Author: C. A. Seward
Publisher: Read Books Ltd
ISBN: 1473357926
Category : Crafts & Hobbies
Languages : en
Pages : 84
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Metal Plate Lithography - For Artists and Draftsmen
Author: C. A. Seward
Publisher: Read Books Ltd
ISBN: 1473357926
Category : Crafts & Hobbies
Languages : en
Pages : 84
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Read Books Ltd
ISBN: 1473357926
Category : Crafts & Hobbies
Languages : en
Pages : 84
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Metal Plate Lithography for Artists and Draftsmen
Author: Coy Avon Seward
Publisher:
ISBN:
Category : Lithographs, American
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Lithographs, American
Languages : en
Pages : 80
Book Description
The Tamarind Book of Lithography: Art & Techniques
Author: Garo Z. Antreasian
Publisher: Los Angeles : Tamarind Lithography Workshop
ISBN:
Category : Art
Languages : en
Pages : 474
Book Description
Publisher: Los Angeles : Tamarind Lithography Workshop
ISBN:
Category : Art
Languages : en
Pages : 474
Book Description
The Grove Encyclopedia of Materials and Techniques in Art
Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848
Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Contact: Art and the Pull of Print
Author: Jennifer L. Roberts
Publisher: Princeton University Press
ISBN: 0691255865
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Publisher: Princeton University Press
ISBN: 0691255865
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Garo Z. Antreasian
Author: Garo Z. Antreasian
Publisher: UNM Press
ISBN: 0826355420
Category : Art
Languages : en
Pages : 369
Book Description
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
Publisher: UNM Press
ISBN: 0826355420
Category : Art
Languages : en
Pages : 369
Book Description
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
Architect and Engineer
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 446
Book Description
Handbook of Contemporary Materials and Techniques in the Fine Arts
Author: Brooklyn Museum. Education division
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Handbook of Contemporary Materials and Techniques in the Fine Arts
Author: Brooklyn Museum
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 108
Book Description
Advertising & Publishing Production Yearbook
Author: Eugene M. Ettenberg
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 924
Book Description
Vol. 6 :"Compendium volume covering the graphic arts in 1940. Numerous sample plates by a wide range of companies in black & white and color."--Hanson collection catalog, p. 145.
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 924
Book Description
Vol. 6 :"Compendium volume covering the graphic arts in 1940. Numerous sample plates by a wide range of companies in black & white and color."--Hanson collection catalog, p. 145.