Men's Adventure Magazines in Postwar America PDF Download
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Author: Max Allan Collins
Publisher:
ISBN: 9783836507196
Category : Men's magazines
Languages : de
Pages : 0
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Book Description
"The history of men's adventure magazines in postwar America"--Cover.
Author: Max Allan Collins
Publisher:
ISBN: 9783836507196
Category : Men's magazines
Languages : de
Pages : 0
Get Book Here
Book Description
"The history of men's adventure magazines in postwar America"--Cover.
Author: Taschen Benedikt Verlag Gmbh.
Publisher:
ISBN: 9783836559379
Category :
Languages : de
Pages :
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Book Description
Author: Adam Parfrey
Publisher:
ISBN: 9780922915811
Category : Magazine covers
Languages : en
Pages : 298
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Book Description
Foreword by Bruce Jay Friedman Evil criminals, damsels in distress: the detective pulp magazine turned into something new during the Cold War paranoia of the '50s and '60s, becoming men's adventure magazines. This forgotten horror-filled patriotic genre, with its sinister, torture-happy Nazis, Reds, Cubans and animals was home to three dozen titles and some of the best illustrators of the time. Revisiting these magazines and reproducing more than 150 of the best covers and interior illustrations, It's A Man's World will transport you to another world.
Author: Gregory A. Daddis
Publisher: Cambridge University Press
ISBN: 1108493505
Category : History
Languages : en
Pages : 361
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Book Description
Explores how Cold War men's magazines idealized warrior-heroes and sexual-conquerors and normalized conceptions of martial masculinity.
Author: Walter Kaylin
Publisher:
ISBN: 9780988462199
Category :
Languages : en
Pages : 302
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Book Description
"Walter Kaylin, come back!" - Mario Puzo, author of THE GODFATHER "He looked like a divinity student, always buttoned up. Then the stories would come in. They were special ... seamless and outrageous and wonderful. I let him do whatever he wanted and he rarely, if ever, disappointed. He really deserves a tribute. I think of him as a treasure." - Bruce Jay Friedman (STERN, LUCKY BRUCE), Kaylin's editor at MEN, MALE and TRUE ACTION Scores of great authors wrote for men's adventure pulps - Elmore Leonard, Jim Thompson, Richard Matheson, Lawrence Block and Harlan Ellison, to name a few. But the one writers for MAN'S WORLD and TRUE ACTION envied most was Walter Kaylin. Leaving an indelible mark on three decades of sweat-soaked pulp fiction, Walter Kaylin tackled testosterone-fueled subjects from Westerns to war, secret agents to sex sirens, Nazis to noir. His frequently over-the-top plots and characters scaled new heights of ingenuity and invention, while setting the standard for the kind of unapologetic savagery and excess that made men's adventure magazines notorious - then and now. Robert Deis of MensPulpMags.com and Wyatt Doyle (STOP REQUESTED), editors of the acclaimed WEASELS RIPPED MY FLESH! anthology, rescue a whopping 15 high-intensity Kaylin classics from pulp fiction purgatory, along with the jaw-dropping illustrations that accompanied their original magazine publication ... plus reminiscences by Kaylin, his family, and his former editor, writer Bruce Jay Friedman. HE-MEN, BAG MEN & NYMPHOS rips the lid off the pulps' best kept secret to introduce Kaylin's unique brand of tension and tough-guy thrills to a new generation of readers. But be warned: These are not stories for the delicate, or faint of heart. HE-MEN, BAG MEN & NYMPHOS hits like a clenched fist; get yours or get out of the way!
Author: Peter Vronsky
Publisher: Penguin
ISBN: 0593198816
Category : True Crime
Languages : en
Pages : 418
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Book Description
Fans of Mindhunter and true crime podcasts will devour these chilling stories of serial killers from the American "Golden Age" (1950-2000). With books like Serial Killers, Female Serial Killers and Sons of Cain, Peter Vronsky has established himself as the foremost expert on the history of serial killers. In this first definitive history of the "Golden Age" of American serial murder, when the number and body count of serial killers exploded, Vronsky tells the stories of the most unusual and prominent serial killings from the 1950s to the early twenty-first century. From Ted Bundy to the Golden State Killer, our fascination with these classic serial killers seems to grow by the day. American Serial Killers gives true crime junkies what they crave, with both perennial favorites (Ed Kemper, Jeffrey Dahmer) and lesser-known cases (Melvin Rees, Harvey Glatman).
Author: Lawrence Block
Publisher: Men's Adventure Library
ISBN: 9781943444632
Category : Fiction
Languages : en
Pages : 0
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Book Description
Lawrence Block's "lost" stories, complete and uncut for the first time since their original publication! The focus and subject matter of mid-century men's adventure magazines (MAMs) could be wide-ranging, and versatile storytellers able to confidently navigate genres, approaches, and authorial voices found regular, lucrative work in their pages. Among those talented writers was a notable newcomer: Lawrence Block-though his initial pieces would see print under various pseudonyms. Not the Lawrence Block you know, who is among the most widely read, respected, and celebrated writers of crime and mystery fiction in the world. A writer internationally read and internationally honored, upon whom The Mystery Writers of America bestowed the title of Grand Master. A writer with over 65 years of professional experience in damn near every kind of writing, whose essays, magazine columns, and non-fiction books focused on the art, craft, and business of writing have endured to inform generations. Not that Lawrence Block. Not yet... The latest release in the acclaimed Men's Adventure Library series, THE NAKED AND THE DEADLY collects Block's earliest fiction and non-fiction for men's adventure magazines (MAMs) in two handsome editions: A pocket-sized mass-market softcover designed to honor LB's many successful paperback releases, and a big, beautiful, full-color hardcover that's packed with bonus content, including additional illustration art, deep background from the editors, and a bonus story by Block! A signed and numbered limited edition is also available directly from the publisher while stocks last.
Author: Richard F. Bales
Publisher: McFarland
ISBN: 1476647097
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Nelson Algren was a renowned Chicago writer known for his social commentary and his novels like The Man with the Golden Arm and A Walk on the Wild Side. Although he continues to be remembered almost exclusively for his novels, this book aims to highlight the value and influence of his short form works. Before he died in 1981, Algren had amassed a genre-defying body of work, including short stories, articles, poems and book reviews. The present book features a comprehensive analysis and discussion of Algren's lost literature, including everything but his novels. One of the pieces covered is a masterpiece of race relations written in 1950, more than 60 years before the galvanization of the Black Lives Matter movement. Another is a scathing poem about Algren's transatlantic love affair with Simone de Beauvoir. Both items are reprinted in the book courtesy of the Algren estate. This book also includes references to Algren's works that have yet to be studied by Algren scholars.
Author: LeRoy Ashby
Publisher: University Press of Kentucky
ISBN: 081314132X
Category : History
Languages : en
Pages : 475
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Book Description
Popular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes—crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences—from family life to college life—with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.
Author: Erin Lee Mock
Publisher: University of Virginia Press
ISBN: 0813950961
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
Postwar culture and anxiety over the reintegration of veterans into American society Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture. This wariness of veterans settled into a generalized anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Mock shows this history in a provocative new light.
