Author: Ronald D. Young
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
Book Description
Methods for Modern Sculptors
Materials and Processes of Contemporary Sculpture
Author: Mahmoud Farag
Publisher: Cambridge Scholars Publishing
ISBN: 1527545806
Category : Art
Languages : en
Pages : 302
Book Description
Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture.
Publisher: Cambridge Scholars Publishing
ISBN: 1527545806
Category : Art
Languages : en
Pages : 302
Book Description
Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture.
Passages in Modern Sculpture
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262610339
Category : Design
Languages : en
Pages : 326
Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Publisher: MIT Press
ISBN: 9780262610339
Category : Design
Languages : en
Pages : 326
Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
Modelling and Sculpting the Human Figure
Author: Edouard Lanteri
Publisher: Courier Corporation
ISBN: 0486132366
Category : Art
Languages : en
Pages : 497
Book Description
Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
Publisher: Courier Corporation
ISBN: 0486132366
Category : Art
Languages : en
Pages : 497
Book Description
Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
Sculpture
Author: Louis Slobodkin
Publisher: Courier Corporation
ISBN: 9780486229607
Category : Art
Languages : en
Pages : 260
Book Description
Offers advice on using tools and constructing armatures as well as shaping human figures, portrait heads, and bas reliefs from clay, plaster, wood, stone, and metal
Publisher: Courier Corporation
ISBN: 9780486229607
Category : Art
Languages : en
Pages : 260
Book Description
Offers advice on using tools and constructing armatures as well as shaping human figures, portrait heads, and bas reliefs from clay, plaster, wood, stone, and metal
Beyond Modern Sculpture
Author: J. Burnham
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Modelling and Sculpting Animals
Author: Edouard Lanteri
Publisher: Courier Corporation
ISBN: 0486138291
Category : Art
Languages : en
Pages : 351
Book Description
"A joy to read, as well as a constant reference library. Thoroughly inspiring." — Workbench The republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization. Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere. In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations — over 200 photographs, drawings, and diagrams — clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.
Publisher: Courier Corporation
ISBN: 0486138291
Category : Art
Languages : en
Pages : 351
Book Description
"A joy to read, as well as a constant reference library. Thoroughly inspiring." — Workbench The republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization. Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere. In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations — over 200 photographs, drawings, and diagrams — clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.
Modern Sculpture, Its Methods and Ideals
Author: Herbert Maryon
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 488
Book Description
Moving Sculptures
Author: Aleksandra Lipińska
Publisher: BRILL
ISBN: 9004277080
Category : Art
Languages : en
Pages : 407
Book Description
The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button.
Publisher: BRILL
ISBN: 9004277080
Category : Art
Languages : en
Pages : 407
Book Description
The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button.
Robert Murray Sculpture
Author: Jonathan D. Lippincott
Publisher: Lyons Press
ISBN: 9780692060353
Category : Art
Languages : en
Pages : 0
Book Description
Robert Murray grew up in western Canada and moved to New York City in 1960. Quickly establishing himself as an important young artist, he took part in the renaissance of modern sculpture and public art that unfolded over the following decades. Murray was particularly innovative in his use of industrial fabrication methods to create his pieces and in his deep investigation of landscape as inspiration for abstract sculpture. His synthesis of the rich tradition of landscape painting in Canada and the exciting vision of New York abstract expressionist and color-field painters has resulted in an extraordinary and unique body of work. Murray was awarded the Order of Canada in 2000 and received the Barnett and Annalee Newman Foundation Grant Award for Lifetime Achievement in 2018. Robert Murray: Sculpture includes photographs of nearly two hundred works that span the artist's career, seen in galleries, museums, and private collections, at public outdoor exhibitions, in his studios, and in the workshops of his fabricators. Jonathan D. Lippincott's introduction and interview with Murray cover the sculptor's process of working with fabricators and foundries, issues of public art and the siting of sculpture, Murray's early years, his close friendship with Barnett Newman and relationships with other artists, his lifelong interest in flying, and more, insightfully illuminating both the work and the life of this remarkable sculptor.
Publisher: Lyons Press
ISBN: 9780692060353
Category : Art
Languages : en
Pages : 0
Book Description
Robert Murray grew up in western Canada and moved to New York City in 1960. Quickly establishing himself as an important young artist, he took part in the renaissance of modern sculpture and public art that unfolded over the following decades. Murray was particularly innovative in his use of industrial fabrication methods to create his pieces and in his deep investigation of landscape as inspiration for abstract sculpture. His synthesis of the rich tradition of landscape painting in Canada and the exciting vision of New York abstract expressionist and color-field painters has resulted in an extraordinary and unique body of work. Murray was awarded the Order of Canada in 2000 and received the Barnett and Annalee Newman Foundation Grant Award for Lifetime Achievement in 2018. Robert Murray: Sculpture includes photographs of nearly two hundred works that span the artist's career, seen in galleries, museums, and private collections, at public outdoor exhibitions, in his studios, and in the workshops of his fabricators. Jonathan D. Lippincott's introduction and interview with Murray cover the sculptor's process of working with fabricators and foundries, issues of public art and the siting of sculpture, Murray's early years, his close friendship with Barnett Newman and relationships with other artists, his lifelong interest in flying, and more, insightfully illuminating both the work and the life of this remarkable sculptor.