Author: Felix Mendelssohn
Publisher: Serenissima Music, Inc.
ISBN: 9781932419818
Category : Music
Languages : en
Pages : 200
Book Description
Mendelssohn's first great excursion into the genre of oratorio was first performed in 1836 in Düsseldorf at a festival. Set to a libretto by Julius Schubring based on the Bible, it soon gained considerable popularity in England, which resulted in his famous second oratorio, Elijah. The definitive vocal score reprinted here, edited by the German musicologist Alfred Dörffel, with a piano reduction prepared by the composer's student August Horn, features both the original German and the subsequent English text. First issued around 1890 by C. F. Peters, this digitally-enhanced reprint has been enlarged to a very readable A4 size, with measure numbers and rehearsal letters added. Matching orchestra parts and full score now also available (92661).
St Paul, Op. 36
Author: Felix Mendelssohn
Publisher: Serenissima Music, Inc.
ISBN: 9781932419818
Category : Music
Languages : en
Pages : 200
Book Description
Mendelssohn's first great excursion into the genre of oratorio was first performed in 1836 in Düsseldorf at a festival. Set to a libretto by Julius Schubring based on the Bible, it soon gained considerable popularity in England, which resulted in his famous second oratorio, Elijah. The definitive vocal score reprinted here, edited by the German musicologist Alfred Dörffel, with a piano reduction prepared by the composer's student August Horn, features both the original German and the subsequent English text. First issued around 1890 by C. F. Peters, this digitally-enhanced reprint has been enlarged to a very readable A4 size, with measure numbers and rehearsal letters added. Matching orchestra parts and full score now also available (92661).
Publisher: Serenissima Music, Inc.
ISBN: 9781932419818
Category : Music
Languages : en
Pages : 200
Book Description
Mendelssohn's first great excursion into the genre of oratorio was first performed in 1836 in Düsseldorf at a festival. Set to a libretto by Julius Schubring based on the Bible, it soon gained considerable popularity in England, which resulted in his famous second oratorio, Elijah. The definitive vocal score reprinted here, edited by the German musicologist Alfred Dörffel, with a piano reduction prepared by the composer's student August Horn, features both the original German and the subsequent English text. First issued around 1890 by C. F. Peters, this digitally-enhanced reprint has been enlarged to a very readable A4 size, with measure numbers and rehearsal letters added. Matching orchestra parts and full score now also available (92661).
Explorations in Schenkerian Analysis
Author: David Beach
Publisher: Boydell & Brewer
ISBN: 1580465595
Category : Music
Languages : en
Pages : 374
Book Description
Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
Publisher: Boydell & Brewer
ISBN: 1580465595
Category : Music
Languages : en
Pages : 374
Book Description
Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
Requiem
Author: Giuseppe Verdi
Publisher: Alfred Music
ISBN: 9781457483028
Category : Music
Languages : en
Pages : 220
Book Description
Upon the death of the Italian writer and humanist Alessandro Manzoni, whom Verdi had admired all his adult life, Verdi resolved to complete a Requiem for Manzoni. The Requiem was first performed in 1874, the first anniversary of Manzoni's death. Choral score for SATB or SSAATTBB with S, MS, T, B Soli, including piano accompaniment, with text in Latin and English.
Publisher: Alfred Music
ISBN: 9781457483028
Category : Music
Languages : en
Pages : 220
Book Description
Upon the death of the Italian writer and humanist Alessandro Manzoni, whom Verdi had admired all his adult life, Verdi resolved to complete a Requiem for Manzoni. The Requiem was first performed in 1874, the first anniversary of Manzoni's death. Choral score for SATB or SSAATTBB with S, MS, T, B Soli, including piano accompaniment, with text in Latin and English.
YEAR OF WONDER: Classical Music for Every Day
Author: Clemency Burton-Hill
Publisher: Headline Home
ISBN: 1472251830
Category : Music
Languages : en
Pages : 448
Book Description
As featured in the Telegraph and on Radio 4's Today programme. 'A magnificent treasury . . . a fascinating tour de force.' Observer 'Year of Wonder is an absolute treat - the most enlightening way to be guided through the year.' Eddie Redmayne Classical music for everyone - an inspirational piece of music for every day of the year, celebrating composers from the medieval era to the present day, written by award-winning violinist and BBC Radio 3 presenter Clemency Burton-Hill. Have you ever heard a piece of music so beautiful it stops you in your tracks? Or wanted to discover more about classical music but had no idea where to begin? Year of Wonder is a unique celebration of classical music by an author who wants to share its diverse wonders with others and to encourage a love for this genre in all readers, whether complete novices or lifetime enthusiasts. Clemency chooses one piece of music for each day of the year, with a short explanation about the composer to put it into context, and brings the music alive in a modern and playful way, while also extolling the positive mindfulness element of giving yourself some time every day to listen to something uplifting or beautiful. Thoughtfully curated and expertly researched, this is a book of classical music to keep you company: whoever you are, wherever you're from. 'The only requirements for enjoying classical music are open ears and an open mind.' Clemency Burton-Hill Playlists are available on most streaming music platforms including Apple Music.
Publisher: Headline Home
ISBN: 1472251830
Category : Music
Languages : en
Pages : 448
Book Description
As featured in the Telegraph and on Radio 4's Today programme. 'A magnificent treasury . . . a fascinating tour de force.' Observer 'Year of Wonder is an absolute treat - the most enlightening way to be guided through the year.' Eddie Redmayne Classical music for everyone - an inspirational piece of music for every day of the year, celebrating composers from the medieval era to the present day, written by award-winning violinist and BBC Radio 3 presenter Clemency Burton-Hill. Have you ever heard a piece of music so beautiful it stops you in your tracks? Or wanted to discover more about classical music but had no idea where to begin? Year of Wonder is a unique celebration of classical music by an author who wants to share its diverse wonders with others and to encourage a love for this genre in all readers, whether complete novices or lifetime enthusiasts. Clemency chooses one piece of music for each day of the year, with a short explanation about the composer to put it into context, and brings the music alive in a modern and playful way, while also extolling the positive mindfulness element of giving yourself some time every day to listen to something uplifting or beautiful. Thoughtfully curated and expertly researched, this is a book of classical music to keep you company: whoever you are, wherever you're from. 'The only requirements for enjoying classical music are open ears and an open mind.' Clemency Burton-Hill Playlists are available on most streaming music platforms including Apple Music.
Verdi: Requiem
Author: David Rosen
Publisher: Cambridge University Press
ISBN: 9780521397674
Category : Music
Languages : en
Pages : 130
Book Description
Theatre program.
Publisher: Cambridge University Press
ISBN: 9780521397674
Category : Music
Languages : en
Pages : 130
Book Description
Theatre program.
Verdi in Victorian London
Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
The Requiem of Tomás Luis de Victoria (1603)
Author: Owen Rees
Publisher: Cambridge University Press
ISBN: 1107054427
Category : History
Languages : en
Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Publisher: Cambridge University Press
ISBN: 1107054427
Category : History
Languages : en
Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Arranging
Author: Blake R. Henson
Publisher:
ISBN: 9781622771745
Category : Arrangement (Music)
Languages : en
Pages : 253
Book Description
Arranging : A Beginner's Guide is full of ideas, examples, and exercises to try out, grounded in the belief that arranging is not only a necessary skill, but also one that is relatively easy to learn and master. This book is written for conductors, church musicians, teachers, and students at all levels.
Publisher:
ISBN: 9781622771745
Category : Arrangement (Music)
Languages : en
Pages : 253
Book Description
Arranging : A Beginner's Guide is full of ideas, examples, and exercises to try out, grounded in the belief that arranging is not only a necessary skill, but also one that is relatively easy to learn and master. This book is written for conductors, church musicians, teachers, and students at all levels.
The Teatro Solís
Author: Susana Salgado
Publisher: Wesleyan University Press
ISBN: 9780819565945
Category : History
Languages : en
Pages : 532
Book Description
The first comprehensive history of the oldest major opera house in the Americas.
Publisher: Wesleyan University Press
ISBN: 9780819565945
Category : History
Languages : en
Pages : 532
Book Description
The first comprehensive history of the oldest major opera house in the Americas.
Verdi and the Germans
Author: Gundula Kreuzer
Publisher: Cambridge University Press
ISBN: 0521519195
Category : Music
Languages : en
Pages : 383
Book Description
This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.
Publisher: Cambridge University Press
ISBN: 0521519195
Category : Music
Languages : en
Pages : 383
Book Description
This book explores how the reception of Italian opera, epitomised by Verdi, influenced changing ideas of German musical and national identity.