Author: Mukul Kesavan
Publisher: Penguin Books India
ISBN: 0143066595
Category : Sports & Recreation
Languages : en
Pages : 290
Book Description
'You watch, drifting, surrounded by the thing. It's like living underwater.' Men in White describes the experience of living with cricket in a country consumed by the game. Mukul Kesavan is keen on cricket in a non-playing way. With a top score of 14 in neighbourhood cricket and a lively distaste for fast bowling, his credentials for writing about the game are founded on the assumption that distance brings perspective. The book recalls the 'Pandara Park' cricket of Kesavan's childhood, examines the current health of Test cricket, the problem of chucking, the growing influence of technology on the game and, as he puts it, the wickedness of the ICC. In-between, he profiles his cricketing heroes and denounces modern cricket's villains. First published in 2007, this updated edition includes a profile of M.S. Dhoni, 'India's first adult captain since Pataudi', a celebration of the freakishly talented Muttiah Muralitharan and a chronicle of the 'Symonds Affair' which revealed more about the racism of the Indian fan than we wanted to acknowledge. Written with a novelist's talent for making things vivid and a fan's unwinking commitment to his team, Men in White is an indispensable book for cricket lovers everywhere.
Men In White (pb)
But Some of Us Are Brave
Author: Akasha (Gloria T.) Hull
Publisher: The Feminist Press at CUNY
ISBN: 1558618996
Category : Social Science
Languages : en
Pages : 486
Book Description
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.
Publisher: The Feminist Press at CUNY
ISBN: 1558618996
Category : Social Science
Languages : en
Pages : 486
Book Description
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.
The Mulatta and the Politics of Race
Author: Teresa C. Zackodnik
Publisher: Univ. Press of Mississippi
ISBN: 1604730579
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line. In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency. Before the Civil War white female abolitionists created the image of the tragic mulatta, caught between races, rejected by all. African American women put the mulatta to diverse political use. Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States. The mulatta aided writers in critiquing the New Negro Renaissance and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee. Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.Teresa C. Zackodnik is a professor of English at the University of Alberta in Canada.
Publisher: Univ. Press of Mississippi
ISBN: 1604730579
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line. In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency. Before the Civil War white female abolitionists created the image of the tragic mulatta, caught between races, rejected by all. African American women put the mulatta to diverse political use. Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States. The mulatta aided writers in critiquing the New Negro Renaissance and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee. Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.Teresa C. Zackodnik is a professor of English at the University of Alberta in Canada.
White Male Privilege
Author: Mark Rosenkranz
Publisher: racism
ISBN: 0979108918
Category : Political Science
Languages : en
Pages : 113
Book Description
Publisher: racism
ISBN: 0979108918
Category : Political Science
Languages : en
Pages : 113
Book Description
"Neither White Men Nor Indians"
Author: Linda M. Waggoner
Publisher: x
ISBN: 9780915709953
Category : History
Languages : en
Pages : 142
Book Description
commentary re: fraud allegations; illustrated cover
Publisher: x
ISBN: 9780915709953
Category : History
Languages : en
Pages : 142
Book Description
commentary re: fraud allegations; illustrated cover
Angry White Men
Author: Michael Kimmel
Publisher: Nation Books
ISBN: 1568589646
Category : Social Science
Languages : en
Pages : 276
Book Description
"[W]e can't come off as a bunch of angry white men.” Robert Bennett, chairman of the Ohio Republican Party One of the enduring legacies of the 2012 Presidential campaign was the demise of the white American male voter as a dominant force in the political landscape. On election night, after Obama was announced the winner, a distressed Bill O'Reilly lamented that he didn't live in “a traditional America anymore.” He was joined by others who bellowed their grief on the talk radio airwaves, the traditional redoubt of angry white men. Why were they so angry? Sociologist Michael Kimmel, one of the leading writers on men and masculinity in the world today, has spent hundreds of hours in the company of America's angry white men – from white supremacists to men's rights activists to young students –in pursuit of an answer. Angry White Men presents a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social and political shifts that have so transformed the American landscape. Downward mobility, increased racial and gender equality, and a tenacious clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. Angry White Men discusses, among others, the sons of small town America, scarred by underemployment and wage stagnation. When America's white men feel they've lived their lives the ‘right' way – worked hard and stayed out of trouble – and still do not get economic rewards, then they have to blame somebody else. Even more terrifying is the phenomenon of angry young boys. School shootings in the United States are not just the work of “misguided youth” or “troubled teens”—they're all committed by boys. These alienated young men are transformed into mass murderers by a sense that using violence against others is their right. The future of America is more inclusive and diverse. The choice for angry white men is not whether or not they can stem the tide of history: they cannot. Their choice is whether or not they will be dragged kicking and screaming into that inevitable future, or whether they will walk openly and honorably – far happier and healthier incidentally – alongside those they've spent so long trying to exclude.
Publisher: Nation Books
ISBN: 1568589646
Category : Social Science
Languages : en
Pages : 276
Book Description
"[W]e can't come off as a bunch of angry white men.” Robert Bennett, chairman of the Ohio Republican Party One of the enduring legacies of the 2012 Presidential campaign was the demise of the white American male voter as a dominant force in the political landscape. On election night, after Obama was announced the winner, a distressed Bill O'Reilly lamented that he didn't live in “a traditional America anymore.” He was joined by others who bellowed their grief on the talk radio airwaves, the traditional redoubt of angry white men. Why were they so angry? Sociologist Michael Kimmel, one of the leading writers on men and masculinity in the world today, has spent hundreds of hours in the company of America's angry white men – from white supremacists to men's rights activists to young students –in pursuit of an answer. Angry White Men presents a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social and political shifts that have so transformed the American landscape. Downward mobility, increased racial and gender equality, and a tenacious clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. Angry White Men discusses, among others, the sons of small town America, scarred by underemployment and wage stagnation. When America's white men feel they've lived their lives the ‘right' way – worked hard and stayed out of trouble – and still do not get economic rewards, then they have to blame somebody else. Even more terrifying is the phenomenon of angry young boys. School shootings in the United States are not just the work of “misguided youth” or “troubled teens”—they're all committed by boys. These alienated young men are transformed into mass murderers by a sense that using violence against others is their right. The future of America is more inclusive and diverse. The choice for angry white men is not whether or not they can stem the tide of history: they cannot. Their choice is whether or not they will be dragged kicking and screaming into that inevitable future, or whether they will walk openly and honorably – far happier and healthier incidentally – alongside those they've spent so long trying to exclude.
Office of Air Programs Publication
Author: United States. Environmental Protection Agency. Office of Air Programs
Publisher:
ISBN:
Category : Air
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : Air
Languages : en
Pages : 970
Book Description
Biological Aspects of Lead: an Annotated Bibliography; Literature from 1950 Through 1964
Author: Irene R. Campbell
Publisher:
ISBN:
Category : Lead
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Lead
Languages : en
Pages : 380
Book Description
Control and Disposal of Cotton-ginning Wastes
Author: Julius Korshover
Publisher:
ISBN:
Category : Air
Languages : en
Pages : 968
Book Description
Publisher:
ISBN:
Category : Air
Languages : en
Pages : 968
Book Description
To be Suddenly White
Author: Steven J. Belluscio
Publisher: University of Missouri Press
ISBN: 0826264859
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
To Be Suddenly White explores the troubled relationship between literary passing and literary realism, the dominant aesthetic motivation behind the late-nineteenth and early-twentieth-century ethnic texts considered in this study. Steven J. Belluscio uses the passing narrative to provide insight into how the representation of ethnic and racial subjectivity served, in part, to counter dominant narratives of difference. To Be Suddenly White offers new readings of traditional passing narratives from the African American literary tradition, such as James Weldon Johnson's The Autobiography of an Ex-Coloured Man, Nella Larsen's Passing, and George Schuyler's Black No More. It is also the first full-length work to consider a number of Jewish American and Italian American prose texts, such as Mary Antin's The Promised Land, Anzia Yezierska's Bread Givers, and Guido d'Agostino's Olives on the Apple Tree, as racial passing narratives in their own right. Belluscio also demonstrates the contradictions that result from the passing narrative's exploration of racial subjectivity, racial difference, and race itself. When they are seen in comparison, ideological differences begin to emerge between African American passing narratives and "white ethnic" (Jewish American and Italian American) passing narratives. According to Belluscio, the former are more likely to engage in a direct critique of ideas of race, while the latter have a tendency to become more simplistic acculturation narratives in which a character moves from a position of ethnic difference to one of full American identity. The desire "to be suddenly white" serves as a continual point of reference for Belluscio, enabling him to analyze how writers, even when overtly aware of the problematic nature of race (especially African American writers), are also aware of the conditions it creates, the transformations it provokes, and the consequences of both. Byexamining the content and context of these works, Belluscio elucidates their engagement with discourses of racial and ethnic differences, assimilation, passing, and identity, an approach that has profound implications for the understanding of American literary history.
Publisher: University of Missouri Press
ISBN: 0826264859
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
To Be Suddenly White explores the troubled relationship between literary passing and literary realism, the dominant aesthetic motivation behind the late-nineteenth and early-twentieth-century ethnic texts considered in this study. Steven J. Belluscio uses the passing narrative to provide insight into how the representation of ethnic and racial subjectivity served, in part, to counter dominant narratives of difference. To Be Suddenly White offers new readings of traditional passing narratives from the African American literary tradition, such as James Weldon Johnson's The Autobiography of an Ex-Coloured Man, Nella Larsen's Passing, and George Schuyler's Black No More. It is also the first full-length work to consider a number of Jewish American and Italian American prose texts, such as Mary Antin's The Promised Land, Anzia Yezierska's Bread Givers, and Guido d'Agostino's Olives on the Apple Tree, as racial passing narratives in their own right. Belluscio also demonstrates the contradictions that result from the passing narrative's exploration of racial subjectivity, racial difference, and race itself. When they are seen in comparison, ideological differences begin to emerge between African American passing narratives and "white ethnic" (Jewish American and Italian American) passing narratives. According to Belluscio, the former are more likely to engage in a direct critique of ideas of race, while the latter have a tendency to become more simplistic acculturation narratives in which a character moves from a position of ethnic difference to one of full American identity. The desire "to be suddenly white" serves as a continual point of reference for Belluscio, enabling him to analyze how writers, even when overtly aware of the problematic nature of race (especially African American writers), are also aware of the conditions it creates, the transformations it provokes, and the consequences of both. Byexamining the content and context of these works, Belluscio elucidates their engagement with discourses of racial and ethnic differences, assimilation, passing, and identity, an approach that has profound implications for the understanding of American literary history.