Metamora, the Last of the Wampanoags. [A Biography.] PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Metamora, the Last of the Wampanoags. [A Biography.] PDF full book. Access full book title Metamora, the Last of the Wampanoags. [A Biography.] by METAMORA.. Download full books in PDF and EPUB format.
![Metamora, the Last of the Wampanoags. [A Biography.] PDF](https://books.google.com/books/content/images/frontcover/U1Cq-DuDuRQC?fife=w150-h200)
Author: METAMORA.
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Get Book Here
Book Description
![Metamora, the Last of the Wampanoags. [A Biography.] PDF](https://books.google.com/books/content/images/frontcover/U1Cq-DuDuRQC?fife=w80-h100)
Author: METAMORA.
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Get Book Here
Book Description
Author: Liz Sonneborn
Publisher: Infobase Publishing
ISBN: 1438109849
Category : Indians of North America
Languages : en
Pages : 481
Get Book Here
Book Description
Presents a chronological history of Native Americans detailing significant events from ancient times and before 1492 to the present.
Author: John Augustus Stone
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 50
Get Book Here
Book Description
Author: Austin Reed
Publisher: Modern Library
ISBN: 0812986911
Category : Biography & Autobiography
Languages : en
Pages : 354
Get Book Here
Book Description
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America. “[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent most of his early life ricocheting between forced labor in prison and forced labor as an indentured servant. Lost for more than one hundred and fifty years, the handwritten document is the first known prison memoir written by an African American. Corroborated by prison records and other documentary sources, Reed’s text gives a gripping first-person account of an antebellum Northern life lived outside slavery that nonetheless bore, in its day-to-day details, unsettling resemblances to that very institution. Now, for the first time, we can hear Austin Reed’s story as he meant to tell it. He was born to a middle-class black family in the boomtown of Rochester, New York, but when his father died, his mother struggled to make ends meet. Still a child, Reed was placed as an indentured servant to a nearby family of white farmers near Rochester. He was caught attempting to set fire to a building and sentenced to ten years at Manhattan’s brutal House of Refuge, an early juvenile reformatory that would soon become known for beatings and forced labor. Seven years later, Reed found himself at New York’s infamous Auburn State Prison. It was there that he finished writing this memoir, which explores America’s first reformatory and first industrial prison from an inmate’s point of view, recalling the great cruelties and kindnesses he experienced in those places and excavating patterns of racial segregation, exploitation, and bondage that extended beyond the boundaries of the slaveholding South, into free New York. Accompanied by fascinating historical documents (including a series of poignant letters written by Reed near the end of his life), The Life and the Adventures of a Haunted Convict is a work of uncommon beauty that tells a story of nineteenth-century racism, violence, labor, and captivity in a proud, defiant voice. Reed’s memoir illuminates his own life and times—as well as ours today. Praise for The Life and the Adventures of a Haunted Convict “One of the most fascinating and important memoirs ever produced in the United States.”—Annette Gordon-Reed, The Washington Post “Remarkable . . . triumphantly defiant . . . The book’s greatest value lies in the gap it fills.”—O: The Oprah Magazine “Reed displays virtuosic gifts for narrative that, a century and a half later, earn and hold the reader’s ear.”—Thomas Chatterton Williams, San Francisco Chronicle “[The book’s] urgency and relevance remain undiminished. . . . This exemplary edition recovers history without permanently trapping it in one interpretation.”—The Guardian “A sensational, novelistic telling of an eventful life.”—The Paris Review “Vivid and painful.”—NPR “Lyrical and graceful in one sentence, burning with fury and hellfire in the next.”—Columbus Free Press
Author: William Peterfield Trent
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 446
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 452
Get Book Here
Book Description
Author: Jeremy Bangs
Publisher: BRILL
ISBN: 900442055X
Category : History
Languages : en
Pages : 580
Get Book Here
Book Description
Colonial government, Pilgrims, the New England town, Native land, the background of religious toleration, and the changing memory recalling the Pilgrims – all are examined and stereotypical assumptions overturned in 15 essays by the foremost authority on the Pilgrims and Plymouth Colony. Thorough research revises the story of colonists and of the people they displaced. Bangs’ book is required reading for the history of New England, Plymouth Colony, Massachusetts Natives, the Mennonite contribution to religious toleration in Europe and New England, and the history of commemoration, from paintings and pageants to living history and internet memes. If Pilgrims were radical, so is this book.
Author: Caroline F. Levander
Publisher: John Wiley & Sons
ISBN: 1119062519
Category : Literary Criticism
Languages : en
Pages : 592
Get Book Here
Book Description
A Companion to American Literary Studies addresses the most provocative questions, subjects, and issues animating the field. Essays provide readers with the knowledge and conceptual tools for understanding American literary studies as it is practiced today, and chart new directions for the future of the subject. Offers up-to-date accounts of major new critical approaches to American literary studies Presents state-of-the-art essays on a full range of topics central to the field Essays explore critical and institutional genealogies of the field, increasingly diverse conceptions of American literary study, and unprecedented material changes such as the digital revolution A unique anthology in the field, and an essential resource for libraries, faculty, graduate students, and advanced undergraduates
Author: Adam W. Sweeting
Publisher: UPNE
ISBN: 9781584653141
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
Indian summer, the succession of warm, fair days gracing New England in autumn, is at once a flourishing period signaling the end of fall, a meteorological event, a vernacular cultural construction, and a literary metaphor. In this appealing and elegant book, Sweeting plumbs Indian summer's use in literature as a symbol of second chance, rebirth, or reprieve before the onset of a harsher season. Well researched and charmingly written, Beneath the Second Sun is the first book to systematically treat the history and uses of Indian summer imagery in American life. The author focuses on the ways in which New Englanders have embraced the season, and he places the celebration of the season's beauty and its melancholy qualities within the context of Anglo-Native American relations. Sweeting does not try to locate the original definition of Indian summer, rather he explores the far more interesting ways in which the season has been imagined and described in American culture. Popular authors including Philip Freneau, Susan Cooper, Lydia Sigourney, John Greenleaf Whittier, Francis Parkman Oliver, Wendell Holmes, and, especially, Henry David Thoreau, Emily Dickinson, and William Dean Howells freely employ Indian summer imagery in their works. In the context of modern American Studies, Sweeting's study is part of a "post-modern" scholarly discussion of how tangible realities such as climate are mediated, even forged, by social needs. Sweeting further investigates the imaginative, early-nineteenth-century "invention" of New England regional identity and integrates traditional American Studies literary and historical concerns with a contemporary interest in the environment and sense of place. Sweeting's graceful, lively, and accessible style beckons not only scholars of American literature and the nineteenth century but any traveler seeking the glories of autumn in New England.
Author: S. Elizabeth Bird
Publisher: Routledge
ISBN: 0429980531
Category : Social Science
Languages : en
Pages : 323
Get Book Here
Book Description
One hundred members of NatChat, an electronic mail discussion group concerned with Native American issues, responded to the recent Disney release Pocahontas by calling on parents to boycott the movie, citing its historical inaccuracies and saying that "Disney has let us down in a cruel, irresponsible manner." Their anger was rooted in the fact that, although Disney had claimed that the film's portrayal of American Indians would be "authentic," the Pocahontas story the movie told was really white cultural myth. The actual histories of the characters were replaced by mythic narratives depicting the crucial moments when aid was given to the white settlers. As reconstructed, the story serves to reassert for whites their right to be here, easing any lingering guilt about the displacement of the native inhabitants. To understand current imagery, it is essential to understand the history of its making, and these essays mesh to create a powerful, interconnected account of image creation over the past 150 years. The contributors, who represent a range of disciplines and specialties, reveal the distortions and fabrications white culture has imposed on significant historical and current events, as represented by treasured artifacts such as photographic images taken of Sitting Bull following his surrender, the national monument at the battlefield of Little Bighorn, nineteenth-century advertising, the television phenomenon Northern Exposure, and the film Dances with Wolves. Well illustrated, this volume demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians.
