Author: Janet Montefiore
Publisher: Routledge
ISBN: 1134915004
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Men and Women Writers of the 1930s is a searching critique of the issues of memory and gender during this dynamic decade. Montefiore asks two principle questions; what part does memory play in the political literature of and about 1930s Britain? And what were the roles of women, both as writers and as signifying objects in constructing that literature? Montefiore's topical analysis of 1930s mass unemployment, fascist uprise and 'appeasement' is shockingly relevant in society today. Issues of class, anti-fascist historical novels, post war memoirs of 'Auden generation' writers and neglected women poets are discussed at length. Writers include: * George Orwell * Virginia Woolf * W.H. Auden * Storm Jameson * Jean Rhys * Rebecca West
Men and Women Writers of the 1930s
Author: Janet Montefiore
Publisher: Routledge
ISBN: 1134915004
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Men and Women Writers of the 1930s is a searching critique of the issues of memory and gender during this dynamic decade. Montefiore asks two principle questions; what part does memory play in the political literature of and about 1930s Britain? And what were the roles of women, both as writers and as signifying objects in constructing that literature? Montefiore's topical analysis of 1930s mass unemployment, fascist uprise and 'appeasement' is shockingly relevant in society today. Issues of class, anti-fascist historical novels, post war memoirs of 'Auden generation' writers and neglected women poets are discussed at length. Writers include: * George Orwell * Virginia Woolf * W.H. Auden * Storm Jameson * Jean Rhys * Rebecca West
Publisher: Routledge
ISBN: 1134915004
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Men and Women Writers of the 1930s is a searching critique of the issues of memory and gender during this dynamic decade. Montefiore asks two principle questions; what part does memory play in the political literature of and about 1930s Britain? And what were the roles of women, both as writers and as signifying objects in constructing that literature? Montefiore's topical analysis of 1930s mass unemployment, fascist uprise and 'appeasement' is shockingly relevant in society today. Issues of class, anti-fascist historical novels, post war memoirs of 'Auden generation' writers and neglected women poets are discussed at length. Writers include: * George Orwell * Virginia Woolf * W.H. Auden * Storm Jameson * Jean Rhys * Rebecca West
Men and Women Writers of the 1930s
Author: Janet Montefiore
Publisher: Routledge
ISBN: 1134915012
Category : Education
Languages : en
Pages : 277
Book Description
This book examines in detail the contribution of women writers through their memoirs, fiction and poetry to the literature of the 1930s. The author challenges the traditional literary analyses of this dynamic and politically charged decade.
Publisher: Routledge
ISBN: 1134915012
Category : Education
Languages : en
Pages : 277
Book Description
This book examines in detail the contribution of women writers through their memoirs, fiction and poetry to the literature of the 1930s. The author challenges the traditional literary analyses of this dynamic and politically charged decade.
Writing Red
Author: Charlotte Nekola
Publisher: Haymarket Books
ISBN: 1642596809
Category : Social Science
Languages : en
Pages : 445
Book Description
This comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is “peopled with questioning, caring, socially committed women writers.”
Publisher: Haymarket Books
ISBN: 1642596809
Category : Social Science
Languages : en
Pages : 445
Book Description
This comprehensive collection of fiction, poetry, and reportage by revolutionary women of the 1930s lays to rest the charge that feminism disappeared after 1920. Among the thirty-six writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Other voices may be new to readers, including many working-class Black and white women. Topics covered range from sexuality and family relationships, to race, class, and patriarchy, to party politics. Toni Morrison writes that the anthology is “peopled with questioning, caring, socially committed women writers.”
British Women Writers 1914-1945
Author: Catherine Clay
Publisher: Routledge
ISBN: 1351954504
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
Publisher: Routledge
ISBN: 1351954504
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
Daughters of the Great Depression
Author: Laura Hapke
Publisher: University of Georgia Press
ISBN: 9780820319087
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Daughters of the Great Depression is a reinterpretation of more than fifty well-known and rediscovered works of Depression-era fiction that illuminate one of the decade's central conflicts: whether to include women in the hard-pressed workforce or relegate them to a literal or figurative home sphere. Laura Hapke argues that working women, from industrial wage earners to business professionals, were the literary and cultural scapegoats of the 1930s. In locating these key texts in the "don't steal a job from a man" furor of the time, she draws on a wealth of material not usually considered by literary scholars, including articles on gender and the job controversy; Labor Department Women's Bureau statistics; "true romance" stories and "fallen woman" films; studies of African American women's wage earning; and Fortune magazine pronouncements on white-collar womanhood. A valuable revisionist study, Daughters of the Great Depression shows how fiction's working heroines--so often cast as earth mothers, flawed mothers, lesser comrades, harlots, martyrs, love slaves, and manly or apologetic professionals--joined their real-life counterparts to negotiate the misogynistic labor climate of the 1930s.
Publisher: University of Georgia Press
ISBN: 9780820319087
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Daughters of the Great Depression is a reinterpretation of more than fifty well-known and rediscovered works of Depression-era fiction that illuminate one of the decade's central conflicts: whether to include women in the hard-pressed workforce or relegate them to a literal or figurative home sphere. Laura Hapke argues that working women, from industrial wage earners to business professionals, were the literary and cultural scapegoats of the 1930s. In locating these key texts in the "don't steal a job from a man" furor of the time, she draws on a wealth of material not usually considered by literary scholars, including articles on gender and the job controversy; Labor Department Women's Bureau statistics; "true romance" stories and "fallen woman" films; studies of African American women's wage earning; and Fortune magazine pronouncements on white-collar womanhood. A valuable revisionist study, Daughters of the Great Depression shows how fiction's working heroines--so often cast as earth mothers, flawed mothers, lesser comrades, harlots, martyrs, love slaves, and manly or apologetic professionals--joined their real-life counterparts to negotiate the misogynistic labor climate of the 1930s.
Women Writers of the 1930s
Author: Maroula Joannou
Publisher: Edinburgh : Edinburgh University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
This volume of new writings has a double purpose: to question Auden's description of the 1930s as a 'low dishonest decade' and to draw attention to the richness, complexity and diversity of women's writing of the period and how this deals with issues of politics, gender and history. The writers discussed include Elizabeth von Arnim, Elizabeth Bowen, Katherine Burdekin, Nancy Cunard, Storm Jameson, Rosamond Lehmann, Naomi Mitchison, Jean Rhys, Sylvia Townsend Warner, Rebecca West and Virginia Woolf.Key Features* A clear and informative introduction by Maroula Joannou sets the writers in historical and literary context* The essays deal with Modernist texts as well as traditional modes of writing, and with neglected and well-known writers* An important challenge to the ways in which the literature of the 1930s has been traditionally understood which questions the myth of the Auden generation* Brings together a range of distinguished contributors all of whom are experienced university teachers who all contribute new research
Publisher: Edinburgh : Edinburgh University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
This volume of new writings has a double purpose: to question Auden's description of the 1930s as a 'low dishonest decade' and to draw attention to the richness, complexity and diversity of women's writing of the period and how this deals with issues of politics, gender and history. The writers discussed include Elizabeth von Arnim, Elizabeth Bowen, Katherine Burdekin, Nancy Cunard, Storm Jameson, Rosamond Lehmann, Naomi Mitchison, Jean Rhys, Sylvia Townsend Warner, Rebecca West and Virginia Woolf.Key Features* A clear and informative introduction by Maroula Joannou sets the writers in historical and literary context* The essays deal with Modernist texts as well as traditional modes of writing, and with neglected and well-known writers* An important challenge to the ways in which the literature of the 1930s has been traditionally understood which questions the myth of the Auden generation* Brings together a range of distinguished contributors all of whom are experienced university teachers who all contribute new research
The Frontiers of Women's Writing
Author: Brigitte Georgi-Findlay
Publisher: University of Arizona Press
ISBN: 0816549346
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
Although the myth of the American frontier is largely the product of writings by men, a substantial body of writings by women exists that casts the era of western expansion in a different light. In this study of American women's writings about the West between 1830 and 1930, a European scholar provides a reconstruction and new vision of frontier narrative from a perspective that has frequently been overlooked or taken for granted in discussions of the frontier. Brigitte Georgi-Findlay presents a range of writings that reflects the diversity of the western experience. Beginning with the narratives of Caroline Kirkland and other women of the early frontier, she reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional writings, focusing largely on travel, by women such as Caroline Leighton from the regional publishing cultures that emerged in the Far West during the last quarter of the century; and late-nineteenth- and early-twentieth-century accounts of missionaries and teachers on Indian reservations. Most of the writers were white, literate women who asserted their own kind of cultural authority over the lands and people they encountered. Their accounts are not only set in relation to a masculine frontier myth but also investigated for clues about their own involvement with territorial expansion. By exploring the various ways in which women writers actively contributed to and at times rejected the development of a national narrative of territorial expansion based on empire building and colonization, the author shows how their accounts are implicated in expansionist processes at the same time that they formulate positions of innocence and detachment. Georgi-Findlay has drawn on American studies scholarship, feminist criticism, and studies of colonial discourse to examine the strategies of women's representation in writing about the West in ways that most theorists have not. She critiques generally accepted stereotypes and assumptions--both about women's writing and its difference of view in particular, and about frontier discourse and the rhetoric of westward expansion in general--as she offers a significant contribution to literary studies of the West that will challenge scholars across a wide range of disciplines.
Publisher: University of Arizona Press
ISBN: 0816549346
Category : Literary Criticism
Languages : en
Pages : 374
Book Description
Although the myth of the American frontier is largely the product of writings by men, a substantial body of writings by women exists that casts the era of western expansion in a different light. In this study of American women's writings about the West between 1830 and 1930, a European scholar provides a reconstruction and new vision of frontier narrative from a perspective that has frequently been overlooked or taken for granted in discussions of the frontier. Brigitte Georgi-Findlay presents a range of writings that reflects the diversity of the western experience. Beginning with the narratives of Caroline Kirkland and other women of the early frontier, she reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional writings, focusing largely on travel, by women such as Caroline Leighton from the regional publishing cultures that emerged in the Far West during the last quarter of the century; and late-nineteenth- and early-twentieth-century accounts of missionaries and teachers on Indian reservations. Most of the writers were white, literate women who asserted their own kind of cultural authority over the lands and people they encountered. Their accounts are not only set in relation to a masculine frontier myth but also investigated for clues about their own involvement with territorial expansion. By exploring the various ways in which women writers actively contributed to and at times rejected the development of a national narrative of territorial expansion based on empire building and colonization, the author shows how their accounts are implicated in expansionist processes at the same time that they formulate positions of innocence and detachment. Georgi-Findlay has drawn on American studies scholarship, feminist criticism, and studies of colonial discourse to examine the strategies of women's representation in writing about the West in ways that most theorists have not. She critiques generally accepted stereotypes and assumptions--both about women's writing and its difference of view in particular, and about frontier discourse and the rhetoric of westward expansion in general--as she offers a significant contribution to literary studies of the West that will challenge scholars across a wide range of disciplines.
A Jury of Her Peers
Author: Elaine Showalter
Publisher: Vintage
ISBN: 1400034426
Category : Literary Criticism
Languages : en
Pages : 610
Book Description
An unprecedented literary landmark: the first comprehensive history of American women writers from 1650 to the present. In a narrative of immense scope and fascination, here are more than 250 female writers, including the famous—Harriet Beecher Stowe, Dorothy Parker, Flannery O’Connor, and Toni Morrison, among others—and the little known, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. Showalter integrates women’s contributions into our nation’s literary heritage with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place.
Publisher: Vintage
ISBN: 1400034426
Category : Literary Criticism
Languages : en
Pages : 610
Book Description
An unprecedented literary landmark: the first comprehensive history of American women writers from 1650 to the present. In a narrative of immense scope and fascination, here are more than 250 female writers, including the famous—Harriet Beecher Stowe, Dorothy Parker, Flannery O’Connor, and Toni Morrison, among others—and the little known, from the early American bestselling novelist Catherine Sedgwick to the Pulitzer Prize-winning playwright Susan Glaspell. Showalter integrates women’s contributions into our nation’s literary heritage with brilliance and flair, making the case for the unfairly overlooked and putting the overrated firmly in their place.
Labor & Desire
Author: Paula Rabinowitz
Publisher: Univ of North Carolina Press
ISBN: 9780807843321
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges th
Publisher: Univ of North Carolina Press
ISBN: 9780807843321
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges th
Irish Writers and the Thirties
Author: Katrina Goldstone
Publisher: Routledge
ISBN: 1000291014
Category : History
Languages : en
Pages : 210
Book Description
This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects of a Leftist cultural history. The book also explores how Irish literary women on the Left defied marginalization. The impetus of the book is not merely to perform an act of literary salvage but to find new ways of re-imagining what might be said to constitute Irish literature mid-twentieth century; and to illustrate how Irish writers played a role in a transforming political moment of the twentieth century. It will be of interest to scholars and students of cultural history and literature, Irish diaspora studies, Jewish studies, and the social and literary history of the Thirties.
Publisher: Routledge
ISBN: 1000291014
Category : History
Languages : en
Pages : 210
Book Description
This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects of a Leftist cultural history. The book also explores how Irish literary women on the Left defied marginalization. The impetus of the book is not merely to perform an act of literary salvage but to find new ways of re-imagining what might be said to constitute Irish literature mid-twentieth century; and to illustrate how Irish writers played a role in a transforming political moment of the twentieth century. It will be of interest to scholars and students of cultural history and literature, Irish diaspora studies, Jewish studies, and the social and literary history of the Thirties.