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Author: Nicole Grimes
Publisher: Routledge
ISBN: 1317097394
Category : Music
Languages : en
Pages : 391
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Book Description
If the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.
Author: Nicole Grimes
Publisher: Routledge
ISBN: 1317097394
Category : Music
Languages : en
Pages : 391
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Book Description
If the invective of Nietzsche and Shaw is to be taken as an endorsement of the lasting quality of an artist, then Felix Mendelssohn Bartholdy takes pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn’s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer’s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn's Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.
Author: R. Larry Todd
Publisher: Oxford University Press
ISBN: 9780195110432
Category : Biography & Autobiography
Languages : en
Pages : 748
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Book Description
An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor. Now, in the first major Mendelssohn biography to appear in decades, Todd offers a remarkably fresh account of this musical giant.
Author: Joseph Marino
Publisher: University Rochester Press
ISBN: 9781580460620
Category : History
Languages : en
Pages : 540
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Book Description
Perspectives on Early and Modern Intellectual History brings together several disciplines and historical periods, and three generations of scholars to celebrate the pedagogical and scholarly career of Nancy Struever, who taught in the Humanities Center and Department of History at The John Hopkins University. Twenty-three essays reflect the breadth of disciplinary competence and the standards of scholarly rigor that Stuever instilled in her students and demonstrates in her scholarship. The book is organized around three divisional areas of inquiry: Renaissance Humanism, Histories of Art, and Rhetorics, Philosophies, and Histories. The first part includes studies on Shakespeare and Ariosto; essays on Machiavelli, Caterina da Siena, and Lorenzo Valla; and Manetti on the library of Nicholas V. The section on histories of art contains contributions on L.B. Alberti, on early modern spectacle and the performance of images, and on rhetoric and art. The third section continues with discussions of rhetoric, history, and literature from a more theoretical viewpoint. The book concludes with a bibliography of Stuever's works. Authors include: Marvin Becker, Marjorie O'Rourke Boyle, Salvatore Camporeale, F. Edward Cranz, Elizabeth Cropper, Marc Fumaroli, Thomas M. Greene, Michael Ann Holly, J. G. A. Pocock, Charles Trinkaus, and Hayden White. Joseph Marino is an independent scholar and is with Current Analysis in Virginia. Melinda Schlitt is Associate Professor in the Department of Fine Arts, Dickinson College.
Author: Alfred L. Ivry
Publisher: Routledge
ISBN: 1136650121
Category : Performing Arts
Languages : en
Pages : 548
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Book Description
First Published in 1998. This is the proceedings of the International Conference held by The Institute of Jewish Studies, University College London, 1994, in Celebration of its Fortieth Anniversary. Dedicated to the memory and academic legacy of its Founder Alexander Altmann.
Author: Dana Gooley
Publisher: Oxford University Press
ISBN: 0190633603
Category : Music
Languages : en
Pages : 313
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Book Description
The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work."
Author: Janet Schmalfeldt
Publisher: Oxford University Press
ISBN: 0190656123
Category : Music
Languages : en
Pages : 350
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Book Description
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Author: Michela Summa
Publisher: Routledge
ISBN: 1315411512
Category : Philosophy
Languages : en
Pages : 331
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Book Description
Our experience of other individuals as minded beings goes hand in hand with the awareness that they have a unique epistemic and emotional perspective on the experienced objects and situations. The same object can be seen from many different points of view, an event can awaken different emotional reactions in different individuals, and our position-takings can in part be mediated by our belonging to some social or cultural groups. All these phenomena can be described by referring to the metaphor of perspective. Assuming that there are different, and irreducible, perspectives we can take on the experienced world, and on others as experiencing the same world, the phenomenon of mutual understanding can consistently be understood in terms of perspectival flexibility. This edited volume investigates the different processes in which perspectival flexibility occurs in social life and particularly focuses on the constitutive role of imagination in such processes. It includes original works in philosophy and psychopathology showing how perspectival flexibility and social cognition are grounded on the interplay of direct perception and imagination.
Author: Shmuel Feiner
Publisher: Yale University Press
ISBN: 0300167520
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
From the prizewinning Jewish Lives series, an accessible and fascinating biography of Moses Mendelssohn, the seminal Jewish philosopher "A fascinating portrait of an important Enlightenment figure."—Library Journal The “German Socrates,” Moses Mendelssohn (1729–1786) was the most influential Jewish thinker of the eighteenth and nineteenth centuries. A Berlin celebrity and a major figure in the Enlightenment, revered by Immanuel Kant, Mendelssohn suffered the indignities common to Jews of his time while formulating the philosophical foundations of a modern Judaism suited for a new age. His most influential books included the groundbreaking Jerusalem and a translation of the Bible into German that paved the way for generations of Jews to master the language of the larger culture. Feiner’s book is the first that offers a full, human portrait of this fascinating man—uncommonly modest, acutely aware of his task as an intellectual pioneer, shrewd, traditionally Jewish, yet thoroughly conversant with the world around him—providing a vivid sense of Mendelssohn’s daily life as well as of his philosophical endeavors. Feiner, a leading scholar of Jewish intellectual history, examines Mendelssohn as father and husband, as a friend (Mendelssohn’s long-standing friendship with the German dramatist Gotthold Ephraim Lessing was seen as a model for Jews and non-Jews worldwide), as a tireless advocate for his people, and as an equally indefatigable spokesman for the paramount importance of intellectual independence.
Author: Elias Sacks
Publisher: Indiana University Press
ISBN: 0253023874
Category : Philosophy
Languages : en
Pages : 336
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Book Description
Moses Mendelssohn (1729–1786) is often described as the founder of modern Jewish thought and as a leading philosopher of the late Enlightenment. One of Mendelssohn's main concerns was how to conceive of the relationship between Judaism, philosophy, and the civic life of a modern state. Elias Sacks explores Mendelssohn's landmark account of Jewish practice—Judaism's "living script," to use his famous phrase—to present a broader reading of Mendelssohn's writings and extend inquiry into conversations about modernity and religion. By studying Mendelssohn's thought in these dimensions, Sacks suggests that he shows a deep concern with history. Sacks affords a view of a foundational moment in Jewish modernity and forwards new ways of thinking about ritual practice, the development of traditions, and the role of religion in society.
Author: Michah Gottlieb
Publisher: Oxford University Press
ISBN: 0199838240
Category : Religion
Languages : en
Pages : 224
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Book Description
The recent renewal of the faith-reason debate has focused attention on earlier episodes in its history. One of its memorable highlights occurred during the Enlightenment, with the outbreak of the "Pantheism Controversy" between the eighteenth century Jewish philosopher Moses Mendelssohn and the Christian Counter-Enlightenment thinker Friedrich Heinrich Jacobi. While Mendelssohn argued that reason confirmed belief in a providential God and in an immortal soul, Jacobi claimed that its consistent application led ineluctably to atheism and fatalism. At present, there are two leading interpretations of Moses Mendelssohn's thought. One casts him as a Jewish traditionalist who draws on German philosophy to support his premodern Jewish beliefs, while the other portrays him as a secret Deist who seeks to encourage his fellow Jews to integrate into German society and so disingenuously defends Judaism to avoid arousing their opposition. By exploring the Pantheism Controversy and Mendelssohn's relation to his two greatest Jewish philosophical predecessors, the medieval Rabbi Moses Maimonides and the seventeenth century heretic Baruch Spinoza, Michah Gottlieb presents a new reading of Mendelssohn arguing that he defends Jewish religious concepts sincerely, but gives them a humanistic interpretation appropriate to life in a free, diverse modern society. Gottlieb argues that the faith-reason debate is best understood not primarily as an argument about metaphysical questions, such as whether or not God exists, but rather as a contest between two competing conceptions of human dignity and freedom. Mendelssohn, Gottlieb contends, gives expression to a humanistic religious perspective worthy of renewed consideration today.
