
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Book Description
Cohen traces a history of modernism in migration through the composer Stefan Wolpe, from the Bauhaus to Black Mountain College.
Author: Hiroko Ikegami
Publisher: MIT Press
ISBN: 0262014254
Category : Art
Languages : en
Pages : 292
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Book Description
Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
Author: Bénédicte Miyamoto
Publisher: Manchester University Press
ISBN: 1526149699
Category : Art
Languages : en
Pages : 449
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Book Description
This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.
