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Author: Gary Tomlinson
Publisher: Princeton University Press
ISBN: 1400866707
Category : Music
Languages : en
Pages : 203
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Book Description
In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its listeners. In doing so, it has articulated changing relations between the self and metaphysics. Tomlinson examines these relations as they have been described by philosophers from Ficino through Descartes, Kant, and Nietzsche, to Adorno, all of whom worked to define the subject's place in both material and metaphysical realms. The author then shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage these changing relations of the subject to the particular metaphysics it presumes. Covering composers from Jacopo Peri to Wagner, from Lully to Verdi, and from Mozart to Britten, Metaphysical Song details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned. The book offers deep-seated explanations for opera's enduring fascination in European elite culture and suggests some of the profound difficulties that have unsettled this fascination since the time of Wagner.
Author: Gary Tomlinson
Publisher: Princeton University Press
ISBN: 1400866707
Category : Music
Languages : en
Pages : 203
Get Book Here
Book Description
In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its listeners. In doing so, it has articulated changing relations between the self and metaphysics. Tomlinson examines these relations as they have been described by philosophers from Ficino through Descartes, Kant, and Nietzsche, to Adorno, all of whom worked to define the subject's place in both material and metaphysical realms. The author then shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage these changing relations of the subject to the particular metaphysics it presumes. Covering composers from Jacopo Peri to Wagner, from Lully to Verdi, and from Mozart to Britten, Metaphysical Song details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned. The book offers deep-seated explanations for opera's enduring fascination in European elite culture and suggests some of the profound difficulties that have unsettled this fascination since the time of Wagner.
Author: Gary Tomlinson
Publisher: Princeton University Press
ISBN: 9780691004099
Category : Music
Languages : en
Pages : 206
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Book Description
The author "connects opera to shifting visions of metaphysics and selfhood across the last four hundred years."--Cover.
Author: Sir Herbert John Clifford Grierson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 318
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Book Description
Author: R. J. Stewart
Publisher: Inner Traditions / Bear & Co
ISBN: 9780892813124
Category : Health & Fitness
Languages : en
Pages : 164
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Book Description
This handbook of musical alchemy emphasizes the role of music in raising consciousness to benefit body and mind.
Author: Sir Herbert John Clifford Grierson
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 316
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Book Description
Author: Mark Asquith
Publisher: Springer
ISBN: 0230508014
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This fascinating new study by Mark Asquith offers an original approach to Hardy's art as a novelist and entirely new readings of certain musical scenes in Hardy's works. Asquith utilizes a rich seam of original archival research (both scientific and musicological), which will be of use to all Hardy scholars, and discusses a range of Hardy's major works in relation to musical metaphors - from early fiction The Poor Man and the Lady to later major works Jude the Obscure, Far From the Madding Crowd, the Mayor of Casterbridge .
Author: Lazare Saminsky
Publisher: Springer Science & Business Media
ISBN: 9401748225
Category : Music
Languages : en
Pages : 169
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Derong Chen
Publisher: Lexington Books
ISBN: 0739150006
Category : Philosophy
Languages : en
Pages : 269
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Book Description
In Metaphorical Metaphysics in Chinese Philosophy: Illustrated with Feng Youlan's New Metaphysics, Derong Chen explores Chinese philosophy through a comprehensive study and critical analysis of Feng Youlan's new metaphysics, proposing a systematic analysis of meaning that differs from the approach of the comparative linguistic analysis that A.C. Graham and Chad Hasen employed in their studies of Chinese philosophy. This detailed analysis of Feng Youlan's new metaphysics demonstrates that Feng's system is not the completely Westernized philosophical system many scholars identify it as, nor is it the pure logical and analytical system Feng himself intended to construct. Rather, the essence and characteristics of the new metaphysics at the core of Feng's philosophical system expose his philosophy as a continuation of the Chinese philosophical tradition in a new era. This approach is most applicable to scholars of comparative philosophy and of any era of Chinese philosophy.
Author: Gary Tomlinson
Publisher: Routledge
ISBN: 1351557769
Category : Music
Languages : en
Pages : 636
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Book Description
Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them.
