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Author: Gevork Hartoonian
Publisher: Taylor & Francis
ISBN: 1040123511
Category : Architecture
Languages : en
Pages : 212
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Book Description
In Mies Contra Le Corbusier, Gevork Hartoonian embarks on a captivating exploration of the architectural ideologies embodied in the works of Mies van der Rohe and Le Corbusier. Focusing on the non-synchronicity inherent in their approaches to the tectonics of the column and wall, Hartoonian conducts a comparative analysis of carefully selected diachronic projects from each architect. This insightful journey unravels the architects' ideological stances within the ongoing dialogue between modernity and tradition. Hartoonian sheds light on the inclination of Mies and Le Corbusier toward a frameless architecture, a characteristic prominently displayed in their late works. Drawing inspiration from Marxian philosophy, the author contends that significant technological developments play a crucial role in shaping subjectivities across the cultural spectrum, creating an uneven dissemination. The frame, in Hartoonian’s lens, transcends the boundaries of a single building, becoming a lens through which to frame a nuanced understanding of the urban landscape and tectonics. Mies Contra Le Corbusier stands as a thought-provoking exploration that not only unveils the intricacies of architectural history but also offers profound insights into the cultural and technological forces shaping the built environment. This book will be of interest to researchers and students of architectural history and theory. Additionally, it offers a timely discussion of Mies and Le Corbusier’s contributions to architecture’s contemporaneity for the younger generation of architects.
Author: Gevork Hartoonian
Publisher: Taylor & Francis
ISBN: 1040123511
Category : Architecture
Languages : en
Pages : 212
Get Book Here
Book Description
In Mies Contra Le Corbusier, Gevork Hartoonian embarks on a captivating exploration of the architectural ideologies embodied in the works of Mies van der Rohe and Le Corbusier. Focusing on the non-synchronicity inherent in their approaches to the tectonics of the column and wall, Hartoonian conducts a comparative analysis of carefully selected diachronic projects from each architect. This insightful journey unravels the architects' ideological stances within the ongoing dialogue between modernity and tradition. Hartoonian sheds light on the inclination of Mies and Le Corbusier toward a frameless architecture, a characteristic prominently displayed in their late works. Drawing inspiration from Marxian philosophy, the author contends that significant technological developments play a crucial role in shaping subjectivities across the cultural spectrum, creating an uneven dissemination. The frame, in Hartoonian’s lens, transcends the boundaries of a single building, becoming a lens through which to frame a nuanced understanding of the urban landscape and tectonics. Mies Contra Le Corbusier stands as a thought-provoking exploration that not only unveils the intricacies of architectural history but also offers profound insights into the cultural and technological forces shaping the built environment. This book will be of interest to researchers and students of architectural history and theory. Additionally, it offers a timely discussion of Mies and Le Corbusier’s contributions to architecture’s contemporaneity for the younger generation of architects.
Author: GEVORK. HARTOONIAN
Publisher: Routledge
ISBN: 9781032736402
Category : Architecture
Languages : en
Pages : 0
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Book Description
In Mies Contra Le Corbusier, Gevork Hartoonian embarks on a captivating exploration of the architectural ideologies embodied in the works of Mies van der Rohe and Le Corbusier. Focusing on the non-synchronicity inherent in their approaches to the tectonics of the column and wall, Hartoonian conducts a comparative analysis of carefully selected diachronic projects from each architect. This insightful journey unravels the architects' ideological stances within the ongoing dialogue between modernity and tradition. Hartoonian sheds light on the inclination of Mies and Le Corbusier towards a frameless architecture, a characteristic prominently displayed in their late works. Drawing inspiration from Marxian philosophy, the author contends that significant technological developments play a crucial role in shaping subjectivities across the cultural spectrum, creating an uneven dissemination. The frame, in Hartoonian's lens, transcends the boundaries of a single building, becoming a lens through which to frame a nuanced understanding of the urban landscape and tectonics. Mies Contra Le Corbusier stands as a thought-provoking exploration that not only unveils the intricacies of architectural history but also offers profound insights into the cultural and technological forces shaping the built environment. This book will be of interest to researchers and students of architectural history and theory. Additionally, it offers a timely discussion of Mies and Le Corbusier's contributions to architecture's contemporaneity for the younger generation of architects.
Author: Sang Lee
Publisher: Taylor & Francis
ISBN: 1040135366
Category : Architecture
Languages : en
Pages : 317
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Book Description
This book offers a novel perspective on contemporary architecture, exploring its position in mediatization, attained through technological apparatuses. It introduces the novel concepts of apparatus-centricity and mediatization of architecture, which have significant disciplinary and cultural ramifications. Highlighting key technological and theoretical developments, the book’s narrative traces the transformation of architecture from the modernist era to the present, digital age. En route, it reflects on how architecture becomes a crucial element of shifting dispositives through its confluence with technologies of aestheticization and virtualization, and by emblematizing ecological ideals. It also illuminates the reconfiguring of architectural practice through examining surprising interactions and analogies between architecture and music, whose developments in notation and codification continually change the relationship between composer and performer. The book explores how architecture is reshaped by broader theory and practice in media and ultimately serves as a cognitive agent. It underscores that architecture profoundly influences our phantasmagoric, image-driven affective world through its increasingly apparatus-centric approach to conception, design, production, and mediatization. Architecture in the Age of Mediatizing Technologies brings into focus the behavior of architecture in mediatization for researchers and advanced students in architectural design, theory, and history. As an investigation into the interdisciplinary impact of architecture in a mediatized culture at large, it also provides a valuable resource for cultural and media studies.
Author: David Arredondo Garrido
Publisher: Taylor & Francis
ISBN: 1040156614
Category : Architecture
Languages : en
Pages : 231
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Book Description
The intricate relationship between food, city and architecture, spanning from ancient civilizations to the present, serves as a focal point for interdisciplinary discourse. This book delves into a diverse set of cases throughout history in which processes related to food significantly influenced architectural or urban designs. This book delineates three spatial levels — city, home and intermediate spaces — illuminating their dynamic interplay within the construct of a continually evolving “food space." Featuring 12 contributions from Mediterranean Europe, this publication explores historical legacies and contemporary challenges. Divided into urban-territorial and architectural scales, it offers nuanced insights into urban dynamics, domestic life and gastronomic tourism. Supported by a prestigious introductory study, this research advances a comprehensive understanding of food's role in shaping urban environments. Through the chapters of this book, those interested in cultural studies of food, urban history and architecture will be able to reflect on our relationship with food and its processes, and how it affects the way we live and design our cities and their architectures.
Author: Lindsay Harris
Publisher: Taylor & Francis
ISBN: 1040256716
Category : Architecture
Languages : en
Pages : 294
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Book Description
Photography, Architecture, and the Modern Italian Landscape explores the impact of photography at a pivotal moment in Italian architecture and culture, focusing on the period between 1910 and the mid-1970s. The book analyzes architectural photographs taken by Italian cultural figures who helped transform the Italian landscape into what we know today. This study charts the oscillation of Italians’ ideas about what progress signified. For example, the book demonstrates that for writers and artists familiar with ancient ideas about civilization in 1910, the Roman countryside exemplified the contradictions inherent in primitivism. On the one hand, their photographs praised the region’s primordial beauty, yet their images condemned the crudeness of local living conditions. More broadly, it traces the history of primitivism and photography in Italy to show how cultural leaders’ alarm at the nation’s pre-modern living conditions, their aspiration to modernize them, and their grasp of photography to catalyze the process helped forge the modern Italian landscape—its monuments, housing, infrastructure, and natural environments. At the same time, it explores a vibrant period in photographic history when the advent of photographic reproduction as a commercial process developed into a medium with its own visual style capable of shaping ideas about modernity. This new image-making and reproduction technology empowered Italy’s cultural leaders not simply to represent the Italian landscape through photography but to determine how it developed. Of interest to researchers and students from a range of disciplines, modern architecture, photography, and Italian studies, this book demonstrates the power of art to transform society and to reformulate our ideas of progress.
Author: Mike McEvoy
Publisher: Taylor & Francis
ISBN: 1040276059
Category : Architecture
Languages : en
Pages : 188
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Book Description
For many years, it has been recognised that improving the energy performance of the existing housing stock is vital if energy demand is to be reduced to combat climate change. The art of retrofit is posited as a way forward beyond today’s weak pseudo-Modernist architecture – all that is left – the final echo of Modernism’s original utopian impulse. Central to the book is the presentation of domestic street-by-street retrofit as an issue with technical, financial and societal dimensions. A holistic view of the complex, interacting factors that have held back any advance is interspersed with a historical account of retrofit’s faltering progress over the last 20 years. The crucial challenges that have been encountered are described, including the technological and human factors that urgently need to be addressed. It is suggested that the utopian instincts that propelled early Modernism can be redeployed in finding an approach to retrofit that will pave the way towards a politically engaged architecture of social purpose. Street-by-Street Retrofit’s goal is to involve the creative imagination of designers and form an alliance with policymakers and many others in the business of urban improvement; it is intended for all these audiences.
Author: Gevork Hartoonian
Publisher: Taylor & Francis
ISBN: 1040299040
Category : Architecture
Languages : en
Pages : 172
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Book Description
The compiled essays offer various themes and ways of approaching historiography. Each chapter probes the state of contemporary theorization of architecture histories, working toward the theme of critically re-writing history. Essential to each author's contribution are specific traditions created by the mole of history burrowing through the past. This book concerns the historian's conjectures towards capturing the past and present zeitgeist. Temporality is the theme running through the narrative of this volume. It raises the question of whether the ever-growing body of work on architectural history should be considered as history. More specifically, what is the intersection between history and architectural history? Furthermore, can every text focused on architecture's past be considered categorically historiographic? In what capacity does architectural history index history beyond contingencies and without reducing the text to empirical realities and the historian's interest in a specific subject, including those collected through archival research, itself an emblem of textuality? This book upholds the conviction that the past should be recalled accurately and that there is no history but historical criticism, the scope of which exceeds the historicity of Humanism. Dialectically, the timeline experienced across contemporary techno-economic and cultural domains (aesthetics) offers an opportunity to explore architecture produced outside the Euro-American continents. Valences of Historiography offers a fresh take on architectural history that is useful for academics, researchers and architecture students.
Author: Mateja Kurir
Publisher: Taylor & Francis
ISBN: 1040110053
Category : Architecture
Languages : en
Pages : 238
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Book Description
Architecture has always been a decisive manifestation of power. This volume represents an attempt to question and reflect on the relationship between power and architecture from three philosophical perspectives: materialistic, phenomenological and post-structuralist. This collection opens an interdisciplinary investigation that aims to reflect on architecture and its interconnectedness with power within philosophy and cultural theory at large while presenting these concepts using practical examples from the built environment. Internationally recognised authors – philosophers, architectural theorists and historians – Andrew Benjamin, Andrew Ballantyne, Mladen Dolar, Hilde Heynen, Nadir Lahiji, Jeff Malpas, Dean Komel, Elke Krasny, Robert Pfaller, Gerard Reinmuth, Luka Skansi, Douglas Spencer, Teresa Stoppani and Sven-Olov Wallenstein present their reflections in original unpublished essays and interviews. In the presented works, architecture is combined and transgressed by philosophy in a new discussion that focuses only on power. The contributions in this collection open a variety of architectural questions, one of the central among them being the impact of neoliberal capitalism on architecture. Architecture, with its implications on the complex contemporary political and social reality, is severely changing our space and, more globally, our environment. A reflection on the multilayered relation between architecture and power has never been as topical as it is today. This book will, therefore, be of interest to students, researchers and academics or professionals within the fields of architecture, philosophy, sociology, political sciences and cultural sciences.
Author: Gevork Hartoonian
Publisher: Taylor & Francis
ISBN: 1000865479
Category : Architecture
Languages : en
Pages : 127
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Book Description
Pursuing historical analogies between nineteenth-century theories and the current practices captivated by digital reproducibility, this book offers a critical take on architecture’s contemporaneity through four essays: tectonics, materiality, cladding, and labor. Fundamental to this proposition is the historicity of Gottfried Semper’s theorization of architecture amidst the outpouring of new materials and construction techniques during the 1850s. Starting with Semper’s differentiation between theatricalization and the tectonic of theatricality, this book examines thematic essential to architecture’s self-representation. Even though the title of this book recalls the Semperian Four Elements of Architecture, its argument encapsulates a unique historico-theoretical project probing the tectonic of theatricality beyond Semper. The invisible tie between technique and labor is the cord running through the four subjects covered in this book. In exploring these subjects from the theoretical standpoint of Marxian dialectics, this book’s contribution is focused on, but not limited to, the topicality of labor today when its relationship with capital has been further obscured by the prevailing digitalization of commodity exchange value, starting roughly in the 1990s. Each essay examines Semper’s theorization of architecture in contradistinction to the ways in which technology’s mediation has dominated architecture’s representation. Burrowing through the invisible tie between technique and work, asymptomatic of architecture’s predicament in global capitalism, Towards a Critique of Architecture’s Contemporaneity advances the scope of architectural criticism beyond the exhausted formalism and architecture’s turn to philosophy circa the 1980s and the present tendencies for presentism. It will therefore be of interest to researchers and students of architectural history and theory.
Author: Gevork Hartoonian
Publisher: Routledge
ISBN: 1351981390
Category : Architecture
Languages : en
Pages : 336
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Book Description
Time, History and Architecture presents a series of essays on critical historiography, each addressing a different topic, to elucidate the importance of two influential figures Walter Benjamin and Gottfried Semper for architectural history. In a work exploring themes such as time, autonomy and periodization, author Gevork Hartoonian unpacks the formation of architectural history; the problem of autonomy in criticism and the historiographic narrative. Considering the scope of criticism informing the contemporaneity of architecture, the book explores the concept of nonsimultaneity, and introduces retrospective criticism the agent of critical historiography. An engaging thematic dialogue for academics and upper-level graduate students interested in architectural history and theory, this book aims to deconstruct the certainties of historicism and to raise new questions and interpretations from established critical canons.
