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Author: Butterick Publishing Company
Publisher: Courier Dover Publications
ISBN: 9780486297064
Category : Costume
Languages : en
Pages : 0
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Book Description
Over 790 detailed illustrations depict stylish ladies coats, dresses, jackets, children s wear and more. A delightful pictorial archive. Descriptive captions. "
Author: Butterick Publishing Company
Publisher: Courier Dover Publications
ISBN: 9780486297064
Category : Costume
Languages : en
Pages : 0
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Book Description
Over 790 detailed illustrations depict stylish ladies coats, dresses, jackets, children s wear and more. A delightful pictorial archive. Descriptive captions. "
Author: The Metropolitan Museum of Art
Publisher: Harry N. Abrams
ISBN: 9781419711688
Category : Design
Languages : en
Pages : 0
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Book Description
Fashion Is . . . encourages readers to think about the myriad definitions of fashion. A Dior day suit. An Yves Saint Laurent minidress. A Japanese kimono. A Ferragamo shoe. A British court ensemble. A Schiaparelli hat. Fashion is glamour and attitude, texture and pattern, sexy and prim, luxurious and eccentric. It is above all a rich and evocative means of expression for both the designer and the wearer. Gathered here are costumes, regional dress, haute couture, and accessories from prehistory to the present, as well as paintings, sculpture, and decorative arts relating to modes of dress.
Author: Andrew Bolton
Publisher: Metropolitan Museum of Art
ISBN: 1588396886
Category : Photography
Languages : en
Pages : 451
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Book Description
“An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.” —Virginia Woolf, Orlando: A Biography, 1928 About Time: Fashion and Duration traces the evolution of fashion, from 1870 to the present, through a linear timeline of iconic garments, each paired with an alternate design that jumps forward or backward in time. These unexpected pairings, which relate to one another through shape, motif, material, pattern, technique, or decoration, create a unique and disruptive fashion chronology that conflates notions of past, present, and future. Virginia Woolf serves as “ghost narrator”: excerpts from her novels reflect on the passage of time with each subsequent plate pairing. A new short story by Michael Cunningham, winner of the Pulitzer Prize for Fiction for The Hours, recounts a day in the life of a woman over a time span of 150 years through her changing fashions. Scholar Theodore Martin analyzes theoretical responses to the nature of time, underscoring that time is not simply a sequence of historical events. And fashion photographer Nicholas Alan Cope illustrates 120 fashions with sublime black and-white photography. This stunning book reveals fashion’s paradoxical connection to linear notions of time.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393623
Category : Crafts & Hobbies
Languages : en
Pages : 257
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Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 5-Aug. 15, 2010, and at the Brooklyn Museum, May 7-Aug. 1, 2010.
Author: Andrew Bolton
Publisher: Metropolitan Museum of Art
ISBN: 1588391353
Category : Crafts & Hobbies
Languages : en
Pages : 181
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Book Description
"[Book title] examines the practical, spiritual, psychosexual, and socioeconomic underpinnings of fashion's fascination with animals and birds."--Book jacket.
Author: Susan Sontag
Publisher: Picador
ISBN: 1250621348
Category : Philosophy
Languages : en
Pages : 29
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Book Description
From one of the greatest prose stylists of any generation, the essay that inspired the theme of the 2019 Met Gala, Camp: Notes on Fashion Many things in the world have not been named; and many things, even if they have been named, have never been described. One of these is the sensibility—unmistakably modern, a variant of sophistication but hardly identical with it—that goes by the cult name of “Camp.” So begins Susan Sontag’s seminal essay “Notes on ‘Camp.’ ” Originally published in 1964 and included in her landmark debut essay collection Against Interpretation, Sontag’s notes set out to define something that even the most well-informed could describe only as “I know it when I see it.” At once grounded in a sweeping history (Louis XIV was pure Camp) and entirely provisional, Camp delights in low and high culture alike. Tiffany lamps, the androgynous beauty of Greta Garbo, King Kong (1933), and Mozart all embody the Camp sensibility for Sontag—an almost ineffable blend of artifice, extravagance, playfulness, and a deadly seriousness. At the time Sontag published her essay, Camp, as a subversion of sexual norms, had also become a private code of signification for queer communities. In nearly every genre and form—from visual art, décor, and fashion to writing, music, and film—Camp continues to be redefined today, as seen in the 2019 Met Gala that took Sontag’s essay as the basis for its theme. “Style is everything,” Sontag tells us, and as Time magazine points out, “ ‘Notes on “Camp” ’ launched a new way of thinking,” paving the way for a whole new style of cultural criticism, and describing what is, in many ways, the defining sensibility of our culture today.
Author: Harold Koda
Publisher: Yale University Press
ISBN: 0300204361
Category : Design
Languages : en
Pages : 272
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Book Description
This catalogue offers the first comprehensive study of James’s life and work, highlighting his virtuosity and inventiveness as well as the colorful cast of benefactors and clients who supported him.
Author: Hamish Bowles
Publisher: Abrams
ISBN: 1647000777
Category : Design
Languages : en
Pages : 352
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Book Description
An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.
Author:
Publisher: Metropolitan Museum of Art
ISBN: 1588395928
Category : Photography
Languages : en
Pages : 294
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Book Description
Manus × Machina (“Hand × Machine”) features exceptional fashions that reconcile traditional hand techniques with innovative machine technologies such as 3-D printing, laser cutting, circular knitting, computer modeling, bonding and laminating, and ultrasonic welding. Featuring 90 astonishing pieces, ranging from Gabrielle “Coco” Chanel’s iconic tweed suit to Karl Lagerfeld’s 3-D-printed version, and from Yves Saint Laurent’s bird-of-paradise dress to Iris van Herpen’s silicone adaptation — all beautifully photographed by Nicholas Alan Cope — this fascinating book is an exploration of both the artistry and the future of fashion. Featuring interviews with Sarah Burton (Alexander McQueen), Hussein Chalayan, Maria Grazia Chiuri and Pierpaolo Piccioli (Valentino), Nicolas Ghesquière (Louis Vuitton), Lazaro Hernandez and Jack McCollough (Proenza Schouler), Iris van Herpen, Christopher Kane, Karl Lagerfeld (Chanel), Miuccia Prada, and Gareth Pugh.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN:
Category : Costume
Languages : en
Pages : 33
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Book Description
"The fashions worn during the Hapsburg era in Vienna and Budapest had their own kind of uniqueness. This is not to say that well-dressed Austrians and Hungarians of the periods covered in the exhibition were out of touch with what was considered fashionable to the rest of the Western world. On the contrary, the upper-class Austrian and Hungarian ladies were well aware of the latest French fashions. The gentlemen, too, were very much in tune with the sartorial modes of the French in the eighteenth century, and later, in the nineteenth century, they turned to the English styles, with their accent on elegance and superb tailoring. What was it, then, that made their fashions unique? It is important first to note that although the Hungarians were tied to the Austrian Hapsburg Empire in one way to another from 1699 until World War I, they remained culturally apart. The Austrians leaned both politically and ethnically toward the West. For centuries the Hapsburgs, through intermarriage and wars, were linked to many of the major courts of Europe. Marie-Antoinette, queen of France, and Marie-Louise, the second wife of Napoleon I, were both Austrians. The Hungarians, on the other hand, besieged by the Huns in the ninth century, occupied by the Mongols from 1241 to 1242, and conquered by the Turks between 1541 and 1683, developed a distinct taste for oriental styles"--Publisher's description
