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Author: Lisa Monnas
Publisher:
ISBN: 9780300111170
Category : Art
Languages : en
Pages : 408
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Book Description
Silk was one of the great social signifiers of the later Middle Ages, and it is represented in a profusion of paintings from the period, demonstrating the opulence of the patron's own dress. This large book, illustrated throughout with such paintings and with surviving silks, takes a multifaceted look at medieval silk, its production and trade, the various grades of textile, the garments, church vestments drapes and coverings which were made from it, and their decoration, as well as the social context of silk as a high status item, the pageantry of official occasions, and the sumptuary legislation designed to control silk production. A beautiful book, every bit as opulent as its subject.
Author: Lisa Monnas
Publisher:
ISBN: 9780300111170
Category : Art
Languages : en
Pages : 408
Get Book Here
Book Description
Silk was one of the great social signifiers of the later Middle Ages, and it is represented in a profusion of paintings from the period, demonstrating the opulence of the patron's own dress. This large book, illustrated throughout with such paintings and with surviving silks, takes a multifaceted look at medieval silk, its production and trade, the various grades of textile, the garments, church vestments drapes and coverings which were made from it, and their decoration, as well as the social context of silk as a high status item, the pageantry of official occasions, and the sumptuary legislation designed to control silk production. A beautiful book, every bit as opulent as its subject.
Author: SallyJ. Cornelison
Publisher: Routledge
ISBN: 1351575643
Category : Art
Languages : en
Pages : 513
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Book Description
Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.
Author: Giorgio Riello
Publisher: Bloomsbury Publishing
ISBN: 1350405647
Category : History
Languages : en
Pages : 227
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Book Description
This major volume aims to re-colour the European world of dress, c.1300-1800. New dyes created one of the most important visual experiences of the period, yet their story has been side-lined by a focus on visual experiences shaped by the high arts. Meanwhile, theatrical productions and period films still abound with broad assumptions about the growing dominance of black clothing for elites during the period, while ordinary people are imagined having worn coarse greys and bleached garments. This volume presents clear evidence that even the clothing of the middle classes could be much more expensive than paintings, and that coloured clothing and accessories were ubiquitous across society. Contributors shed new light on the economic, environmental, and cultural dimensions of colour in dress. The range of dyes expanded considerably in the sixteenth and seventeenth centuries, drawing on Asian and Mediterranean knowledge, new collections of recipes, and the greater diversity of plants available through New World trade. Working creatively with organic plant, animal, and mineral materials to make colours involved considerable knowledge, pleasure and skill. The creation of colour through dyes thus reveals a whole range of global agricultural and craft technologies that can inspire future material worlds and transforms our understanding of Europe ́s cultural heritage.
Author: Yaron Harel
Publisher: Academic Studies PRess
ISBN: 1644692589
Category : Social Science
Languages : en
Pages : 285
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Book Description
All twenty-two original articles in the current volume are based on lectures given at the conference “The Jews in Italy: Their Contribution to the Development and Diffusion of Jewish Heritage”, which was convened in September 2011, at the University of Bologna, Department of Cultural Heritage. Geographically, the articles range from Italy to the Ottoman Empire (the Balkans and Aleppo), from France and Germany to the Middle East, including Israel, North and East Africa (Morocco, Tunisia, Libya, and Ethiopia). Chronologically, articles begin with the Roman period, through the Middle Ages and Renaissance until modern times. In this collection, the reader will find a wide range of subjects reflecting various scholarly perspectives such as history; Christian-Jewish relations; Kabbalah; commentary on the Bible and Talmud; language, grammar, and translation; literature; philosophy; gastronomy; art; culture; folklore; and education.
Author: Christine Göttler
Publisher: BRILL
ISBN: 9004354506
Category : History
Languages : en
Pages : 649
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Book Description
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Author: Glenn Adamson
Publisher: Taylor & Francis
ISBN: 1136833080
Category : Art
Languages : en
Pages : 241
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Book Description
This book gathers together a number of leading design historians whose research points the way forward, aiming to address and promote changes to design history.
Author: Mariah Proctor-Tiffany
Publisher: Penn State Press
ISBN: 0271083050
Category : Art
Languages : en
Pages : 233
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Book Description
In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.
Author: Maren Elisabeth Schwab
Publisher: Princeton University Press
ISBN: 0691237166
Category : History
Languages : en
Pages : 328
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Book Description
A panoramic history of the antiquarians whose discoveries transformed Renaissance culture and gave rise to new forms of art and knowledge In the early fifteenth century, a casket containing the remains of the Roman historian Livy was unearthed at a Benedictine abbey in Padua. The find was greeted with the same enthusiasm as the bones of a Christian saint, and established a pattern that antiquarians would follow for centuries to come. The Art of Discovery tells the stories of the Renaissance antiquarians who turned material remains of the ancient world into sources for scholars and artists, inspirations for palaces and churches, and objects of pilgrimage and devotion. Maren Elisabeth Schwab and Anthony Grafton bring to life some of the most spectacular finds of the age, such as Nero’s Golden House and the wooden placard that was supposedly nailed to the True Cross. They take readers into basements, caves, and cisterns, explaining how digs were undertaken and shedding light on the methods antiquarians—and the alchemists and craftspeople they consulted—used to interpret them. What emerges is not an origin story for modern archaeology or art history but rather an account of how early modern artisanal skills and technical expertise were used to create new knowledge about the past and inspire new forms of art, scholarship, and devotion in the present. The Art of Discovery challenges the notion that Renaissance antiquarianism was strictly a secular enterprise, revealing how the rediscovery of Christian relics and the bones of martyrs helped give rise to highly interdisciplinary ways of examining and authenticating objects of all kinds.
Author: Lorinda Munson Bryant
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 472
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Book Description
Author: Robin Netherton
Publisher: Boydell Press
ISBN: 1843836254
Category : Design
Languages : en
Pages : 194
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Book Description
This volume focuses largely on the British Isles, with papers on dress terms in two major works of literature, the Welsh Mabinogion and the Middle English Pearl; a study of a 13th-century royal bride's trousseau.
