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Author: Chuck Klosterman
Publisher: Penguin
ISBN: 0735217971
Category : Social Science
Languages : en
Pages : 385
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Book Description
An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
Author: Chuck Klosterman
Publisher: Penguin
ISBN: 0735217971
Category : Social Science
Languages : en
Pages : 385
Get Book Here
Book Description
An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
Author: Sir Max Beerbohm
Publisher: CreateSpace
ISBN: 9781502880000
Category : Fiction
Languages : en
Pages : 34
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Book Description
"[...]had another book coming out soon. I asked if I might ask what kind of book it was to be. "My poems," he answered. Rothenstein asked if this was to be the title of the book. The poet meditated on this suggestion, but said he rather thought of giving the book no title at all. "If a book is good in itself—" he murmured, and waved his cigarette. Rothenstein objected that absence of title might be bad for the sale of a book. "If," he urged, "I went into a bookseller's and said simply, 'Have you got?' or, 'Have you a copy of?' how would they know what I wanted?" "Oh, of course I should have my name on the cover," Soames answered earnestly. "And I rather want," he added, looking hard at Rothenstein, "to have a drawing of myself as frontispiece." Rothenstein admitted that this was a capital idea, and mentioned that he was going into the country and would be there for some time. He then looked at his watch, exclaimed at the hour, paid the waiter, and went away with me to dinner. Soames remained at his post of fidelity to the glaucous witch. "Why were you so determined not to draw him?" I asked.[...]".
Author: Amber Humphrey
Publisher: Harry N. Abrams
ISBN: 9781419706783
Category : Art
Languages : en
Pages : 0
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Book Description
Celebrates the pop culture of the 1990s, including Tamagotchi, the Mighty Morphin' Power Rangers, and the Spice Girls.
Author: Chuck Klosterman
Publisher: Simon and Schuster
ISBN: 9780743236010
Category : History
Languages : en
Pages : 278
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Book Description
Now in paperback after six hardback printings, the damn funny...wild collection of bracingly intelligent essays about topics that aren't quite as intelligent as Chuck Klosterman'(Esquire). Following the success of Fargo Rock City, Klosterman, a senior writer at Spin magazine, is back with a hilarious and savvy manifesto for a youth gone wild on pop culture and media, taking on everything from Guns'n'Roses tribute bands to Christian fundamentalism to internet porn. 'Maddeningly smart and funny' - Washington Post'
Author: Gael Fashingbauer Cooper
Publisher: Penguin
ISBN: 1101623993
Category : Reference
Languages : en
Pages : 258
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Book Description
If you can tell the difference between the Petes in Pete & Pete, know every step to the Macarena by heart, and remember when The Real World was about more than just drunken hookups, The Totally Sweet ’90s will be a welcome trip down memory lane. With this hella cool guide, you’ll reminisce about that glorious decade when Beanie Babies seemed like a smart economic investment and Kris Kross had you wearing your pants backward. Whether you contracted dysentery on the Oregon Trail or longed to attend Janet Reno’s Dance Party, you’ll get a kick out of seeing which toys, treats, and trends stayed around, and which flopped. So throw your ponytail into a scrunchie, take a swig from your can of Surge, and join us on this ride through the unforgettable (and sometimes unforgivable) trends of the ’90s.
Author: Chuck Klosterman
Publisher: Penguin
ISBN: 0735217963
Category : Social Science
Languages : en
Pages : 385
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Book Description
An instant New York Times bestseller! From the bestselling author of But What if We’re Wrong, a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history. It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. The 90s brought about a revolution in the human condition we’re still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like "Cop Killer" and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a 90’s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, “The video for ‘Smells Like Teen Spirit’ was not more consequential than the reunification of Germany” make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
Author: Stephen Langdon
Publisher: Tate Publishing
ISBN: 1616635215
Category : Fiction
Languages : en
Pages : 380
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Book Description
Back then you played hardTill The Streetlights Came On. It was a time when chores were plentiful and toys were simple; when bad attitudes weren't treated with a prescription—you just beat the kid good. Video games and shopping malls didn't exist, and hands got dirty in backyards and vacant lots. Such was the life of Stevie, a boy addicted to play. Whether being burned at the stake as a cowboy or escaping a Nazi POW camp, Stevie's life is one adventure after another—often comical, but always filled with spiritual consequence. Or at least that's the way his guardian, Uncle Harry, sees it. Whether facing the 'green mile' to pick out his own switch, being consigned to dreaded 'miscellaneous chores,' or obediently struggling to follow the complexities of how questioning the intelligence (or lack there of) of cats relates to the reality of God, Stevie knows he can always rely on Uncle Harry to provide answers—whether he can understand them or not—and look after his immortal soul. Capturing the waywardness of youth, and all the hilarity inherent in young boys and their crackbrained schemes, author Stephen Langdon's stories will keep you reading till the streetlights come on.
Author: The Editors of Rolling Stone
Publisher: Harper Collins
ISBN: 0061779202
Category : Music
Languages : en
Pages : 308
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Book Description
At no time since the rock & roll explosion of the 1960s did music matter more than in the 1990s—the decade of grunge, gangsta rap and Britney Spears. The Nineties might have kicked off with Vanilla Ice, but music changed forever the following year when Nirvana's "Smells Like Teen Spirit" exploded onto the airwaves, giving birth to the alternative nation. The decade spawned dozens of new stars (Pearl Jam, Eminem, Dave Matthews, Christina Aguilera and Jay-Z among them); top artists from U2 to Madonna made their most adventurous records; and hip-hop icons Tupac Shakur and Biggie Smalls met violent ends. Rolling Stone was there to tell all those stories and more—and The '90s collects the best of them: the last major interview with Kurt Cobain, conducted by David Fricke three months before the Nirvana singer took his life in 1994; Jonathan Gold's 1993 trip to Compton to check in with Snoop Dogg and Dr. Dre; Carrie Fisher's intimate one-on-one with Madonna following her 1991 film, Truth or Dare; Kim Neely partying with a riot-starting Guns n' Roses in 1991; Anthony Bozza riding along with an Ecstasy-gobbling Eminem in 1999; and, that same year, Steven Daly's visit to the bedroom of a teenage Britney Spears. Packed with over fifty stories, portraits by the biggest names in photography including Mark Seliger, David LaChapelle and Steven Meisel, and a guide to the decade's hundred greatest albums, The '90s is a definitive look back at the decade that rocked.
Author: Ann Galbally
Publisher: Melbourne Univ. Publishing
ISBN: 9780522850840
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Charles Conder was one of the youngest, most original and most talented members of the Heidelberg School of impressionist painters, and one of the few to achieve a lasting reputation outside Australia. His work hangs in many major collections, including the Tate Britain, the Victoria and Albert Museum and the National Portrait Gallery in London and the Metropolitan Museum in New York. Conder painted the Hawkesbury region and Sydney's beaches, including Coogee with Tom Roberts-who invited him to Melbourne. There he joined the artists' camps at Box Hill and Heidelberg, painted urban and bayside scenes and was a major instigator of the famous '9 x 5' Exhibition in 1889. As in Sydney, his carefree charm and delicate, witty paintings endeared him to literary and artistic circles. Paris beckoned early, and he soon fell in with the fin de si cle generation led by Oscar Wilde, Henri de Toulouse-Lautrec and Aubrey Beardsley. He embraced Bohemia, was forever in debt, worked erratically but unceasingly and lived as if there were no tomorrow. Although Conder was rescued from poverty by marriage to a wealthy Canadian widow, his bohemian past eventually called in its account. Tragically, he descended into syphilitic madness and died in his fortieth year. Conder's was a beguiling, charmed, desperate life. He was handsome and rakish and sociable-sensitive to people and place, and extraordinarily talented. Yet his work has been long neglected. If he was waiting for the right biographer, Conder's patience has been vindicated. Ann Galbally investigates her subject with scholarly rigour, but writes with lightness of touch and with passion, sharing her fascination with the people and places Conder knew. This is a splendid biography of a gifted artist whose personal style and unconventional life will appeal to another fin de siecle generation of readers.
Author: Frederick C. Crews
Publisher:
ISBN:
Category : Medical
Languages : en
Pages : 328
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Book Description
This volume contains two essays by Frederick Crews attacking Freudian psychoanalysis and its aftermath in the so-called recovered memory movement. The first essay reviews a growing body of evidence indicating that Freud doctored his data and manipulated his colleagues in an effort to consolidate a cult-life following that would neither defy nor upstage him. The second essay challenges the scientific and therapeutic claims of the rapidly growing recovered-memory movement, maintaining that its social effects have been devestating.
